Daniel Herman – författare

Mandrake the Magician began as a daily strip on June 11, 1934, and whether Lee Falk knew it as a sophomore at the University of Illinois, he was making history. The daily strip ended after a 79-year run, and the Sunday strip, which started in 1935, ran for 68 years. Any fan of comic strips is almost certainly familiar with Falk’s other creation, The Phantom, which started in 1936 and continues to this day. Mandrake the Magician whisked readers to exotic locales (often fictional amalgams of the Orient, the Middle East, India or Eastern Europe) and immersed them in extended narratives with memorable villains and a colorful support cast. The strips presented in this series of reprints feature two staple characters in addition to the master magician: Lothar and Princess Narda (princess of the mythical European kingdom Cockaigne). Lothar appears within the first few days (June 14, 1934), and Narda is introduced in Mandrake’s second adventure. Narda is similar to Flash Gordon’s Dale Arden: beautiful, constantly in need of rescue, and the love interest of our hero. A Prince of the Seven Nations of Africa, Lothar is Mandrake’s devoted servant, friend and companion. He is, “the strongest man in the world,” and decked out in a fez, shorts, and a leopard shirt. Comics historian Don Markstein commented that, “Some people say Mandrake the Magician... was comics’ first superhero,” and we at Hermes Press couldn’t agree more. Volume four presents: Mandrake in North Africa (September 4 - December 23, 1939); The Mountain Bandits (December 25, 1939 - January 20, 1940); The Museum Mystery (January 22 - May 4, 1940); The Octopus Ring (May 6 - December 21, 1940); and Dr. Griff's Invention (December 23, 1940 - April 5, 1941).

Frank Robbins’ masterpiece, one of the all-time greatest action/adventure newspaper comic strips, Johnny Hazard, returns with Volume Twelve of the series! Continues the adventures of Johnny Hazard picking up the storyline where Volume Eleven left off. See more trend-setting artwork by comics legend Frank Robbins in one of the most important adventure strips ever to grace newspapers.  Reproduced entirely from original King Features press proofs.

Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,” The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery” since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books — it has frequently been copied but never equaled. This exciting 31st volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you five complete continuities drawn by Sy himself which continue the adventures of The Phantom, Diana, and his two children: “Tarashima Terrorists,” “The Snake Goddess,” “Zabadabah,” “The Man Thing,” and “Great Raptor of Rhua.” Also included is a comprehensive essay and documentary materials.

Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,” The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery” since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books — it has frequently been copied but never equaled. This exciting 33nd volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you five complete continuities drawn by Sy himself which continue the adventures of The Phantom, Diana, and his two children. Also included is a comprehensive essay and documentary materials. Six stories, 272 pages; available December 15, 2024.

Mandrake the Magician began as a daily strip on June 11, 1934, and whether Lee Falk knew it as a sophomore at the University of Illinois, he was making history. The daily strip ended after a 79-year run, and the Sunday strip, which started in 1935, ran for 68 years. Any fan of comic strips is almost certainly familiar with Falk’s other creation, The Phantom, which started in 1936 and continues to this day. Mandrake the Magician whisked readers to exotic locales (often fictional amalgams of the Orient, the Middle East, India or Eastern Europe) and immersed them in extended narratives with memorable villains and a colorful support cast. The strips presented in this series of reprints feature two staple characters in addition to the master magician: Lothar and Princess Narda (princess of the mythical European kingdom Cockaigne). Lothar appears within the first few days (June 14, 1934), and Narda is introduced in Mandrake’s second adventure. Narda is similar to Flash Gordon’s Dale Arden: beautiful, constantly in need of rescue, and the love interest of our hero. A Prince of the Seven Nations of Africa, Lothar is Mandrake’s devoted servant, friend and companion. He is, “the strongest man in the world,” and decked out in a fez, shorts, and a leopard shirt. Comics historian Don Markstein commented that, “Some people say Mandrake the Magician... was comics’ first superhero,” and we at Hermes Press couldn’t agree more. So, starting with Volume One we present the complete adventures of Mandrake the MagicianThis second volume of the series presents six stories: “Return of the Clay Camel”; “The Slave Traders of Tygandi”; “Mandrake in the Lost World”: “In the Cobra's Grip”; and “Mandrake in America.”

