Daniel Herman – författare

Frank Robbins’ masterpiece, one of the all-time greatest action/adventure newspaper comic strips, Johnny Hazard, returns with Volume Seven of the series! Continues the adventures of Johnny Hazard picking up the storyline where Volume Six left off. See more trend-setting artwork by comics legend Frank Robbins in one of the most important adventure strips ever to grace newspapers. Includes the following stories: “What's my name?,” “A little birdie told me,” “It's a snap,” “Death at the Opera,” “There's no hiding place,” “The Car Thief,” “Project Heat-Barrier,” and “Hazard vs Hawkes.” Reproduced entirely from original King Features press proofs.

Frank Robbins’ masterpiece, one of the all-time greatest action/adventure newspaper comic strips, Johnny Hazard, returns with Volume Twelve of the series! Continues the adventures of Johnny Hazard picking up the storyline where Volume Eleven left off. See more trend-setting artwork by comics legend Frank Robbins in one of the most important adventure strips ever to grace newspapers.  Reproduced entirely from original King Features press proofs.

Imagine waking up in 1939 and reading the first Phantom Sunday strip in thenewspaper. Now, for the first time, these rare Phantom Sundays are beingcollected in their full size in an archival reprint of the first six Phantomstories! The stories for these Sundays was created by Lee Falk with artwork byRay Moore in a half page format, so this reprint is faithful to the originalsand reproduces every detail of these Sundays as seen in Sunday sections ofnewspapers. These Sunday pages have the same look and feel of the originalsonly now they’re collected in a high quality art book format that willlast forever. The print run of this book is limited to 1000 copies.

Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,” The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery” since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books — it has frequently been copied but never equaled. This exciting 31st volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you five complete continuities drawn by Sy himself which continue the adventures of The Phantom, Diana, and his two children: “Tarashima Terrorists,” “The Snake Goddess,” “Zabadabah,” “The Man Thing,” and “Great Raptor of Rhua.” Also included is a comprehensive essay and documentary materials.

Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,” The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery” since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books — it has frequently been copied but never equaled. This exciting 33nd volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you five complete continuities drawn by Sy himself which continue the adventures of The Phantom, Diana, and his two children. Also included is a comprehensive essay and documentary materials. Six stories, 272 pages; available December 15, 2024.

Mandrake the Magician began as a daily strip on June 11, 1934, and whether Lee Falk knew it as a sophomore at the University of Illinois, he was making history. The daily strip ended after a 79-year run, and the Sunday strip, which started in 1935, ran for 68 years. Any fan of comic strips is almost certainly familiar with Falk’s other creation, The Phantom, which started in 1936 and continues to this day. Mandrake the Magician whisked readers to exotic locales (often fictional amalgams of the Orient, the Middle East, India or Eastern Europe) and immersed them in extended narratives with memorable villains and a colorful support cast. The strips presented in this series of reprints feature two staple characters in addition to the master magician: Lothar and Princess Narda (princess of the mythical European kingdom Cockaigne). Lothar appears within the first few days (June 14, 1934), and Narda is introduced in Mandrake’s second adventure. Narda is similar to Flash Gordon’s Dale Arden: beautiful, constantly in need of rescue, and the love interest of our hero. A Prince of the Seven Nations of Africa, Lothar is Mandrake’s devoted servant, friend and companion. He is, “the strongest man in the world,” and decked out in a fez, shorts, and a leopard shirt. Comics historian Don Markstein commented that, “Some people say Mandrake the Magician... was comics’ first superhero,” and we at Hermes Press couldn’t agree more. So, starting with Volume One we present the complete adventures of Mandrake the MagicianThis second volume of the series presents six stories: “Return of the Clay Camel”; “The Slave Traders of Tygandi”; “Mandrake in the Lost World”: “In the Cobra's Grip”; and “Mandrake in America.”

