Daniel Williams – författare

The Social Roots of Delusions argues that human sociality is essential for understanding what delusions are and how they form.Humans are cooperative and cultural animals, radically dependent on others for survival and for the knowledge we use to navigate our world. That world includes complex systems of norms, reputation, gossip, surveillance, and partner choice, along with high-stakes competition for prestige and power among individuals and shifting coalitions.Against this background, Williams, Wilkinson, and Miyazono offer a social account of delusions in two senses. First, they rethink what it means to be delusional by situating delusion attribution within norm-governed practices of epistemic gatekeeping. In this context, calling a belief delusional expresses bafflement and marks its adherents as "rational lost causes", people who seem unreachable by ordinary communication, persuasion, and argument.Second, they show how social forces help produce and sustain delusions, including both clinical delusions and collective delusions. Popular delusions arise from socially motivated cognition interacting with complex social practices that reward conformity, supply rationalisations, and shield groups from counterevidence. Clinical delusions, by contrast, are often maintained when isolation and mistrust cut people off from the shared knowledge and corrective testimony that ordinarily stabilise belief. Drawing on philosophy, cognitive science, and psychiatry, the book connects individual psychopathology with collective irrationality through a single social lens.

The Victorian novel developed unique forms of reasoning under uncertainty-of thinking, judging, and acting in the face of partial knowledge and unclear outcome. George Eliot, Wilkie Collins, William Thackeray, Thomas Hardy, and later Joseph Conrad drew on science, mathematics, philosophy, and the law to articulate a phenomenology of uncertainty against emergent models of prediction and decision-making. In imaginative explorations of unsure reasoning, hesitant judgment, and makeshift action, these novelists cultivated distinctive responses to uncertainty as intellectual concern and cultural disposition, participating in the knowledge work of an era shaped by numerical approaches to the future. Reading for uncertainty yields a rich account of the dynamics of thinking and acting, a fresh understanding of realism as a genre of the probable, and a vision of literary-critical judgment as provisional and open-ended. Daniel Williams spotlights the value of literary art in a present marked by models and technologies of prediction.

Employment, Labour and Industrial Law in Australia provides a comprehensive, current and accessible resource for the undergraduate and Juris Doctor student. With a social and political background to the law, this text provides insightful legal analysis underscored by practical business experience, while exploring key principles through a close evaluation of laws and lively discussion of prominent cases. Recognising the multi-faceted nature of the subject, the authors have included content on employment, labour and industrial law in the one text, while also presenting critical topics not often dealt with, namely: • current and in-depth analysis of trade union regulation • public work including the public sector, the judiciary and academics • workplace health and safety including worker's compensation, bullying, anti-discrimination and taxation • emerging issues including topics such as transnational and international employment law, migration and employment, as well as volunteers and work experience. To maintain currency within this rapidly changing area of law, the text has a website which will include updates for any major developments in the field as well as responses to end-of-chapter questions. Written by respected academics and practicing lawyers in the field, this book is a relevant and contemporary guide to this fascinating area of law.

Author Daniel E. Williams, an industry professional with more 30 years of experience in chassis control systems from concept to launch, brings this experience and his unique approach to readers of Generalized Vehicle Dynamics.This book makes use of nomenclature and conventions not used in other texts. This combination allows the derivation of complex vehicles that roll with multiple axles, any of which can be steered, to be directly predicted by manipulation of a generalized model. Similarly the ride characteristics of such a generalized vehicle are derived. This means the vehicle dynamic behavior of these vehicles can be directly written from the results derived in this work, and there is no need to start from Newton's Second Law to create such insight. Using new and non-standard conventions allows wider applicability to complex vehicles, including autonomous vehicles.Generalized Vehicle Dynamics is divided into two main sections-ride and handling-with roll considered in both. Each section concludes with a case study that applies the concepts presented in the preceding chapters to actual vehicles. Chapters include Simple Suspension as a Linear Dynamic System, The Quarter-Car Model, The Pitch Plane Model, The Roll Plane Mode, Active Suspension to Optimize Ride, Handling Basics, Reference Frames, New Conventions, Two-Axle Yaw Plane Model, Rear Axle Steering and Lanekeeping, Two-Axle Vehicles that Roll, Three-Axle Vehicle Dynamics, Generalized Multi-Axle Vehicle Dynamics and Automated Vehicle Architecture from Vehicle Dynamics. "A fresh and more inclusive book that lays out much new material in vehicle dynamics." - L. Daniel Metz, Ph.D.

Today, people can watch television shows, feature films, live sporting events, and just about anything they want on their computers, tablets or phones. As the new media marketplace continues to grow, so does demand for original content and opportunities for filmmakers. Online distributors - such as YouTube, Hulu, and Funny or Die - are interested in acquiring web series (episodic digital entertainment, like mini-TV shows) that attract audiences and appeal to advertisers.Web TV Series... How to Make and Market Them provides advice and expertise to help readers create their own original, successful online shows - projects that can be profitable, potentially developed into film or television properties, and help to start a career in the industry. Readers will learn how to develop characters and stories designed for new media platforms, and find tips for planning, shooting, and editing that are tailored specifically to web series production. This book also extensively covers the latest distribution platforms and social media marketing strategies, as well as examples of how to find financial sustainability through advertisers, branded content, and sponsorship partners. Web Series has all of the tools necessary for both aspiring and experienced filmmakers to make the most of this growing new medium.

