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16 produkter
16 produkter
Inbunden, Engelska, 2025
1 021 kr
Skickas inom 5-8 vardagar
An essential collection of new and selected essays by influential cinema and media studies scholar Tom Gunning. Tom Gunning is the author of multiple books and nearly two hundred essays that have defined the field of cinema and media studies. His works have transformed our understanding of early cinema and the American avant-garde and reset the terms of many central debates in film and media history and theory. His 1986 essay “The Cinema of Attractions” is among the most cited essays on film ever published. Gunning’s writings articulate a distinctive and powerful model for thinking about cinema’s history and likely future, addressing the full range of moving-image media, from film to still photography to digital media. His discussions draw on stage melodrama and magic lantern shows, as well as criminology, world’s fairs, and Spiritualism, surveying the medium as a cultural phenomenon informed by the industrial and information ages, psychiatry, urban experience, discourses on art and aesthetics, and more. This collection brings together twenty-six essays that showcase the depth and range of Gunning’s scholarship, including four that have never before been published. Together, they solidify Gunning’s place as a scholar who has transformed the way generations of scholars, archivists, critics, and artists think about cinema.
Häftad, Engelska, 2025
338 kr
Skickas inom 5-8 vardagar
An essential collection of new and selected essays by influential cinema and media studies scholar Tom Gunning. Tom Gunning is the author of multiple books and nearly two hundred essays that have defined the field of cinema and media studies. His works have transformed our understanding of early cinema and the American avant-garde and reset the terms of many central debates in film and media history and theory. His 1986 essay “The Cinema of Attractions” is among the most cited essays on film ever published. Gunning’s writings articulate a distinctive and powerful model for thinking about cinema’s history and likely future, addressing the full range of moving-image media, from film to still photography to digital media. His discussions draw on stage melodrama and magic lantern shows, as well as criminology, world’s fairs, and Spiritualism, surveying the medium as a cultural phenomenon informed by the industrial and information ages, psychiatry, urban experience, discourses on art and aesthetics, and more. This collection brings together twenty-six essays that showcase the depth and range of Gunning’s scholarship, including four that have never before been published. Together, they solidify Gunning’s place as a scholar who has transformed the way generations of scholars, archivists, critics, and artists think about cinema.
Inbunden, Engelska, 2012
625 kr
Skickas inom 5-8 vardagar
With "Late Godard and the Possibilities of Cinema", Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films - "Soigne ta droite" ("Keep Your Right Up", 1987), "Nouvelle vague" ("New Wave", 1990), and "Allemagne 90 neuf zero" ("Germany 90 Nine Zero", 1991) - and the monumental late video work, "Histoire(s) du cinema" (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work. At the same time, "Late Godard and the Possibilities of Cinema" provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies.In using the tradition of aesthetics to illuminate Godard's late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.
Häftad, Engelska, 2012
316 kr
Skickas inom 5-8 vardagar
With "Late Godard and the Possibilities of Cinema", Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films - "Soigne ta droite" ("Keep Your Right Up", 1987), "Nouvelle vague" ("New Wave", 1990), and "Allemagne 90 neuf zero" ("Germany 90 Nine Zero", 1991) - and the monumental late video work, "Histoire(s) du cinema" (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work. At the same time, "Late Godard and the Possibilities of Cinema" provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies.In using the tradition of aesthetics to illuminate Godard's late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.
Häftad, Engelska, 2019
316 kr
Skickas inom 5-8 vardagar
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920–1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called “cels”) and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line.
Inbunden, Engelska, 2021
796 kr
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The Lure of the Image shows how a close study of camera movement challenges key assumptions underlying a wide range of debates within cinema and media studies. Highlighting the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera—and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick and in contemporary digital technologies, The Lure of the Image exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways that filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, one that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style.
Häftad, Engelska, 2021
256 kr
Skickas inom 5-8 vardagar
The Lure of the Image shows how a close study of camera movement challenges key assumptions underlying a wide range of debates within cinema and media studies. Highlighting the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera—and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick and in contemporary digital technologies, The Lure of the Image exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways that filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, one that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style.