Mandrake the Magician began as a daily strip on June 11, 1934, and whether Lee Falk knew it as a sophomore at the University of Illinois, he was making history. The daily strip ended after a 79-year run, and the Sunday strip, which started in 1935, ran for 68 years. Any fan of comic strips is almost certainly familiar with Falk’s other creation, The Phantom, which started in 1936 and continues to this day. Mandrake the Magician whisked readers to exotic locales (often fictional amalgams of the Orient, the Middle East, India or Eastern Europe) and immersed them in extended narratives with memorable villains and a colorful support cast. The strips presented in this series of reprints feature two staple characters in addition to the master magician: Lothar and Princess Narda (princess of the mythical European kingdom Cockaigne). Lothar appears within the first few days (June 14, 1934), and Narda is introduced in Mandrake’s second adventure. Narda is similar to Flash Gordon’s Dale Arden: beautiful, constantly in need of rescue, and the love interest of our hero. A Prince of the Seven Nations of Africa, Lothar is Mandrake’s devoted servant, friend and companion. He is, “the strongest man in the world,” and decked out in a fez, shorts, and a leopard shirt. Comics historian Don Markstein commented that, “Some people say Mandrake the Magician... was comics’ first superhero,” and we at Hermes Press couldn’t agree more. So, starting with Volume One we present the complete adventures of Mandrake the MagicianThis third volume of the series presents eight stories: “Mandrake in Hollywood”; “Sonny the Child Movie Star”; “Mandrake and the Haunted House”: “Blozz the Chamption”; “Mandrake in Love”; “Visitors from Space”; “The Deep South”; and “Mandrake in Cockaigne.”

Mandrake the Magician began as a daily strip on June 11, 1934, and whether Lee Falk knew it as a sophomore at the University of Illinois, he was making history. The daily strip ended after a 79-year run, and the Sunday strip, which started in 1935, ran for 68 years. Any fan of comic strips is almost certainly familiar with Falk’s other creation, The Phantom, which started in 1936 and continues to this day. Mandrake the Magician whisked readers to exotic locales (often fictional amalgams of the Orient, the Middle East, India or Eastern Europe) and immersed them in extended narratives with memorable villains and a colorful support cast. The strips presented in this series of reprints feature two staple characters in addition to the master magician: Lothar and Princess Narda (princess of the mythical European kingdom Cockaigne). Lothar appears within the first few days (June 14, 1934), and Narda is introduced in Mandrake’s second adventure. Narda is similar to Flash Gordon’s Dale Arden: beautiful, constantly in need of rescue, and the love interest of our hero. A Prince of the Seven Nations of Africa, Lothar is Mandrake’s devoted servant, friend and companion. He is, “the strongest man in the world,” and decked out in a fez, shorts, and a leopard shirt. Comics historian Don Markstein commented that, “Some people say Mandrake the Magician... was comics’ first superhero,” and we at Hermes Press couldn’t agree more. Volume four presents: Mandrake in North Africa (September 4 - December 23, 1939); The Mountain Bandits (December 25, 1939 - January 20, 1940); The Museum Mystery (January 22 - May 4, 1940); The Octopus Ring (May 6 - December 21, 1940); and Dr. Griff's Invention (December 23, 1940 - April 5, 1941).

Frank Robbins’ masterpiece, one of the all-time greatest action/adventure newspaper comic strips, Johnny Hazard, returns with Volume Thirteen (lucky 13!) of the series! Continues the adventures of Johnny Hazard picking up the storyline where Volume Twelve left off. See more trend-setting artwork by comics legend Frank Robbins in one of the most important adventure strips ever to grace newspapers. Reproduced entirely from original King Features press proofs. The continuities presented in Volume 13 are: Mysterious Friend (October 14, 1963–January 4, 1964); A Gift for Florian (January 6–March 28, 1964); Extortion, Inc. (March 30–June 27, 1964); Traders in Death (June 29–September 19, 1964); Alphabet Soup (September 21–December 26, 1964); and Operation Beardles (December 28, 1964–March 20, 1965).

