Daniel Brown – författare

Many books have been published in recent years on the topic of mahamudra, or meditation on the fundamentally clear nature of the mind. This book is different in the systematic way it draws from a variety of source texts in order to construct a complete, graded path of practice informed by an understanding of the particular obstacles faced by meditators in the West. Dan Brown is a clinical psychotherapist who has also spent much time evaluating the experiences of meditators on longterm retreats. He knows the Tibetan literature on mahamudra meditation and has over thirty years of both personal meditation experience and observation of the experiences of others. He co-wrote, with Ken Wilber and Jack Engler, the book Transformations in Consciousness, and he teaches an annual seminar on mahamudra meditation at the Esalen Institute. Pointing Out the Great Way is a spiritual manual that describes the Tibetan Buddhist meditation known as mahamudra from the perspective of the 'gradual path.' The gradual path is a progressive process of training that is often contrasted to sudden realization. As such, this book contains a step-by-step description of the ways to practice, precise descriptions of the various stages and their intended realizations, and the typical problems that arise along with their remedies. Simply put, mahamudra meditation involves penetrative focus, free of conceptual elaboration, upon the very nature of conscious awareness. A unique feature of this book is its integrative approach to the stages of mahamudra meditation. A number of works on Buddhist meditation stages in general and mahamudra meditation in particular are already available in English, yet none, single text or commentary on the stages of mahamudra meditation, captures the inner experience of these stages in sufficient detail to convey its richness. This book represents the needed alternative by integrating material from a variety of root texts, practical manuals, and commentaries. Another unique feature of this book is its relational approach. It is intended as a return to the original teacher/student style of teaching meditation, which may be better suited to Western culture than the monastic or retreat style of practice. The book distills and codifies the experiences of many great masters who have traversed the path of meditation to the point of perfect mastery.

The conventional picture of the young Hopkins as a conservative High-Church ritualist is starkly contested by this study which draws upon his unpublished Oxford essays on philosophy to reveal a boldly speculative intellectual liberal. Less concerned with Christian factionalism than with countering contemporary threats to faith itself, Hopkins' thought is seen to follow that of his teachers Benjamin Jowett and T. H. Green, who turned to Kant and Hegel to vouchsafe the grounds of Christian belief against contemporary scientism. Hopkins' personal metaphysic of 'inscape' and 'instress', which has long been recognized as crucial to the understanding of his poetry, is traced here to concepts derived from the 'British Idealism' he encountered at Oxford and the new energy physics of the 1850s and 1860s. By locating his thought at the intellectual avant-garde of his age, the striking modernity of his poetry need no longer be seen as an historical anomaly. The book offers radical re-readings not only of his metaphysics and theology, but also of his best-known poems.

In Schools with Heart , Brown explores voluntarism by using original data gathered from 185 interviews with public school principals, teachers, and volunteers, many of whom worked in schools known for their volunteer programs. Supplementing these data from other studies, this careful inquiry finds that volunteers offer much to schools. School volun

In Schools with Heart , Brown explores voluntarism by using original data gathered from 185 interviews with public school principals, teachers, and volunteers, many of whom worked in schools known for their volunteer programs. Supplementing these data from other studies, this careful inquiry finds that volunteers offer much to schools. School volun

Above the land and its horizon lies the celestial sphere, that great dome of the sky which governs light and darkness, critical to life itself, yet its influence is often neglected in the archaeological narrative. Visualising Skyscapes captures a growing interest in the emerging field of skyscape archaeology.This powerful and innovative book returns the sky to its rightful place as a central consideration in archaeological thought and can be regarded as a handbook for further research. Bookended by a foreword by archaeologist Gabriel Cooney and an afterword by astronomer Andrew Newsam, its contents have a wide-reaching relevance for the fields of archaeology, anthropology, ethnography, archaeoastronomy, astronomy, heritage and cultural studies. The volume balances six chapters on theory and methodology which elaborate on the history and practice of the field with six other chapters focused on case studies from around the world.Visualising Skyscapes captures the growing interest in the multidisciplinary study of skyscapes and will be of interest to academics, students and the general public, as well as having international appeal. It is topical, timely and relevant to current debates and will hopefully stimulate further interest in this exciting and relatively new area of investigation. The contributions showcase the work of distinguished academics in the field and the chapters are all enhanced by numerous photographs and images.

