Daniel Swift – författare
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18 produkter
18 produkter
Häftad, Engelska, 2018
132 kr
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‘An extraordinary book of real passionate research’ Edmund de WaalIn 1945, Ezra Pound was due to stand trial for treason for his broadcasts in Fascist Italy during the Second World War. But before the trial could take place Pound was pronounced insane. Escaping a potential death sentence he was shipped off to St Elizabeths Hospital near Washington, DC, where he was held for over a decade.At the hospital, Pound was at his most contradictory and most controversial: a genius writer – ‘The most important living poet in the English language’ according to T. S. Eliot – but also a traitor and now, seemingly, a madman. But he remained a magnetic figure. Eliot, Elizabeth Bishop, Robert Lowell and John Berryman all went to visit him at what was perhaps the world’s most unorthodox literary salon: convened by a fascist and held in a lunatic asylum. Told through the eyes of his illustrious visitors, The Bughouse captures the essence of Pound – the artistic flair, the profound human flaws – whilst telling the grand story of politics and art in the twentieth century.
Häftad, Engelska, 2011
170 kr
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One night in June 1943 James Swift, along with the Lancaster bomber he piloted, vanished. In Bomber County, his grandson Daniel seeks to discover what happened. At the same time he tries to understand the men who took part in these dangerous raids, as well as their devastating impact on the civilians below. In examining the life of one pilot, Daniel Swift also investigates why it is we have tried to forget what was then a new, shocking form of warfare, and why literature and poetry exploring these terrible losses have not found the recognition they deserve.
E-bok
Engelska, 2010102 kr
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In early June 1943, James Eric Swift, a pilot with 83 Squadron of the Royal Air Force, boarded his Lancaster bomber for a night raid on Münster and disappeared.Aerial bombardment was to the Second World War what the trenches were to the First: a shocking and new form of warfare, wretched and unexpected, and carried out at a terrible scale of loss. Just as the trenches produced the most remarkable poetry of the First World War, so too did the bombing campaigns foster a haunting set of poems during the Second.In researching the life of his grandfather, Daniel Swift became engrossed in the connections between air war and poetry. Ostensibly a narrative of the author's search for his lost grandfather through military and civilian archives and in interviews conducted in the Netherlands, Germany and England, Bomber County is also an examination of the relationship between the bombing campaigns of the Second World War and poetry, an investigation into the experience of bombing and being bombed, and a powerful reckoning with the morals and literature of a vanished moment.
Inbunden, Engelska, 2012
465 kr
Skickas inom 5-8 vardagar
Shakespeare's Common Prayers revolves around Shakespeare's great overlooked source: the Book of Common Prayer, first published in 1549, whose appearance established Protestantism as the compulsory belief of the day. Written in a simple vernacular and incorporating familiar Catholic rituals, the book laid out the proper performance of church rites and services. And yet it was also highly disputed and constantly in flux; as Daniel Swift shows, the prayer book's history is one of passionately contested revision and of manic sensitivity to a verb or a turn of phrase. In the book's ambiguities and fierce contestations, Swift argues, William Shakespeare found the ready elements of drama: dispute over words and their practical consequences, hope for sanctification tempered by fear of simple meaninglessness, and the demand for improvised performance as a compensation for the failure of language to do what it appears to promise.Swift offers a study of Shakespeare at work: of his imagination at play upon a set of literary materials from which he both borrowed and learned, of his manipulation of the explosive chemistry of word and action that comprised early modern liturgy. Swift argues that the Book of Common Prayer mediates between the secular and the devotional, producing a tension that helps make Shakespeare's plays so powerful and exceptional. Tracing the prayer book's lines and motions through As You Like It, Hamlet, Twelfth Night, Measure for Measure, Othello, and particularly Macbeth, Swift redirects scholarly attention to the religious heart of Shakespeare's work and time.
E-bok
PDF, Engelska, 2012343 kr
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Societies and entire nations draw their identities from certain founding documents, whether charters, declarations, or manifestos. The Book of Common Prayer figures as one of the most crucial in the history of the English-speaking peoples. First published in 1549 to make accessible the devotional language of the late Henry the VIII''s new church, the prayer book was a work of monumental religious, political, and cultural importance. Within its rituals, prescriptions, proscriptions, and expressions were fought the religious wars of the age of Shakespeare. This diminutive book--continuously reformed and revised--was how that age defined itself. In Shakespeare''s Common Prayers, Daniel Swift makes dazzling and original use of this foundational text, employing it as an entry-point into the works of England''s most celebrated writer. Though commonly neglected as a source for Shakespeare''s work, Swift persuasively and conclusively argues that the Book of Common Prayer was absolutely essential to the playwright. It was in the Book''s ambiguities and its fierce contestations that Shakespeare found the ready elements of drama: dispute over words and their practical consequences, hope for sanctification tempered by fear of simple meaninglessness, and the demand for improvised performance as compensation for the failure of language to fulfill its promises. What emerges is nothing less than a portrait of Shakespeare at work: absorbing, manipulating, reforming, and struggling with the explosive chemistry of word and action that comprised early modern liturgy. Swift argues that the Book of Common Prayer mediates between the secular and the devotional, producing a tension that makes Shakespeare''s plays so powerful and exceptional. Tracing the prayer book''s lines and motions through As You Like It, Hamlet, Twelfth Night, Measure for Measure, Othello, and particularly Macbeth, Swift reveals how the greatest writer of the age--of perhaps any age--was influenced and guided by its most important book.