The Feudist: A Novel of the Pleasant Valley War is both a traditional Western - tense, authentic, fast-paced - and an anti-Western that tells the story of what was perhaps the bloodiest range war in US history, Arizona's 1880s Pleasant Valley War. The narrator - a small-time rancher named Ben Holcomb who reflects back on his adolescent experiences - begins the story as a stockboy in Globe City, Arizona. Bored with his job, he agrees to become an apprentice cowboy. His journey to his employer's ranch leads him into a smoldering range war. Over the next year, he rides with a charismatic trickster; a Texas 'colonel' and his idealist daughter; a polygamous Mormon elder with a teenaged wife; and a winsome, mixed-race cowboy who is deeply embroiled in the feud. Though Ben tries to stay out of the quarreling, he finds himself embroiled as he stumbles through passionate love, devastating loss, and moral uncertainty. Herman's attention to historical forces, his spare style, his self-deprecating narrator, and his authentic characters give the novel a verisimilitude that transcends the genre Western and far surpasses Zane Grey's 1922 romance about the Pleasant Valley War, To the Last Man.

In Moby-Dick’s wide philosophical musings and central narrative arch, Daniel Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick’s construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books—offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

In Moby-Dick’s wide philosophical musings and central narrative arch, Daniel Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick’s construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books—offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

In Moby-Dick’s wide philosophical musings and central narrative arch, Daniel Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick’s construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books—offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

Before Fredric Wertham and The Seduction of the Innocent (SOTI),before the Kefauver Hearings, and before the infamous Comics Code the comic bookracks at local drug stores and newsstands boasted a plethora of delightshighlighted by the good girl adventures of the comic book version of BrendaStarr. These four-color wonders displayed all the finer things loved by comicbook buyers: good girls, bondage, a little torture, and other delectable things,which adults thought would corrupt the morals of young and impressionablereaders. Now, for the first time in over 50-years, comics fans can read and ownthese rare comics from another era, digitally restored to perfection andpresented in an archival hardcover.Featuring artwork by the legendary Jerry Iger Studio and Brenda StarrCreator Gale Messick, this volume presents the remaining four BrendaStarr Pre-Code books, issues #9-12, and the very mod and 1960's version ofBrenda drawn and scripted by Dale Messick. In addition to presenting BrendaStarr stories, this reprint also boasts all of the scintillating back-upfeatures.

The comic book version of the 20th Century’s most famous fictional magician sees print again in Hermes Press’ deluxe version of King Features comics’ Mandrake the Magician! Lee Falk’s newspaper strip, Mandrake the Magician, offered readers, magic, occult and the fantastic and King Feature’s comic book version, which saw print during the height of the Silver Age, was a worthy entry into the world of comic books. This first volume of the complete comic book run of Mandrake the Magician presents the first five comics in the series together with all of the back-up stories printed in King Features’ Flash Gordon title. These stories feature artwork by such Silver Age luminaries as Don Heck, Werner Roth, and Andre LeBlanc with scripts by Dick Wood. Volume One also contains tons of extras including extensive essays on Lee Falk’s Mandrake the Magician and the artists who created the comic book series. Also included (in addition to the comic book reprint of the story) is the complete original art to one of the back-up stories.

Back in the 1950s during the “Cold War” every new day beckoned the possibility of the end of the world. Kids grew up in the shadow of bomb shelters and were treated to daily lessons at school on what to do in the event of a nuclear attack. Americans were besieged by constant reminders to police our borders, to carefully watch out for “foreigners” who might be spies, and to be ever vigilant in preparing to combat the “red” menace of communism. Comic books of this era played on these fears with stories of atomic war and world war III. This new historic reprint looks back at those good ole days, which can be viewed in the perspective of today’s political climate. This volume reprints the complete runs of Atomic War! and World War III and can be read merely as great action/adventure stories, classic “war” comics or as an eerie, unanticipated commentary on today’s tribulations. SPECIAL NOTE: if these extremely rare books were purchased at your local comic shop they would cost well over $1000 in low grade condition!

Mort Walker, the "Dean of American Cartooning," left behind a legacy that extended far beyond his Beetle Bailey and Hi and Lois fame. For the first time ever, Hermes Press and Bill Janocha (Walker's assistant) present a rare selection of gags and art from Walker's early years, before Beetle-mania took over the world. This historical book contains examples of the work he did prior to Beetle Bailey, and explores the evolution of his style and showcases his many gags, from his early comics in Showme magazine to the work he did for the Saturday Evening Post. This tome also contains historical essays detailing his life and career, up until his death in 2018 as written by Janocha. This special project has been nine years in the making, and is something any fan of Mort Walker will need to own.