Mandrake the Magician began as a daily strip on June 11, 1934, and whether Lee Falk knew it as a sophomore at the University of Illinois, he was making history. The daily strip ended after a 79-year run, and the Sunday strip, which started in 1935, ran for 68 years. Any fan of comic strips is almost certainly familiar with Falk’s other creation, The Phantom, which started in 1936 and continues to this day. Mandrake the Magician whisked readers to exotic locales (often fictional amalgams of the Orient, the Middle East, India or Eastern Europe) and immersed them in extended narratives with memorable villains and a colorful support cast. The strips presented in this series of reprints feature two staple characters in addition to the master magician: Lothar and Princess Narda (princess of the mythical European kingdom Cockaigne). Lothar appears within the first few days (June 14, 1934), and Narda is introduced in Mandrake’s second adventure. Narda is similar to Flash Gordon’s Dale Arden: beautiful, constantly in need of rescue, and the love interest of our hero. A Prince of the Seven Nations of Africa, Lothar is Mandrake’s devoted servant, friend and companion. He is, “the strongest man in the world,” and decked out in a fez, shorts, and a leopard shirt. Comics historian Don Markstein commented that, “Some people say Mandrake the Magician... was comics’ first superhero,” and we at Hermes Press couldn’t agree more. So, starting with Volume One we present the complete adventures of Mandrake the MagicianThis third volume of the series presents eight stories: “Mandrake in Hollywood”; “Sonny the Child Movie Star”; “Mandrake and the Haunted House”: “Blozz the Chamption”; “Mandrake in Love”; “Visitors from Space”; “The Deep South”; and “Mandrake in Cockaigne.”

Frank Robbins’ masterpiece, one of the all-time greatest action/adventure newspaper comic strips, Johnny Hazard, returns with Volume Thirteen (lucky 13!) of the series! Continues the adventures of Johnny Hazard picking up the storyline where Volume Twelve left off. See more trend-setting artwork by comics legend Frank Robbins in one of the most important adventure strips ever to grace newspapers. Reproduced entirely from original King Features press proofs. The continuities presented in Volume 13 are: Mysterious Friend (October 14, 1963–January 4, 1964); A Gift for Florian (January 6–March 28, 1964); Extortion, Inc. (March 30–June 27, 1964); Traders in Death (June 29–September 19, 1964); Alphabet Soup (September 21–December 26, 1964); and Operation Beardles (December 28, 1964–March 20, 1965).

The Feudist: A Novel of the Pleasant Valley War is both a traditional Western - tense, authentic, fast-paced - and an anti-Western that tells the story of what was perhaps the bloodiest range war in US history, Arizona's 1880s Pleasant Valley War. The narrator - a small-time rancher named Ben Holcomb who reflects back on his adolescent experiences - begins the story as a stockboy in Globe City, Arizona. Bored with his job, he agrees to become an apprentice cowboy. His journey to his employer's ranch leads him into a smoldering range war. Over the next year, he rides with a charismatic trickster; a Texas 'colonel' and his idealist daughter; a polygamous Mormon elder with a teenaged wife; and a winsome, mixed-race cowboy who is deeply embroiled in the feud. Though Ben tries to stay out of the quarreling, he finds himself embroiled as he stumbles through passionate love, devastating loss, and moral uncertainty. Herman's attention to historical forces, his spare style, his self-deprecating narrator, and his authentic characters give the novel a verisimilitude that transcends the genre Western and far surpasses Zane Grey's 1922 romance about the Pleasant Valley War, To the Last Man.

In Moby-Dick’s wide philosophical musings and central narrative arch, Daniel Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick’s construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books—offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

In Moby-Dick’s wide philosophical musings and central narrative arch, Daniel Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick’s construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books—offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

In Moby-Dick’s wide philosophical musings and central narrative arch, Daniel Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick’s construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books—offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

Before Fredric Wertham and The Seduction of the Innocent (SOTI),before the Kefauver Hearings, and before the infamous Comics Code the comic bookracks at local drug stores and newsstands boasted a plethora of delightshighlighted by the good girl adventures of the comic book version of BrendaStarr. These four-color wonders displayed all the finer things loved by comicbook buyers: good girls, bondage, a little torture, and other delectable things,which adults thought would corrupt the morals of young and impressionablereaders. Now, for the first time in over 50-years, comics fans can read and ownthese rare comics from another era, digitally restored to perfection andpresented in an archival hardcover.Featuring artwork by the legendary Jerry Iger Studio and Brenda StarrCreator Gale Messick, this volume presents the remaining four BrendaStarr Pre-Code books, issues #9-12, and the very mod and 1960's version ofBrenda drawn and scripted by Dale Messick. In addition to presenting BrendaStarr stories, this reprint also boasts all of the scintillating back-upfeatures.