343 kr
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Societies and entire nations draw their identities from certain founding documents, whether charters, declarations, or manifestos. The Book of Common Prayer figures as one of the most crucial in the history of the English-speaking peoples. First published in 1549 to make accessible the devotional language of the late Henry the VIII''s new church, the prayer book was a work of monumental religious, political, and cultural importance. Within its rituals, prescriptions, proscriptions, and expressions were fought the religious wars of the age of Shakespeare. This diminutive book--continuously reformed and revised--was how that age defined itself. In Shakespeare''s Common Prayers, Daniel Swift makes dazzling and original use of this foundational text, employing it as an entry-point into the works of England''s most celebrated writer. Though commonly neglected as a source for Shakespeare''s work, Swift persuasively and conclusively argues that the Book of Common Prayer was absolutely essential to the playwright. It was in the Book''s ambiguities and its fierce contestations that Shakespeare found the ready elements of drama: dispute over words and their practical consequences, hope for sanctification tempered by fear of simple meaninglessness, and the demand for improvised performance as compensation for the failure of language to fulfill its promises. What emerges is nothing less than a portrait of Shakespeare at work: absorbing, manipulating, reforming, and struggling with the explosive chemistry of word and action that comprised early modern liturgy. Swift argues that the Book of Common Prayer mediates between the secular and the devotional, producing a tension that makes Shakespeare''s plays so powerful and exceptional. Tracing the prayer book''s lines and motions through As You Like It, Hamlet, Twelfth Night, Measure for Measure, Othello, and particularly Macbeth, Swift reveals how the greatest writer of the age--of perhaps any age--was influenced and guided by its most important book.
Inbunden, Engelska, 2025
286 kr
Skickas inom 5-8 vardagar
“One of the most exciting and original books about Shakespeare that I’ve read in years.”—James ShapiroThe remarkable untold story of Shakespeare’s first theatre – the playhouse before the GlobeIn 1576, in a muddy field in Shoreditch, James Burbage erected London’s first purpose-built commercial playhouse. A place of high culture and quick profit, run by cunning dreamers, the Theatre for the first time offered London’s players the chance to control what they staged. At a time when playgoing was held to be close to a sin, this entertainment factory was a flashpoint for controversy – but would also become Shakespeare’s first theatre, where he learned to ply his trade before his company moved to the Globe. Through the life of this little-known playhouse, Daniel Swift tells the story of how Shakespeare became Shakespeare, and the Elizabethan stage began to flourish. Introducing us to the businessmen who dreamed up the Theatre, the carpenters who built it, the preachers who hated it, and the actors who performed upon its small stage, The Dream Factory recreates the world that produced Romeo and Juliet and A Midsummer Night’s Dream – and the audiences who first saw them.
Häftad, Engelska, 2026
184 kr
Kommande
Häftad, Engelska, 2011
155 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2014
244 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2014
301 kr
Skickas inom 3-6 vardagar
John Berryman's Dream Songs are perhaps the funniest, saddest, most intricately wrought cycle of poems by an American in the twentieth century. They are also, more simply, the vibrantly sketched adventures of a uniquely American antihero named Henry. Henry falls in and out of love, and is in and out of the hospital, he sings of joy and desire, and of beings at odds with the world. He is lustful; he is depressed. And while Henry is breaking down and cracking up and patching himself together again, Berryman is doing the same thing to the English language, crafting electric verses that defy grammar but resound with an intuitive truth: "if he had a hundred years," Henry despairs in "Dream Song 29," "& more, & weeping, sleepless, in all them time / Henry could not make good." This volume collects both 77 Dream Songs, which won Berryman the Pulitzer Prize in 1965, and their continuation, His Toy, His Dream, His Rest, which was awarded the National Book Award and the Bollingen Prize in 1969. The Dream Songs are witty and wild, an account of madness shot through with searing insight, winking word play, and moments of pure, soaring elation.This is a brilliantly sustained and profoundly moving performance that has not yet-and may never be-equaled.