When cartoonist Elzie Segar created Popeye, as a minor character ten years into the run of the Thimble Theatre strip in 1929, little did he know that the world's most famous sailor would still be around over ninety years later and still being offered as a Sunday feature. To celebrate Popeye, the character, the comic strip and his universe, a feature cartoonist Charles M. Schulz described as “perfect... consistent in drawing and humor,” Hermes Press is publishing the definitive art monograph on the subject. This 300 plus page book features a comprehensive essay written by pop culture historian R.C. Harvey accompanied by over 350 illustrations of original strip and comic book art, animation art, illustrations, advertising art, products, the Robert Altman film, and everything Popeye. Every aspect of Popeye is explored, from Olive Oyl and Eugene the Jeep to Wimpy and Bluto.  So, if you've ever read the strip, watched the cartoons, seen the movie, or ever eaten spinach and wondered if you'll have super-powers, this new comprehensive history is a must.

Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,” The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery” since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books — it has frequently been copied but never equaled. This exciting 29th volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you four complete continuities drawn by Sy himself which continue adventures of The Phantom, Diana, and his two children: “Gooroo's Jungle,” “The Hostages” “The Phantom's Vacation,” and “The Return of Gooroo's Mob.” Strips from this issue are taken directly from King Feature’s proofs. Included in the volume is a comprehensive essay and documentary materials.

Frank Robbins’ masterpiece, one of the all-time greatest action/adventure newspaper comic strips, Johnny Hazard, returns with Volume ten of the series! Continues the adventures of Johnny Hazard picking up the storyline where Volume Nine left off. See more trend-setting artwork by comics legend Frank Robbins in one of the most important adventure strips ever to grace newspapers.  Reproduced entirely from original King Features press proofs.

What made many of the great adventure comics of the 1960s so attractive were their fantastic painted covers by artist George Wilson. Unlike other comic book covers of the era, Wilson's covers harkened back to the era of pulp magazines and were spectacularly eye-catching. He turned in efforts for literally hundreds of comics titles including: Classics Illustrated, The Twilight Zone, Ripley's Believe It or Not, Dr.Solar, Magnus Robot Fighter, Turok, Son of Stone and Star Trek, to name but a few. This new art book focuses on over 300 examples of his cover art and features numerous examples of Wilson's artwork scanned from the originals together with many of the book covers he created including his extensive run on Avon's The Phantom (as well as his work on the Gold Key version).

Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,” The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery” since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books — it has frequently been copied but never equaled. This exciting 31st volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you five complete continuities drawn by Sy himself which continue the adventures of The Phantom, Diana, and his two children: “Tarashima Terrorists,” “The Snake Goddess,” “Zabadabah,” “The Man Thing,” and “Great Raptor of Rhua.” Also included is a comprehensive essay and documentary materials.

Hot on the heels of Hermes Press' retro best selling Dark Shadows coloring book comes a full color book featuring all of Collinwood's cast of the classic television show in paper doll form with plenty of different costumes to cut out to adorn these characters; all of them appear in the modern timeline at Collinwood alive or undead…Indeed, there are over 120 costumes and props to cut out and dress up the paper dolls. Also included are costumes from each flashback for the time traveling characters such as 1795, 1840 and 1897.The Dark Shadows Paper Doll Book is the only authorized edition of its kind. Developed with Curtis Holdings.

Survey of the work of the creator of one of the seminal and most influential comic strips, Krazy Kat. Detailed essay illustrated by over 300 examples of Herriman's original artwork.

Comprehensive look at the art of the Ghost Who walks, focuses on the art, artists, toys, serials, the film and everything else The Phantom.

A comprehensive overview of the career of one of the most significantartists of comic book stories in the 20th century. This book takes an in-depthlook at Gil Kane, his art, and the art of comic books. Features black-and whiteart, color art, and epilogue, footnotes, checklist, and interview with Gil Kane,and more!