Daniel James - Böcker

This book analyses the relationship between Peronism and the Argentine working class from the foundation of the Peronist movement in the mid 1940s to the overthrow of Peron's widow in 1976. It presents an account of such crucial issues as the role of the Peronist union bureaucracy and the impact of Peronist ideology on workers. Drawing on a variety of untapped sources, Daniel James confronts many of the dominant myths which have surrounded the movement. He argues that its role in containing working-class militancy cannot be explained solely in terms of manipulation, corruption or union gangsterism. The integration of Peronism into Argentine society has always been a complex and fragile operation, constantly undermined by the survival of the movement's original heretical content: its vision of a juster society in which the claim of the working class for a recognition of its social and political weight would be accepted.

This book analyses the relationship between Peronism and the Argentine working class from the foundation of the Peronist movement in the mid 1940s to the overthrow of Peron's widow in 1976. It presents an account of such crucial issues as the role of the Peronist union bureaucracy and the impact of Peronist ideology on workers. Drawing on a variety of untapped sources, Daniel James confronts many of the dominant myths which have surrounded the movement. He argues that its role in containing working-class militancy cannot be explained solely in terms of manipulation, corruption or union gangsterism. The integration of Peronism into Argentine society has always been a complex and fragile operation, constantly undermined by the survival of the movement's original heretical content: its vision of a juster society in which the claim of the working class for a recognition of its social and political weight would be accepted.

The Gendered Worlds of Latin American Women Workers examines the lives of Latin American women who entered factory labor in increasing numbers in the early part of the twentieth century. Emphasizing the integration of traditional labor history topics with historical accounts of gender, female subjectivity, and community, this volume focuses on the experience of working women at mid-century, especially those laboring in the urban industrial sector. In its exploration of working women’s agency and consciousness, this collection offers rich detail regarding women’s lives as daughters, housewives, mothers, factory workers, trade union leaders, and political activists.Widely seen as a hostile sexualized space, the modern factory was considered a threat, not only to the virtue of working women, but also to the survival of the family, and thus, the future of the nation. Yet working-class women continued to labor outside the home and remained highly visible in the expanding world of modern industry. In nine essays dealing with Argentina, Brazil, Chile, Colombia, and Guatemala, the contributors make extensive use of oral histories to describe the contradictory experiences of women whose work defied gender prescriptions but was deemed necessary by working-class families in a world of need and scarcity. The volume includes discussion of previously neglected topics such as single motherhood, women’s struggle against domestic violence, and the role of women as both desiring and desired subjects.Contributors. Ann Farnsworth-Alvear, Mary Lynn Pedersen Cluff, John D. French, Daniel James, Thomas Miller Klubock, Deborah Levenson-Estrada, Mirta Zaida Lobato, Heidi Tinsman, Theresa R. Veccia, Barbara Weinstein

This Element offers the first comprehensive study of Hegel's views on European colonialism. In surprisingly detailed discussions scattered throughout much of his mature oeuvre, Hegel offers assessments that legitimise colonialism in the Americas, the enslavement of Africans, and British rule in India. The Element reconstructs these discussions as being held together by a systematic account of colonialism as racial domination, underpinned by central elements of his philosophy and situated within long-overlooked contexts, including Hegel's engagement with British abolitionism and Scottish four-stages theories of social development. Challenging prevailing approaches in scholarship, James and Knappik show that Hegel's accounts of issues like freedom, personhood and the dialectic of lordship and bondage are deeply entangled with his disturbing views on colonialism, slavery, and race. Lastly, they address Hegel's ambivalent legacy, examining how British Idealists and others adopted his pro-colonial ideas, while thinkers like C. L. R. James and Angela Davis transformed them for anti-colonial purposes. This title is also available as open access on Cambridge Core.