Häftad, Engelska, 2018
295 kr
Skickas inom 3-6 vardagar
Inbunden, Engelska, 2025
377 kr
Skickas inom 3-6 vardagar
E-bok
Engelska, 2025273 kr
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How Shakespeare became Shakespeare: a riveting tale of London's first playhouse and the people-actors, writers, builders, investors-who built the Theatre. Between 1576 and 1598, a playhouse called the Theatre stood in the suburbs of London, until it was secretly torn down and its timbers were used to build the much more famous Globe. Dreamed up and run by a former actor and notorious brawler named James Burbage, the Theatre was the first purpose-built commercial playhouse in London. It was plagued by litigation, heavily in debt, and the target of endless condemnation by preachers and the Lord Mayor. It was also where the young William Shakespeare worked when he first arrived in the city, and it was here that he wrote many of his early plays. At the heart of the Theatre was the dream of making money from creating art. This was Burbage's dream, but it was also that of Shakespeare, who worked with a close team of actors and cowriters, laying the foundation of his own career and devising a way to earn a living from writing. Through the life of this little-known playhouse, Daniel Swift tells the story of how Shakespeare became Shakespeare, and of how the Elizabethan stage began to flourish. Introducing us to the businessmen who thought up the Theatre, the carpenters who built it, the preachers who hated it, and the actors who performed upon its small stage, The Dream Factory re-creates the world that produced Romeo and Juliet and A Midsummer Night's Dream-and the audiences who first saw them. The Theatre was a controversial, highly commercial workshop for great and challenging art. Into this dream factory walked the son of a Stratford glovemaker, and from it emerged the greatest writer in the English language.
E-bok
Engelska, 2017102 kr
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‘An extraordinary book of real passionate research’ Edmund de WaalIn 1945, Ezra Pound was due to stand trial for treason for his broadcasts in Fascist Italy during the Second World War. But before the trial could take place Pound was pronounced insane. Escaping a potential death sentence he was shipped off to St Elizabeths Hospital near Washington, DC, where he was held for over a decade.At the hospital, Pound was at his most contradictory and most controversial: a genius writer – ‘The most important living poet in the English language’ according to T. S. Eliot – but also a traitor and now, seemingly, a madman. But he remained a magnetic figure. Eliot, Elizabeth Bishop, Robert Lowell and John Berryman all went to visit him at what was perhaps the world’s most unorthodox literary salon: convened by a fascist and held in a lunatic asylum. Told through the eyes of his illustrious visitors, The Bughouse captures the essence of Pound – the artistic flair, the profound human flaws – whilst telling the grand story of politics and art in the twentieth century.
E-bok
Engelska, 2014134 kr
Läs direkt efter köp
A wild, masterful Pulitzer Prize-winning cycle of poems that half a century later still shocks and astoundsJohn Berryman was hardly unknown when he published 77 Dream Songs, but the volume was, nevertheless, a shock and a revelation. A "spooky" collection in the words of Robert Lowell-"a maddening work of genius." As Henri Cole notes in his elegant, perceptive introduction, Berryman had discovered "a looser style that mixed high and low dictions with a strange syntax." Berryman had also discovered his most enduring alter ego, a paranoid, passionate, depressed, drunk, irrepressible antihero named Henry or, sometimes, Mr. Bones: "We touch at certain points," Berryman claimed, of Henry, "But I am an actual human being." Henry may not be real, but he comes alive on the page. And while the most famous of the Dream Songs begins, "Life, friends, is boring," these poems never are. Henry lusts: seeing a woman "Filling her compact & delicious body / with chicken páprika" he can barely restrain himself: "only the fact of her husband & four other people / kept me from springing on her." Henry despairs: "All the world like a woolen lover / once did seem on Henry''s side. / Then came a departure." Henry, afraid of his own violent urges, consoles himself: "Nobody is ever missing." 77 Dream Songs won the Pulitzer Prize in 1965, but Berryman''s formal and emotional innovations-he cracks the language open, creates a new idiom in which to express eternal feelings-remain as alive and immediate today as ever.
E-bok
Engelska, 2014220 kr
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The complete Dream Songs--hypnotic, seductive, masterful--as thrilling to read now as they ever wereJohn Berryman''s The Dream Songs are perhaps the funniest, saddest, most intricately wrought cycle of oems by an American in the twentieth century. They are also, more simply, the vibrantly sketched adventures of a uniquely American antihero named Henry. Henry falls in and out of love, and is in and out of the hospital; he sings of joy and desire, and of beings at odds with the world. He is lustful; he is depressed.And while Henry is breaking down and cracking up and patching himself together again, Berryman is doing the same thing to the English language, crafting electric verses that defy grammar but resound with an intuitive truth: "if he had a hundred years," Henry despairs in "Dream Song 29," "& more, & weeping, sleepless, in all them time / Henry could not make good."This volume collects both 77 Dream Songs, which won Berryman the Pulitzer Prize in 1965, and their continuation, His Toy, His Dream, His Rest, which was awarded the National Book Award and the Bollingen Prize in 1969. The Dream Songs are witty and wild, an account of madness shot through with searing insight, winking word play, and moments of pure, soaring elation. This is a brilliantly sustained and profoundly moving performance that has not yet-and may never be-equaled.
Häftad, Engelska, 2026
247 kr
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