The movement of people, goods, capital and information is a central aspect of living in the inter-connected, globalised late-modern world. Although this broader view of mobility is recognized, this book focuses mainly on migration or the movement of people. It examines multiple dwelling as a societal response to the major influences of increased mobility and amenity tourism. The book also considers the modern-day meaning of multiple dwelling, how it affects personal identity and the meaning of 'home' and its impacts on host communities and landscapes.

Slanderous Tongues addresses the gap in Welsh literary studies of English language poetry over the last thirty years. For the first time here is a book which looks at that subject in the round, and in its many diversities. It is distinctive too for being the work of Wales's young critics, who bring a fresh perspective to the subject while acknowledging the legacy of academics like Wynn Thomas and James A Davies.Slanderous Tongues adopts a thematic approach, exploring the field through the prisms of politics, nationhood, gender, the environment, external influences (particularly Welsh language, American and Irish), translation experimentation in form and language. Among the many poets whose work is considered are R.S. Thomas, Dannie Abse, Nigel Jenkins, Mike Jenkins, Gillian Clarke, Harri Webb, Robert Minhinnick, Tony Conran, Ruth Bidgood, John Tripp, Deryn Rees-Jones, Gwyneth Lewis, Menna Elfyn, Pascale Petit, Evan Boland and Medbh McGuckian.Lively and informed, provocative and perceptive, this specially commissioned book is a superb guide to English language poetry in Wales in the last thirty years. It will be invaluable for students from year 12 to graduate level, and their teachers and lecturers, in addition to the general reader.Editor Daniel Williams is a Senior Lecturer in the English Department at Swansea University, and Assistant Director of CREW (the Centre for Research into the English Literature and Language of Wales). He has written on a range of subjects within the field of Welsh writing in English for a wide number of books, journals and magazines.

Slanderous Tongues addresses the gap in Welsh literary studies of English language poetry over the last thirty years. For the first time here is a book which looks at that subject in the round, and in its many diversities. It is distinctive too for being the work of Wales's young critics, who bring a fresh perspective to the subject while acknowledging the legacy of academics like Wynn Thomas and James A Davies.Slanderous Tongues adopts a thematic approach, exploring the field through the prisms of politics, nationhood, gender, the environment, external influences (particularly Welsh language, American and Irish), translation experimentation in form and language. Among the many poets whose work is considered are R.S. Thomas, Dannie Abse, Nigel Jenkins, Mike Jenkins, Gillian Clarke, Harri Webb, Robert Minhinnick, Tony Conran, Ruth Bidgood, John Tripp, Deryn Rees-Jones, Gwyneth Lewis, Menna Elfyn, Pascale Petit, Evan Boland and Medbh McGuckian.Lively and informed, provocative and perceptive, this specially commissioned book is a superb guide to English language poetry in Wales in the last thirty years. It will be invaluable for students from year 12 to graduate level, and their teachers and lecturers, in addition to the general reader.Editor Daniel Williams is a Senior Lecturer in the English Department at Swansea University, and Assistant Director of CREW (the Centre for Research into the English Literature and Language of Wales). He has written on a range of subjects within the field of Welsh writing in English for a wide number of books, journals and magazines.

This Handbook is a comprehensive anthology of up-to-date chapters contributed by current researchers in budget forecasting. Editors Daniel Williams and Thad Calabrese had previously found substantial deficiencies in public budgeting forecast literature with current research failing to address such matters as practices related to forecasting expenditure factors, the consequences of forecast bias, or empirical examination of the effectiveness of many deterministic methods actually used by many governments. This volume comprehensively addresses the state of knowledge about budget forecasting for practitioners, academics, and students and serves as a comprehensive resource for instruction alongside serving as a reference book for those engaged in budget forecasting practice.

This Handbook is a comprehensive anthology of up-to-date chapters contributed by current researchers in budget forecasting. Editors Daniel Williams and Thad Calabrese had previously found substantial deficiencies in public budgeting forecast literature with current research failing to address such matters as practices related to forecasting expenditure factors, the consequences of forecast bias, or empirical examination of the effectiveness of many deterministic methods actually used by many governments. This volume comprehensively addresses the state of knowledge about budget forecasting for practitioners, academics, and students and serves as a comprehensive resource for instruction alongside serving as a reference book for those engaged in budget forecasting practice.

New York City has the largest council-sponsored Participatory Budgeting (PB) processes in North America. This book reports on a multi-methodological study of New York City’s participatory budgeting (PB) process from the perspective of a city resident over time.