Daniel Renshaw – författare

Examining responses to migration and settlement in Britain from the Irish Famine up to Brexit, The Discourse of Repatriation looks at how concepts of removal evolved in this period, and the varied protagonists who have articulated these ideas in different contexts.

Analysing the relationship between discourse and action, Renshaw explores how ideas and language originating on the peripheries of debate on migration and belonging can permeate the mainstream and transform both discussion and policy. The book sheds light both on how the migrant ‘other’ has been viewed in Britain, historically and contemporaneously, and more broadly how the relationship between state, press, and populace has developed from the early Victorian period onwards. It identifies key junctures where the concept of the removal of ‘othered’ groups has crossed over from the rhetorical to the actual, and considers why this was the case. Based on extensive original archival research, the book reassesses modern British history through the lens of the most polarised attitudes to immigration and demographic change.

This book will be of use to readers with an interest in migration, diaspora, the development of populism and political extremes, and more broadly the history of modern Britain.

Examining responses to migration and settlement in Britain from the Irish Famine up to Brexit, The Discourse of Repatriation looks at how concepts of removal evolved in this period, and the varied protagonists who have articulated these ideas in different contexts.

Analysing the relationship between discourse and action, Renshaw explores how ideas and language originating on the peripheries of debate on migration and belonging can permeate the mainstream and transform both discussion and policy. The book sheds light both on how the migrant ‘other’ has been viewed in Britain, historically and contemporaneously, and more broadly how the relationship between state, press, and populace has developed from the early Victorian period onwards. It identifies key junctures where the concept of the removal of ‘othered’ groups has crossed over from the rhetorical to the actual, and considers why this was the case. Based on extensive original archival research, the book reassesses modern British history through the lens of the most polarised attitudes to immigration and demographic change.

This book will be of use to readers with an interest in migration, diaspora, the development of populism and political extremes, and more broadly the history of modern Britain.

In the Gothic, nothing stays buried for long. Since its inception in the mid-eighteenth century, the Gothic imagination has been concerned with the pasts of the societies from which it emerged. This collection, featuring contributions from archivists, historians and literary critics, examines how horror fiction and the wider Gothic mode have engaged with the constructed conception of "history".

From Victorian nightmares of Jurassic jungles to ghost stories on the contemporary stage, the contributors adopt varied and innovative approaches to consider how the Gothic has created, complicated and sometimes subverted historical narratives. In doing so, these works blur the distinctions between the "historical record" and creative endeavour, undermine linear and sequential understandings of the progress of time and dissolve temporal boundaries. The collection explores a variety of Gothic forms including drama, poetry, prose, illustration, film and folklore, and it draws on classic texts such as Wuthering Heights and Dracula, as well as less familiar works, including Reynolds’ The Mysteries of London and Baldini’s Mal’aria.

Literature, the Gothic and the Reconstruction of History will be invaluable to students and scholars interested in the confluences of literary and historical endeavour, the creation and depiction of historical constructs in popular culture, and Gothic horror in its myriad forms.

In the Gothic, nothing stays buried for long. Since its inception in the mid-eighteenth century, the Gothic imagination has been concerned with the pasts of the societies from which it emerged. This collection, featuring contributions from archivists, historians and literary critics, examines how horror fiction and the wider Gothic mode have engaged with the constructed conception of "history".

From Victorian nightmares of Jurassic jungles to ghost stories on the contemporary stage, the contributors adopt varied and innovative approaches to consider how the Gothic has created, complicated and sometimes subverted historical narratives. In doing so, these works blur the distinctions between the "historical record" and creative endeavour, undermine linear and sequential understandings of the progress of time and dissolve temporal boundaries. The collection explores a variety of Gothic forms including drama, poetry, prose, illustration, film and folklore, and it draws on classic texts such as Wuthering Heights and Dracula, as well as less familiar works, including Reynolds’ The Mysteries of London and Baldini’s Mal’aria.

Literature, the Gothic and the Reconstruction of History will be invaluable to students and scholars interested in the confluences of literary and historical endeavour, the creation and depiction of historical constructs in popular culture, and Gothic horror in its myriad forms.