Daniel Finn - Böcker

Does a consumer who bought a shirt made in another nation bear any moral responsibility when the women who sewed that shirt die in a factory fire or in the collapse of the building? Many have asserted, without explanation, that because markets cause harms to distant others, consumers bear moral responsibility for those harms. But traditional moral analysis of individual decisions is unable to sustain this argument. Distant Harms, Distant Markets presents a careful analysis of moral complicity in markets, employing resources from sociology, Christian history, feminism, legal theory, and Catholic moral theology today.Because of its individualistic methods, mainstream economics as a discipline is not equipped to understand the causality entailed in the long chains of social relationships that make up the market. Critical realist sociology, however, has addressed the character and functioning of social structures, an analysis that can helpfully be applied to the market. The True Wealth of Nations research project of the Institute for Advanced Catholic Studies brought together an international group of sociologists, economists, moral theologians, and others to describe these causal relationships and articulate how Catholic social thought can use these insights to more fully address issues of economic ethics in the twenty-first century. The result was this interdisciplinary volume of essays, which explores the causal and moral responsibilities that consumers bear for the harms that markets cause to distant others.

Does a consumer who bought a shirt made in another nation bear any moral responsibility when the women who sewed that shirt die in a factory fire or in the collapse of the building? Many have asserted, without explanation, that because markets cause harms to distant others, consumers bear moral responsibility for those harms. But traditional moral analysis of individual decisions is unable to sustain this argument. Distant Harms, Distant Markets presents a careful analysis of moral complicity in markets, employing resources from sociology, Christian history, feminism, legal theory, and Catholic moral theology today.Because of its individualistic methods, mainstream economics as a discipline is not equipped to understand the causality entailed in the long chains of social relationships that make up the market. Critical realist sociology, however, has addressed the character and functioning of social structures, an analysis that can helpfully be applied to the market. The True Wealth of Nations research project of the Institute for Advanced Catholic Studies brought together an international group of sociologists, economists, moral theologians, and others to describe these causal relationships and articulate how Catholic social thought can use these insights to more fully address issues of economic ethics in the twenty-first century. The result was this interdisciplinary volume of essays, which explores the causal and moral responsibilities that consumers bear for the harms that markets cause to distant others.

Roman Catholic social thought has had much to say about economic life: about virtues and moral principles, about individuals, communities, and institutions. Catholic social thought (CST) is a complex body of ideas that has real consequences, well-described by Hans Urs von Balthasar as "symphonic" in its multiple principles and approaches, nonetheless producing an integrated vision. This tradition can best be understood if it is taken most seriously. The authors of the fifteen papers in this collection begin with a fundamental proposition: that the economic and cultural criteria identified in the tradition of Catholic social thought provide an effective path to sustainable prosperity for all. Two papers undertake the challenge of specifying the means CST recommends and the goals for which it aims. Five are historical studies: of the change in worldview from the medieval to the present, of the medieval Franciscan roots of markets, of the empirical impact that Christian democratic parties and labor unions have had on European society, and of the legal and moral analysis of "the unjust contract." Six papers examine CST and the fundamental proposition from diverse perspectives: from Africa, Latin America, sociology, the economics view of women, and eco-feminism. Finally, two papers provide an introductory chapter and a conclusion addressing the question of how practically to think of the potential implementation of CST in a world rarely open to change.

Roman Catholic social thought has had much to say about economic life: about virtues and moral principles, about individuals, communities, and institutions. Catholic social thought (CST) is a complex body of ideas that has real consequences, well-described by Hans Urs von Balthasar as "symphonic" in its multiple principles and approaches, nonetheless producing an integrated vision. This tradition can best be understood if it is taken most seriously. The authors of the fifteen papers in this collection begin with a fundamental proposition: that the economic and cultural criteria identified in the tradition of Catholic social thought provide an effective path to sustainable prosperity for all. Two papers undertake the challenge of specifying the means CST recommends and the goals for which it aims. Five are historical studies: of the change in worldview from the medieval to the present, of the medieval Franciscan roots of markets, of the empirical impact that Christian democratic parties and labor unions have had on European society, and of the legal and moral analysis of "the unjust contract." Six papers examine CST and the fundamental proposition from diverse perspectives: from Africa, Latin America, sociology, the economics view of women, and eco-feminism. Finally, two papers provide an introductory chapter and a conclusion addressing the question of how practically to think of the potential implementation of CST in a world rarely open to change.

