Daniel Wiegand – författare
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5 produkter
5 produkter
632 kr
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This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominant view of the transitional period as a time of yet-to-be-perfected forerunners of ‘classical’ sound film. Instead, authors highlight the sense of ‘fruitful uncertainty’ in this period of media change and transformation. Subjects covered include visual and auditory style; the uses of speech, music, and noises; aesthetic conceptions in sound film theory; and intermedial aesthetics. The volume’s scope is decidedly international, covering production and reception contexts in the Soviet Union, Japan, the USA, Germany, France, Italy, the UK, and Switzerland.
Bilanzierung konzernintern erworbener immaterieller Güter des Anlagevermögens nach HGB und IAS
Häftad, Tyska, 2008
777 kr
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Informationssysteme im Kunsthandel
Können die EDV-Systeme der Museumsinformatik als Basis für Informationssysteme in kommerziell betriebenen Kunstgalerien genutzt werden?
Häftad, Tyska, 2014
838 kr
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Kunsthandel im Informationszeitalter
Welche Rolle spielen Informationssysteme in Galerien?
Häftad, Tyska, 2015
573 kr
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1 896 kr
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This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character.