Includes a revised taxonomic outline for the phyla Bacteroidetes, Planctomycetes, Chlamydiae, Spirochetes, Fibrobacteres, Fusobacteria, Acidobacteria, Verrucomicrobia, Dictyoglomi, and Gemmatimonadetes based upon the SILVA project as well as a description of more than 153 genera in 29 families. Includes many medically important taxa.

Includes a revised taxonomic outline for the phyla Bacteroidetes, Planctomycetes, Chlamydiae, Spirochetes, Fibrobacteres, Fusobacteria, Acidobacteria, Verrucomicrobia, Dictyoglomi, and Gemmatimonadetes based upon the SILVA project as well as a description of more than 153 genera in 29 families. Includes many medically important taxa.

Hilary Fraser provides a comprehensive and thorough survey of English prose in the nineteenth century which draws from a wide variety of fields including art, literary theory and criticisim, biography, letters, journals, sermons, and travel reportage. Through these works the cultural, social, literary and political life of the twentieth century - a period of great intellectual activity - can be charted, discussed and assessed.For the first time, an inclusive critical survey of nineteenth-century non-fiction is presented, that traces the century's ideological and cultural upheavals as they are registered in the literary textures of some of its most widely read and influential writings.The book explores the relations between writers who are generally perceived as occupying different discursive spheres, for example between John Stuart Mill, Florence Nightingale and Mrs Beeton; between Cardinal Newman, Elizabeth Gaskell and Hannah Cullwick; and between Charles Darwin, David Livingstone and Henry Mayhew. The establishment and development of different genres and their interactions over the century are clearly mapped. The genre of the periodical essay, a distinctively modern and flexible form catering to the mass readership, is the subject of the introduction, and then more specialist fields are discussed, covering scientific writing, travel and exploration literature, social reportage, biography, autobiography, journals, letters, religious and philosophical prose, political writing and history.

This book introduces Hopkins' poetry and prose through its wide-ranging engagements with nature, language, science, philosophy, theology, prosody and social issues. Gerard Manley Hopkins did not write his poetry for his fellow Victorians nor indeed for the huge readership it has acquired since it was first published in 1918, almost forty years after his death. The present study argues that Hopkins' fascinatingly original poetry is the most complete expression of his life's work and that it becomes accessible when it is read with his prose writings as a passionate exploration of nature, language, philosophy, contemporary science, theology, and prosody, all of which are also drawn together in his central ideas of inscape and Sprung Rhythm. These contexts yield compelling new readings of the full range of his work, including his early poetry and his neglected poetic fragments, as well as those poems, such as The Windhover, by which he is best known. A final chapter steps back from the intensely private contexts in which the poetry was produced to examine its interactions with social issues of class and gender.

This book introduces Hopkins' poetry and prose through its wide-ranging engagements with nature, language, science, philosophy, theology, prosody and social issues. Gerard Manley Hopkins did not write his poetry for his fellow Victorians nor indeed for the huge readership it has acquired since it was first published in 1918, almost forty years after his death. The present study argues that Hopkins' fascinatingly original poetry is the most complete expression of his life's work and that it becomes accessible when it is read with his prose writings as a passionate exploration of nature, language, philosophy, contemporary science, theology, and prosody, all of which are also drawn together in his central ideas of inscape and Sprung Rhythm. These contexts yield compelling new readings of the full range of his work, including his early poetry and his neglected poetic fragments, as well as those poems, such as The Windhover, by which he is best known. A final chapter steps back from the intensely private contexts in which the poetry was produced to examine its interactions with social issues of class and gender.

The scope of Erika Fromm's profound contributions to the clinical and research literature in hypnosis and related areas is reflected in this volume, which consists of chapters written by those who have worked closely with the noted psychologist and/or have been significantly influenced by her. The subject matter presented here ranges from detailed accounts and personal observations relating to Fromm's distinguished career, to some very new and valuable data on the psychophysiological correlates of hypnosis, the phenomenology of self-hypnosis, and an integrative model for short-term therapy. Several extensions of clinical technique for the treatment of trauma and severe psychopathology are also discussed. Professional therapists with an interest in personal growth, self-awareness, and creative mastery, whether or not they already have an interest in hypnosis, will derive significant benefits from this book. Readers who have previously eschewed hypnosis may find that this volume stimulates an interest that enriches their clinical practice and/or research.