The immense popularity of movies has its roots in the silent films of the early 1900s, this being especially true of the crime genre. The authors of this Guide have compiled for the first time in one volume an entire history of the crime genre during the silent era, preserving the memories of these films for their own generation and introducing these works to a new generation thirsty for entertainment and knowledge. This Guide includes more than 2,000 film entries, complete with names of directors, screenwriters, and major players and offers a wealth of data supported by plot evaluations and occasional thematic commentaries. This is the only work that includes one- and two-reelers and serials along with full-length crime features.Each entry covers title, date of release, distributor or studio, director, screenwriter, major cast members, plot description, and thematic commentary, reviving this almost forgotten genre for generations of students and movie fans both old and new. The Guide pays tribute to the glory of cinema pioneers as diverse as D. W. Griffith and Lon Chaney who have given the world a wide variety of stories and experiences both thought-provoking and startling. Although men tended to dominate the silent years in Hollywood, women managed to contribute dramatically. Among them were director Lois Weber and film personalities Mabel Normand, Pearl White, Mary Pickford, and Ruth Roland. These creative men and women and their often neglected works deserve a second look. The likes of Pacino, Eastwood, and Brando can look to the past where the ground for their work was carefully prepared in such earlier silent films as Griffith's The Musketeers of Pig Alley (1912) and von Sternberg's Underworld (1927).

The only comprehensive guide to the crime films of the forties and fifties, this volume focuses on the major events that shaped and molded the genre: war, alienation, drugs, and organized crime. The body of the work offers over 1,200 entries that feature concise summaries, analyses, and credits. The volume is a continuation of the author's earlier work, A Guide to American Crime Films of the Thirties (Greenwood, 1995). The book includes those stars that the public had already embraced as gangsters in the thirties such as James Cagney, Humphrey Bogart, and Edward G. Robinson and brings them into a new era in which they are transformed into enforcers of the law. This work will be of interest to scholars, students, and film buffs alike.The work demonstrates the shift from the simpler gangster modes of the 1930s as it takes the reader forward to the more sophisticated films of the late fifties. Although the book is organized alphabetically, the introduction alerts the reader to the major social phenomena that influenced the genre of these decades. Also offered are credits that cover titles, release dates, distributors, directors, screenwriters, and major players. The 1,200 entries include detailed plot summaries and thematic analyses as well as relevant information on sources, remakes, and sequels.

Recent crime films such as Scarface, the Dirty Harry series, and The Godfather have captured the American imagination, but they owe a large debt to the early crime talkies such as The Public Enemy, Paul Muni's Scarface, and Little Caesar. More than 1,000 entries are featured in this volume, complete with the names of directors, screen writers, and major players offering a wealth of data supported by plot evaluations. For the serious student of crime films, this work provides a comprehensive treatment of the genre. It is the only one-volume work that includes all crime sub-genres (detective, mystery, cops and robbers, and courtroom dramas) in addition to gangster films.The period between the end of the silent film (1927) and the general acceptance of the sound film (1929) is often referred to as a transition period. The majority of theaters were not wired for sound, so many films were released in both silent and sound versions. Some added only sound effects or music to the sound track, while others offered only brief segments of sound. The early 1930s marked the end of this transition period and firmly established the sound era. This volume pays homage to these early, often crude melodramas. The authors aim to preserve the memories of these films for their own generation and to introduce these works to a new generation thirsty for entertainment and knowledge.

Disagreements about the morality of markets, and about self-interested behavior within markets, run deep. They arise from perspectives within economics and political philosophy that appear to have nothing in common. In this book, Daniel Finn provides a framework for understanding these conflicting points of view. Recounting the arguments for and against markets and self-interest, he argues that every economy must address four fundamental problems: allocation, distribution, scale, and the quality of relations. In addition, every perspective on the morality of markets addresses explicitly or implicitly the economic, political, and cultural contexts of markets, or what Finn terms 'the moral ecology of markets'. His book enables a dialogue among the various participants in the debate over justice in markets. In this process, Finn engages with major figures in political philosophy, including John Rawls, Robert Nozick, and Michael Walzer, as well as in economics, notably Milton Friedman, Friedrich Hayek, and James Buchannan.

Disagreements about the morality of markets, and about self-interested behavior within markets, run deep. They arise from perspectives within economics and political philosophy that appear to have nothing in common. In this book, Daniel Finn provides a framework for understanding these conflicting points of view. Recounting the arguments for and against markets and self-interest, he argues that every economy must address four fundamental problems: allocation, distribution, scale, and the quality of relations. In addition, every perspective on the morality of markets addresses explicitly or implicitly the economic, political, and cultural contexts of markets, or what Finn terms 'the moral ecology of markets'. His book enables a dialogue among the various participants in the debate over justice in markets. In this process, Finn engages with major figures in political philosophy, including John Rawls, Robert Nozick, and Michael Walzer, as well as in economics, notably Milton Friedman, Friedrich Hayek, and James Buchannan.