Dana E Stewart – författare

Examines the preservation of the integrity of humanity through literature in the hells described by Dante in his Inferno and by Primo Levi in Survival in Auschwitz."Songs Beyond Mankind: Poetry and the Lager from Dante to Primo Levi" is the eighteenth in a series of publications occasioned by the annual Bernardo Lecture at the Center for Medieval and Renaissance Studies (CEMERS) at Binghamton University. This series offers public lectures that have been given by distinguished medieval and Renaissance scholars on topics and figures representative of these two important historical, religious, and intellectual periods.Professor Pertile's lecture, "Songs Beyond Mankind," asks whether there is a degree of suffering and degradation beyond which a man or woman ceases to be a human being, a point beyond which our soul dies and what survives is pure physiology. And, if yes, to what extent may literature be capable of preserving our humanity in the face of unspeakable pain? These are some of the issues that this lecture addresses by considering two systems of suffering, the hells described by Dante in his Inferno and Primo Levi in Survival in Auschwitz.

Examines the interplay between reading and writing in the works of Petrarch and Dante.Building upon his 2008 book Dante and the Making of a Modern Author, Albert Russell Ascoli here reflects on the extent to which Petrarch's addresses to and figurations of his relationship to his readers intersect with the oft-asserted "modernity" of his authorial stances. In particular, Ascoli argues that following in the wake of Dante's double staging of himself as reader of his own works (especially in the Vita Nuova), Petrarch shows a keen and probing awareness of how the process of poetic signification involves a continual interchange between author and reader, as well as a strong desire to control the nature of that interchange as much as he can. Ascoli asserts that between Dante and Petrarch two primary-and contradictory-features of literary modernity can be identified: the affirmation of the preeminence of authorial intention and the foregrounding of readerly freedom of interpretation.The Aldo S. Bernardo Lecture Series in the Humanities honors Professor Emeritus Aldo S. Bernardo, his scholarship in medieval Italian literature, and his service to Binghamton University as Professor of Romance Languages and University Distinguished Service Professor. The Bernardo Lecture Series is endowed by the Bernardo Fund and administered by Binghamton University's Center for Medieval and Renaissance Studies (CEMERS), which Professor Bernardo cofounded and codirected with Professor Bernard Huppé from 1966 to 1973. The series offers annual lectures by distinguished scholars on topics related to Professor Bernardo's primary fields of interest-medieval and Renaissance Italian literature, with a particular focus on Dante Studies, and intellectual history.