Daniel Brown's Subjects in Poetry is the first book to examine the broad and imposing topic of poetic subject matter, probing both what poems are about and how that influences their content. It comprises one poet's attempt to plumb the nature of his art, to ask how the selection of material remains a crucial yet unexplored area of poetic craft, and to suggest the vast range of possible subjects for poems.The book begins by venturing a novel definition of "subject," derived from Robert Frost's dictum that poetry constitutes an "art of having something to say." Brown posits that a poem can say something by expressing, evoking, or addressing. He considers each of these ways-of-saying in turn, first defining it and then looking at poems in which it predominates. Brown next makes a wide-ranging case for the value of subjects to poems, poets, and the art of poetry, especially at a time when many poems appear subjectless. He concludes the book with practical guidance on finding subjects, improving them, and realizing their potential.Replete with thoughtful readings of poems both classic and contemporary, Subjects in Poetry should appeal to poets across all levels and readers interested in understanding the art and practice of poetry.

In Schools with Heart , Brown explores voluntarism by using original data gathered from 185 interviews with public school principals, teachers, and volunteers, many of whom worked in schools known for their volunteer programs. Supplementing these data from other studies, this careful inquiry finds that volunteers offer much to schools. School volun

In Schools with Heart , Brown explores voluntarism by using original data gathered from 185 interviews with public school principals, teachers, and volunteers, many of whom worked in schools known for their volunteer programs. Supplementing these data from other studies, this careful inquiry finds that volunteers offer much to schools. School volun

A surprising number of Victorian scientists wrote poetry. Many came to science as children through such games as the spinning-top, soap-bubbles and mathematical puzzles, and this playfulness carried through to both their professional work and writing of lyrical and satirical verse. This is the first study of an oddly neglected body of work that offers a unique record of the nature and cultures of Victorian science. Such figures as the physicist James Clerk Maxwell toy with ideas of nonsense, as through their poetry they strive to delineate the boundaries of the new professional science and discover the nature of scientific creativity. Also considering Edward Lear, Daniel Brown finds the Victorian renaissances in research science and nonsense literature to be curiously interrelated. Whereas science and literature studies have mostly focused upon canonical literary figures, this original and important book conversely explores the uses literature was put to by eminent Victorian scientists.

A surprising number of Victorian scientists wrote poetry. Many came to science as children through such games as the spinning-top, soap-bubbles and mathematical puzzles, and this playfulness carried through to both their professional work and writing of lyrical and satirical verse. This is the first study of an oddly neglected body of work that offers a unique record of the nature and cultures of Victorian science. Such figures as the physicist James Clerk Maxwell toy with ideas of nonsense, as through their poetry they strive to delineate the boundaries of the new professional science and discover the nature of scientific creativity. Also considering Edward Lear, Daniel Brown finds the Victorian renaissances in research science and nonsense literature to be curiously interrelated. Whereas science and literature studies have mostly focused upon canonical literary figures, this original and important book conversely explores the uses literature was put to by eminent Victorian scientists.

Above the land and its horizon lies the celestial sphere, that great dome of the sky which governs light and darkness, critical to life itself, yet its influence is often neglected in the archaeological narrative. Visualising Skyscapes captures a growing interest in the emerging field of skyscape archaeology.This powerful and innovative book returns the sky to its rightful place as a central consideration in archaeological thought and can be regarded as a handbook for further research. Bookended by a foreword by archaeologist Gabriel Cooney and an afterword by astronomer Andrew Newsam, its contents have a wide-reaching relevance for the fields of archaeology, anthropology, ethnography, archaeoastronomy, astronomy, heritage and cultural studies. The volume balances six chapters on theory and methodology which elaborate on the history and practice of the field with six other chapters focused on case studies from around the world.Visualising Skyscapes captures the growing interest in the multidisciplinary study of skyscapes and will be of interest to academics, students and the general public, as well as having international appeal. It is topical, timely and relevant to current debates and will hopefully stimulate further interest in this exciting and relatively new area of investigation. The contributions showcase the work of distinguished academics in the field and the chapters are all enhanced by numerous photographs and images.