E-bok
Engelska, 2012536 kr
Läs direkt efter köp
With Late Godard and the Possibilities of Cinema, Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films—Soigne ta droite (Keep Your Right Up, 1987), Nouvelle vague (New Wave, 1990), and Allemagne 90 neuf zéro (Germany 90 Nine Zero, 1991)—and the monumental late video work, Histoire(s) du cinéma (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard’s late work. At the same time, Late Godard and the Possibilities of Cinema provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies. In using the tradition of aesthetics to illuminate Godard’s late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.
E-bok
Engelska, 2021421 kr
Läs direkt efter köp
The Lure of the Image shows how a close study of camera movement challenges key assumptions underlying a wide range of debates within cinema and media studies. Highlighting the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera—and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick and in contemporary digital technologies, The Lure of the Image exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways that filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, one that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style.
Häftad, Engelska, 2013
191 kr
Skickas inom 5-8 vardagar
E-bok
Engelska, 201352 kr
Läs direkt efter köp
In recent years, the paranormal has gained new footing as reality television has grabbed onto this research and created a cultural frenzy around it. There are those who are skeptics, those who believe, and those who seek to prove the existence of the paranormal. In The Double-Blind Ghost Box, authors Shawn Taylor and Daniel Morgan share their research and personal experiences with the paranormal, focusing on the development and use of the ghost box, a device that can establish a two-way communication beyond deaths veil.
The Double-Blind Ghost Box reviews the process of Taylor and Morgans studies of the device, along with how they determined its usefulness in researching the paranormal. They explore the history of the ghost box and the issues arising in todays ghost box methods, and they offer methods for conducting an objective ghost box investigation, processing ghost box evidence, analyzing the findings, and presenting the results to clients. Taylor and Morgan also discuss the different spirits an investigation might uncover and future ghost box applications and technologies.
Sharing actual transcripts of investigations, The Double-Blind Ghost Box works toward communicating the existence of the paranormal through objective research.
Shawn Taylor has a technical background in computer hardware, software, programming, digital media, Six Sigma problem solving, statistical analysis, psychology, and counseling.
Daniel Morgan earned degrees in behavioral science and electrical engineering.
Inbunden, Engelska, 2013
295 kr
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Häftad, Engelska, 2022
131 kr
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Though the emergence of media archaeology has provided a necessary challenge to the dominant strains of film theory, the contributors to this special issue argue that there are important blind spots. They point out how the focus in media archaeology on historical narratives-especially on models of temporality-has led to a blind spot with regard to non-Western media. Drawing on resources in film studies for thinking about the trans- or international movement of media, the authors set out the need for and terms of a globalizing media archaeology.
Häftad, Engelska, 2016
223 kr
Skickas inom 3-6 vardagar
DISCOVERING LEADERSHIP... Never Pass Up A Good Crisis! "I have known Dan for fifteen years and observed him in tough combat; he was invariably impressive. His brother, David, has also operated in dangerous environments, leading first responders in a host of tough missions. Their experiences--and stories--are not just compelling but full of insight for every generation at every level of responsibility." --General David H. Petraeus (US Army, Ret.), former commander of US Central Command and of US and coalition forces in both Iraq and Afghanistan "In Chasing the White Rabbit, Dan and Dave remind us that leadership is about doing, not talking; about clarity, not confusion; and about focus, not chaos. They generously interweave their life experiences and insights, bringing military, commercial, and emergency responder insights and perspectives at every turn. I have known Dave for over ten years as a student, mentee, client, and friend, and at every turn he has exhibited wisdom, empathy, reliability, and compassion for everything that he undertakes--that work ethic and character comes through loud and clear in this remarkable book." --Andrew J. Sherman, senior partner, Jones Day and author of twenty-six books on business growth, governance, and entrepreneurship; adjunct professor, University of Maryland Smith School of Business and Georgetown University Law
Inbunden, Engelska, 2020
466 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2024
1 005 kr
Skickas inom 3-6 vardagar