Dan Laurence – författare
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8 produkter
8 produkter
Häftad, Engelska, 2000
138 kr
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Shaw began writing MAN AND SUPERMAN in 1901 and determined to write a play that would encapsulate the new century's intellectual inheritance. Shaw drew not only on Byron's verse satire, but also on Shakespeare, the Victorian comedy fashionable in his early life, and from authors from Conan Doyle to Kipling. In this powerful drama of ideas, Shaw explores the role of the artist, the function of women in society, and his theory of Creative Evolution.As Stanley Weintraub says in his new introduction, this is "the first great twentieth-century English play" and remains a classic exposé of the eternal struggle between the sexes.
Häftad, Engelska, 2000
119 kr
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Andrew Undershaft, a millionaire armaments manufacturer, loves money and despises poverty. His estranged daughter Barbara, on the other hand, shows her love for the poor by throwing her energies into her work as a Major in the Salvation Army, and sees her father as another soul to be saved. But when the Army needs funds to keep going, it is Undershaft who saves the day with a large cheque - forcing Barbara to examine her moral assumptions. Are they right to accept money that has been obtained by 'Death and Destruction'? Full of lively comedy and sparkling debate, Major Barbara is one of Shaw's most forward-looking plays, brilliantly testing the tensions between religion, wealth and power, benevolence and equality, and metaphors and realities of war.
Häftad, Engelska, 2001
119 kr
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One of Shaw's most unusual and enduringly popular plays. With SAINT JOAN (1923) Shaw reached the height of his fame and Joan is one of his finest creations; forceful, vital, and rebelling against the values that surround her. The play distils Shaw's views on the subjects of politics, religion and creative evolution.
Häftad, Engelska, 2000
168 kr
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With Plays Unpleasant, Shaw issued a radical challenge to his audiences' complacency and exposed social evils through his dramatization of the moral conflicts between youthful idealism and economic reality, promiscuity and marriage, and the duties of women to others and to themselves. His first play, Widowers' Houses, depicts Harry Trench's dilemma on learning that the inheritance of his fiancée comes from her father's income as a slum landlord. In The Philanderer, charismatic Leonard Charteris proposes marriage to Grace, while he is still involved with the beautiful Julia Craven - who is not inclined to give him up so easily. And in Mrs Warren's Profession, Vivie Warren is forced to reconsider her own future when she discovers that her mother's immoral earnings funded her genteel upbringing.
Häftad, Engelska, 2003
179 kr
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One of Bernard Shaw’s most glittering comedies, Arms and the Man is a burlesque of Victorian attitudes to heroism, war and empire. In the contrast between Bluntschli, the mercenary soldier, and the brave leader, Sergius, the true nature of valour is revealed. Shaw mocks deluded idealism in Candida, when a young poet becomes infatuated with the wife of a Socialist preacher. The Man of Destiny is a witty war of words between Napoleon and a ‘strange lady’, while in the exuberant farce You Never Can Tell a divided family is reunited by chance. Although Shaw intended Plays Pleasant to be gentler comedies than those in their companion volume, Plays Unpleasant, their prophetic satire is sharp and provocative.
Häftad, Engelska, 1987
168 kr
Skickas
Androcles and the Lion is a 1912 play written by George Bernard Shaw.Androcles and the Lion is Shaw's retelling of the tale of Androcles, a slave who is saved by the requited mercy of a lion. In the play, Shaw makes Androcles out to be one of many Christians being led to the Colosseum for torture. Characters in the play exemplify several themes and takes on both modern and supposed early Christianity, including cultural clash between Jesus' teachings and traditional Roman values.
Häftad, Engelska, 1987
169 kr
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Shaw's humorous satire of the medical profession.
Häftad, Engelska, 1990
169 kr
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While some of Shaw’s earlier plays are still performed, his later plays, such as the ones in this volume, are barely known. As the collective title indicates, the themes here are political; yet, frankly, it is doubtful how seriously we can now take Shaw as a political thinker. Despite writing in the 1930s, he has little to say of the nature of totalitarianism: although he satirises Fascist dictators in “Geneva”, the satire is disappointingly mild. Neither did Shaw appear to foresee (on the evidence of these plays, at least) the imminent collapse of the British Empire.But it is Shaw the dramatist rather than Shaw the political philosopher who still holds our attention – even in plays as explicitly political as these. He had a sharp intellect and a quirky sense of humour, and his dialogue still glints and sparkles: he couldn’t write a dull line if he tried. No matter how serious the themes he addresses, the crispness of his writing and his lightness of touch still scintillate.Shaw seems, perhaps unfairly, out of fashion nowadays. But even in these lesser-known works, he demonstrates his matchless ability, still undimmed, to provoke and to entertain.