This Element offers the first comprehensive study of Hegel's views on European colonialism. In surprisingly detailed discussions scattered throughout much of his mature oeuvre, Hegel offers assessments that legitimise colonialism in the Americas, the enslavement of Africans, and British rule in India. The Element reconstructs these discussions as being held together by a systematic account of colonialism as racial domination, underpinned by central elements of his philosophy and situated within long-overlooked contexts, including Hegel's engagement with British abolitionism and Scottish four-stages theories of social development. Challenging prevailing approaches in scholarship, James and Knappik show that Hegel's accounts of issues like freedom, personhood and the dialectic of lordship and bondage are deeply entangled with his disturbing views on colonialism, slavery, and race. Lastly, they address Hegel's ambivalent legacy, examining how British Idealists and others adopted his pro-colonial ideas, while thinkers like C. L. R. James and Angela Davis transformed them for anti-colonial purposes. This title is also available as open access on Cambridge Core.

Social functions and functional explanations play a prominent role not only in our everyday reasoning but also in classical as well as contemporary social theory and empirical social research. This volume explores metaphysical, normative, and methodological perspectives on social functions and functional explanations in the social sciences. It aims to push the philosophical debate on social functions forward along new investigative lines by including up-to-date discussions of the metaphysics of social functions, questions concerning the nature of functional explanations within the social domain, and various applications of functionalist theorising. As such, this is one of the first collections to exclusively address a variety of philosophical questions concerning the nature and relevance of social functions.

Social functions and functional explanations play a prominent role not only in our everyday reasoning but also in classical as well as contemporary social theory and empirical social research. This volume explores metaphysical, normative, and methodological perspectives on social functions and functional explanations in the social sciences. It aims to push the philosophical debate on social functions forward along new investigative lines by including up-to-date discussions of the metaphysics of social functions, questions concerning the nature of functional explanations within the social domain, and various applications of functionalist theorising. As such, this is one of the first collections to exclusively address a variety of philosophical questions concerning the nature and relevance of social functions.

The life of Clyde Williams had certainly taken a detour these last months. Turning from aspiring comic book artist to low-ranked Level 1 necromancer. Now he’s an agent of the paranormal intelligence department Hourglass and posted to New York’s madhouse facility along with the ghost of his best friend and their seasoned team. And they have their work cut out for them. Local Hourglass assets are being targeted by a lethal, horrifically enhanced killer called The Hangman, the first weapon in a new campaign of terror being waged against Hourglass. But he won’t be the last. The Cairnwood Society is producing more of these monstrous madman and it’s up to Clyde and his team to find out their dark methods and shut them down before Cairnwood can amass an army of nightmare killers to launch against Hourglass and the world.

Following on from the success of Apress Beginning GIMP, here comes another book that will appeal to all creative Linux users and artists. It expands beyond GIMP to allow artists to work across 2D art, 3D art, video, and other formats in their creative work.

What makes photographs different from other kinds of documents that historians use to explain what happened in the past? What can photographic images do that other documents cannot? Can photography accurately depict labor? Contributors to this issue examine these questions with both fine art photography and visual archives of many kinds: state, corporate, family, trade union, ethnographic, photojournalistic, and environmental. They investigate the ways that photography has been central to both the expropriation and exploitation of labor and the potential of photography to enable new and radical approaches to historicizing the study of working peoples and labor. Articles showcase methodologically generative research that builds upon the recent boom in theoretical work in the fields of visual cultural studies and photography to reinvigorate historical studies of work. Contributors: Siobhan Angus, Ian Bourland, Oliver Coates, Kevin Coleman, Clare Corbould, Adrian De Leon, Rick Halpern, Daniel James, Tong Lam, Walter Benn Michaels, Jessica Stites Mor, Carol Quirke, Jayeeta Sharma, Erica Toffoli, Daniel Zamora

Clyde Williams just wanted to draw comic books. Life and death have other plans. An aspiring comic book artist and the ghost of his best friend join a fight against soul seeking private military contractors in this fantasy novel.

Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence-and if so, how?Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge. With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.