Daniel Altamiranda - Böcker

Writers and editors of Spanish have long needed an authoritative guide to written language usage, similar to The MLA Style Manual and The Chicago Manual of Style. And here it is! This reference guide provides comprehensive information on how the Spanish language is copyedited for publication. The book covers these major areas: Language basics: capitalization, word division, spelling, and punctuation. Language conventions: abbreviations, professional and personal titles, names of organizations, and nationalities. Bibliographic format, particularly how Spanish differs from English. Spanish language forms of classical authors' names. Literary and grammatical terminology. Linguistic terminology. Biblical names and allusions. A dictionary of grammatical doubts, including usage, grammatical constructions of particular words and phrases, verbal irregularities, and gender variations.

Gathered to meet the rising upsurge of interest in Spain, this collection features major critical articles dealing with the authors and texts customarily taught in colleges and universities in the United States. The articles are in English and Spanish, with a predominance of the former. The material is organized to reflect the common chronological and period divisions of the academic curriculum, and is clustered around major literary figures, with a mix of general articles on the writers and texts that are most commonly included in anthologies. Spanish literature and culture have attracted a renewed interest since the return to constitutional democracy in the mid-1970s and the growing participation of Spain in the world economy and its incorporation into the European common market. Spanish literature balances a participation in the major literary movements of European literature in general with unique features of Hispanic culture that are a consequence of the special circumstances of its geography, especially the ways in which it historically served as a conduit to Europe of Arabic and Jewish cultures. Figures of international acclaim like Federico Garc'a Lorca, Miguel de Unamuno, and José Ortega y Gasset, Nobel prizewinners like Vicente Aleixandre and Camilo José Cela, the universality of Miguel de Cervantes, without whom the modern novel would not have been possible, the uniqueness of the Hispanic ballad tradition, mystic poets like San Juan de la Cruz and Santa Teresa Jesus, and the picaresque tradition are some of the major reference points for the singularity of Spanish literary culture. All of this literary activity has inspired innumerable dissertations, theses, and books, published by academic and trade presses, as well as articles in journals traditionally devoted to literary history and philosophy, along with new specialized journals and the organization of national and international congresses on national and cultural issues, writers, and schools of writing. These three volumes select the most seminal works on Spanish literature and collect them in one place for scholars and students alike. This three volume collection of reprinted articles is also available as individual volumes priced at $80.00/Y [Can. $120.00/Y]: * Volume 1. Theoretical Debates 0815335636 Volume 2. From Origins to the 18th Century 0815335644 Volume 3. The Modern Period 0185335652

This volume brings together papers on various theoretical questions that have been raised in recent debates in Spanish American literary studies. It provides varying perspectives and explores diverse theoretical approaches to colonial culture, testimonial writing, gender studies, postmodernism, ethnic issues, politics and nationalism, and other important subjects.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

These critical studies propose innovative readings and overall reformulations of the texts and authors that stand as representative of the period for the contemporary reader. The first group of articles refers to reports, chronicles, and Renaissance epics, a vast block of texts that fall in most cases halfway between history and narrative fiction, and examine the experiences of the discovery, the conquest, and the colonization of the new territories. The second group concentrates on regionally marked texts from the Baroque period, especially those of the central figure of the Mexican nun poet and intellectual, Sor Juana In s de la Cruz. Finally, there are some essays on representative texts of the latter part of the colonial period.

The 19th century in Latin America begins with the weakening of the political institutions established by the Spanish Crown, the emergence of a native consciousness and the diffusion of the ideas of the French Revolution and the United States. These articles examine the phenomena that mark the onset of the new century: the series of revolutions and long military struggles for independence that placed large areas of territory under arms and resulted in the formation of strong and independent nation-states.

The greater body of Spanish American letters stands in somewhat of an ancillary relationship to the traditions that arose in Europe. Only at the end of the 19th century, with the emergence of modernismo, which was linked to European aesthetic movements such as French Parnassianism and Symbolism, there emerged a wave of literary innovations and experimentation that ushered in the modern era. This volume covers writers whose positions and reputations were established and consolidated prior to the crucial decade of the l960s.

For Latin American literature of the second half of the 20th century, critics have proposed such labels as new novel and new new novel, boom and post-boom, women's literature, testimonial, postmodern literature, and the like. Given the fact that none of these designations is entirely satisfactory for fully charting the complex map of literary phenomena, this volume features an arrangement based on the birthdate of the writers represented, with an emphasis on individuals who have transcended the boundaries of national literatures and achieved a certain international recognition.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Covering Spanish Literature from Origins to the 1700s. First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.