Hermes Press is proud to announce their second major collaboration with Paws, Incorporated producing another unique title featuring everyone’s favorite orange cat, GARFIELD! Hermes and Paws have come together to treat the world to a compendium of the greatest examples of original artwork from classic Garfield daily and Sunday comic strips in their original size, including rare unpublished strips, that has never been seen before (the Sunday strips will be reproduced in a slightly smaller format due to their huge size)!This historic archival reprint will feature hundreds of pieces of original production art from the comic strip, with an introductory essay from Jim Davis himself! If you love Garfield and want to experience the strips as they were originally drawn, this is the book for you! From the very beginning in 1979 to the last non-digital strip in 2011, this purrfect book shows you Garfield like you’ve never seen him before!Jim Davis’ Garfield: The Original Art Daily and Sunday Archive dives deep into the treasures contained in the vaults of Paws, Inc. See how Garfield has evolved over the years! See gags with characters that no longer appear in the strip (We miss you Lyman!) in the original inks, with notations galore from the man behind it all, Jim Davis! Garfield, Odie, and the rest of the gang come to life in this full-sized archival reprint.

Frank Robbins’ masterpiece, one of the all-time greatest action/adventure newspaper comic strips, Johnny Hazard, returns with Volume Seven of the series! Continues the adventures of Johnny Hazard picking up the storyline where Volume Six left off. See more trend-setting artwork by comics legend Frank Robbins in one of the most important adventure strips ever to grace newspapers. Includes the following stories: “What's my name?,” “A little birdie told me,” “It's a snap,” “Death at the Opera,” “There's no hiding place,” “The Car Thief,” “Project Heat-Barrier,” and “Hazard vs Hawkes.” Reproduced entirely from original King Features press proofs.

Back in the 1950s during the “Cold War” every new day beckoned the possibility of the end of the world. Kids grew up in the shadow of bomb shelters and were treated to daily lessons at school on what to do in the event of a nuclear attack. Americans were besieged by constant reminders to police our borders, to carefully watch out for “foreigners” who might be spies, and to be ever vigilant in preparing to combat the “red” menace of communism. Comic books of this era played on these fears with stories of atomic war and world war III. This new historic reprint looks back at those good ole days, which can be viewed in the perspective of today’s political climate. This volume reprints the complete runs of Atomic War! and World War III and can be read merely as great action/adventure stories, classic “war” comics or as an eerie, unanticipated commentary on today’s tribulations. SPECIAL NOTE: if these extremely rare books were purchased at your local comic shop they would cost well over $1000 in low grade condition!

Steve Ditko was the last of a sturdy generation ofAmerican comic book artists who produced iconic, modern day mythology and wasamong the most influential and original creators of the 20th Century. A primearchitect, together with Jack Kirby and Stan Lee, of a universe of heroiccharacters that took Marvel Comics from an underdog New York publisher in the1960s to the world-recognized brand of comic book superheroes andmulti-million-dollar movies of today, Ditko co-created Spider-Man but walkedaway from the character he designed over 50 years ago, to never again return tothe enduring superhero and retreating completely from the public eye thereafter.Seeking his own individualistic paths for creative and personal expression wouldlead to condemnation from some, restricted work opportunities from others and areclusive life peppered with memories of interfering editors; original artworkthat had been stolen from him and a life-long adherence to his Objectivistconvictions. With the book sourcing a decade-long correspondence between SteveDitko and its author David Currie, the history of the formative years ofAmerican comic books and the rise of Marvel Comics is revealed, illuminatedfurther by interviews with many other comic book creators from all periods. It'san intrigue-filled story of heroes and villains, both fictional and real;visionary artists on zero-hour contracts and one man's artistically productiveand diligently uncompromising life.

