Daniel H. Mutibwa – författare

This book explores the media and cultural exchanges between Africa and China in the twenty-first century against the backdrop of the rise of Africa and China in global geopolitics. It situates these cultural encounters in historical and contemporary contexts and through the critical lens of the Global South. It identifies a rising Global South consciousness, despite lingering historical entanglements and emotional ambivalences that continue to characterise Africa-China relations.

Bringing together scholars from various disciplines and from different parts of the world, this book examines a wide range of cultural expressions such as arts, literature, translated works, traditional and digital media artefacts and services, and film festivals. It also interrogates emerging cultural interactions, experiences and practices engendered by the increasingly digitalised information and communication technology infrastructure underpinning Africa-China connections and links. In doing so, the book contributes to a more nuanced understanding of Africa-China relations today and the concept of the Global South.

This book explores the media and cultural exchanges between Africa and China in the twenty-first century against the backdrop of the rise of Africa and China in global geopolitics. It situates these cultural encounters in historical and contemporary contexts and through the critical lens of the Global South. It identifies a rising Global South consciousness, despite lingering historical entanglements and emotional ambivalences that continue to characterise Africa-China relations.

Bringing together scholars from various disciplines and from different parts of the world, this book examines a wide range of cultural expressions such as arts, literature, translated works, traditional and digital media artefacts and services, and film festivals. It also interrogates emerging cultural interactions, experiences and practices engendered by the increasingly digitalised information and communication technology infrastructure underpinning Africa-China connections and links. In doing so, the book contributes to a more nuanced understanding of Africa-China relations today and the concept of the Global South.

Cultural Protest in Journalism, Documentary Films and the Arts: Between Protest and Professionalisation entails a comprehensive account of the history and trajectory of contemporary journalistic, (documentary) film, and arts and cultural actors rooted (partially or wholly) in radical, alternative, community, voluntary, participatory and independent movements primarily in Britain and Germany. It focuses particularly on the examination of production and organisational contexts of selected case studies, some of which date from the countercultural era.

The book takes a transnational and interdisciplinary approach encompassing a range of theoretical perspectives – drawn from the political economy of communication tradition; alternative media scholarship; journalism studies; critical sociological and cultural studies of media industries; cultural industries research; and critical and social theory – in conjunction with extensive ethnographic fieldwork. It does so to reveal the obscure nature of media and cultural production and organisation at seventeen media and cultural actors based in Britain and Germany, including South Africa and Nigeria. A particular focus is placed on how such actors balance competing imperatives of a civic/socio-political, professional, artistic and commercial nature as well as various systemic pressures, and on how they navigate the resultant ambivalences, paradoxes and tensions in their day-to-day work.

In essence, the book highlights key insights into a changing nature and quality of engagement with social and political realities in protest cultures.