Hilary Fraser provides a comprehensive and thorough survey of English prose in the nineteenth century which draws from a wide variety of fields including art, literary theory and criticisim, biography, letters, journals, sermons, and travel reportage. Through these works the cultural, social, literary and political life of the twentieth century - a period of great intellectual activity - can be charted, discussed and assessed.For the first time, an inclusive critical survey of nineteenth-century non-fiction is presented, that traces the century's ideological and cultural upheavals as they are registered in the literary textures of some of its most widely read and influential writings.The book explores the relations between writers who are generally perceived as occupying different discursive spheres, for example between John Stuart Mill, Florence Nightingale and Mrs Beeton; between Cardinal Newman, Elizabeth Gaskell and Hannah Cullwick; and between Charles Darwin, David Livingstone and Henry Mayhew. The establishment and development of different genres and their interactions over the century are clearly mapped. The genre of the periodical essay, a distinctively modern and flexible form catering to the mass readership, is the subject of the introduction, and then more specialist fields are discussed, covering scientific writing, travel and exploration literature, social reportage, biography, autobiography, journals, letters, religious and philosophical prose, political writing and history.

The scope of Erika Fromm's profound contributions to the clinical and research literature in hypnosis and related areas is reflected in this volume, which consists of chapters written by those who have worked closely with the noted psychologist and/or have been significantly influenced by her. The subject matter presented here ranges from detailed accounts and personal observations relating to Fromm's distinguished career, to some very new and valuable data on the psychophysiological correlates of hypnosis, the phenomenology of self-hypnosis, and an integrative model for short-term therapy. Several extensions of clinical technique for the treatment of trauma and severe psychopathology are also discussed. Professional therapists with an interest in personal growth, self-awareness, and creative mastery, whether or not they already have an interest in hypnosis, will derive significant benefits from this book. Readers who have previously eschewed hypnosis may find that this volume stimulates an interest that enriches their clinical practice and/or research.

Hilary Fraser provides a comprehensive and thorough survey of English prose in the nineteenth century which draws from a wide variety of fields including art, literary theory and criticisim, biography, letters, journals, sermons, and travel reportage. Through these works the cultural, social, literary and political life of the twentieth century - a period of great intellectual activity - can be charted, discussed and assessed.For the first time, an inclusive critical survey of nineteenth-century non-fiction is presented, that traces the century's ideological and cultural upheavals as they are registered in the literary textures of some of its most widely read and influential writings.The book explores the relations between writers who are generally perceived as occupying different discursive spheres, for example between John Stuart Mill, Florence Nightingale and Mrs Beeton; between Cardinal Newman, Elizabeth Gaskell and Hannah Cullwick; and between Charles Darwin, David Livingstone and Henry Mayhew. The establishment and development of different genres and their interactions over the century are clearly mapped.The genre of the periodical essay, a distinctively modern and flexible form catering to the mass readership, is the subject of the introduction, and then more specialist fields are discussed, covering scientific writing, travel and exploration literature, social reportage, biography, autobiography, journals, letters, religious and philosophical prose, political writing and history.

Hilary Fraser provides a comprehensive and thorough survey of English prose in the nineteenth century which draws from a wide variety of fields including art, literary theory and criticisim, biography, letters, journals, sermons, and travel reportage. Through these works the cultural, social, literary and political life of the twentieth century - a period of great intellectual activity - can be charted, discussed and assessed.For the first time, an inclusive critical survey of nineteenth-century non-fiction is presented, that traces the century's ideological and cultural upheavals as they are registered in the literary textures of some of its most widely read and influential writings.The book explores the relations between writers who are generally perceived as occupying different discursive spheres, for example between John Stuart Mill, Florence Nightingale and Mrs Beeton; between Cardinal Newman, Elizabeth Gaskell and Hannah Cullwick; and between Charles Darwin, David Livingstone and Henry Mayhew. The establishment and development of different genres and their interactions over the century are clearly mapped.The genre of the periodical essay, a distinctively modern and flexible form catering to the mass readership, is the subject of the introduction, and then more specialist fields are discussed, covering scientific writing, travel and exploration literature, social reportage, biography, autobiography, journals, letters, religious and philosophical prose, political writing and history.