Mort Walker, the "Dean of American Cartooning," left behind a legacy that extended far beyond his Beetle Bailey and Hi and Lois fame. For the first time ever, Hermes Press and Bill Janocha (Walker's assistant) present a rare selection of gags and art from Walker's early years, before Beetle-mania took over the world. This historical book contains examples of the work he did prior to Beetle Bailey, and explores the evolution of his style and showcases his many gags, from his early comics in Showme magazine to the work he did for the Saturday Evening Post. This tome also contains historical essays detailing his life and career, up until his death in 2018 as written by Janocha. This special project has been nine years in the making, and is something any fan of Mort Walker will need to own.

When cartoonist Elzie Segar created Popeye, as a minor character ten years into the run of the Thimble Theatre strip in 1929, little did he know that the world's most famous sailor would still be around over ninety years later and still being offered as a Sunday feature. To celebrate Popeye, the character, the comic strip and his universe, a feature cartoonist Charles M. Schulz described as “perfect... consistent in drawing and humor,” Hermes Press is publishing the definitive art monograph on the subject. This 300 plus page book features a comprehensive essay written by pop culture historian R.C. Harvey accompanied by over 350 illustrations of original strip and comic book art, animation art, illustrations, advertising art, products, the Robert Altman film, and everything Popeye. Every aspect of Popeye is explored, from Olive Oyl and Eugene the Jeep to Wimpy and Bluto.  So, if you've ever read the strip, watched the cartoons, seen the movie, or ever eaten spinach and wondered if you'll have super-powers, this new comprehensive history is a must.

Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,” The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery” since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books — it has frequently been copied but never equaled. This exciting 29th volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you four complete continuities drawn by Sy himself which continue adventures of The Phantom, Diana, and his two children: “Gooroo's Jungle,” “The Hostages” “The Phantom's Vacation,” and “The Return of Gooroo's Mob.” Strips from this issue are taken directly from King Feature’s proofs. Included in the volume is a comprehensive essay and documentary materials.

Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,” The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery” since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books — it has frequently been copied but never equaled. This exciting 31st volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you five complete continuities drawn by Sy himself which continue the adventures of The Phantom, Diana, and his two children: “Tarashima Terrorists,” “The Snake Goddess,” “Zabadabah,” “The Man Thing,” and “Great Raptor of Rhua.” Also included is a comprehensive essay and documentary materials.

Dethany and THE PHANTOM OF THE SWIM TEAM A prequel to the popular Dethany character from the hit newspaper strip On the Fastrack. When Dethany Dendrobia, the cheerful 12-year-old Goth, joins the neighborhood swim team, she assumes she is just helping out friends who need an extra person to qualify for meets. Outdoor sports are definitely beyond her comfort zone, but Dethany relishes the opportunity to spend the summer with her best buds before they move up to 8th grade--and before her family is transferred to a new town. However, not long after her first meet, mysterious incidents begin happening at the pool, and Dethany is the prime suspect. As she and her friends fight to clear her name, they uncover evidence that leads to stakes more important than a simple relay race. This coming-of-age graphic novel features the normal milestones of puberty set against a dastardly plot of local intrigue. Dive in!

Hot on the heels of Hermes Press' retro best selling Dark Shadows coloring book comes a full color book featuring all of Collinwood's cast of the classic television show in paper doll form with plenty of different costumes to cut out to adorn these characters; all of them appear in the modern timeline at Collinwood alive or undead…Indeed, there are over 120 costumes and props to cut out and dress up the paper dolls. Also included are costumes from each flashback for the time traveling characters such as 1795, 1840 and 1897.The Dark Shadows Paper Doll Book is the only authorized edition of its kind. Developed with Curtis Holdings.

Survey of the work of the creator of one of the seminal and most influential comic strips, Krazy Kat. Detailed essay illustrated by over 300 examples of Herriman's original artwork.

Comprehensive look at the art of the Ghost Who walks, focuses on the art, artists, toys, serials, the film and everything else The Phantom.

This book takes an inside look at the artists who created the Silver Age ofcomics. Based on dozens of interviews, this book carefully shows the developmentof the art of comic book storytelling from its roots in comic strips and thefirst generation of comic book artists in the Golden Age. Hundreds of pieces oforiginal artwork illustrate the lengthy text.

Volume #27 features one of the most important stories in The Phantom canon, “The Phantom Wedding” ranked among the best tales of the Ghost Who Walks ever written.Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,” The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery” since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books - it has frequently been copied but never equaled.