Danielle Antoinette Hidalgo – författare

The Spectacle of Online Life offers a groundbreaking exploration of the digital age's most pressing paradoxes: connection and isolation, democratization and control, authenticity and performance. Edited by Danielle Antoinette Hidalgo, Christopher T. Conner, and Matthew N. Hannah, this volume assembles a diverse array of scholars to critically examine how online technologies shape, reflect, and amplify the complexities of modern society.Chapters in the text draw on insights from the Frankfurt School, Situationist International, and contemporary media studies. This collection delves into topics as varied as promotional livestreaming, climate change conspiracy theories, beauty influencer culture, and the role of artificial intelligence in content moderation. As the authors show, digital platforms are a double-edged sword both empowering grassroots movements and reinforcing systemic inequalities.

Dance Music Spaces examines the production of physical and digital spaces in dance music, and how the players—clubs, clubbers, and DJs—use authenticity, branding, and commercialism to navigate them. An in-depth study into three women DJs—The Blessed Madonna, Honey Dijon, and Peggy Gou—reveals a new concept, “authenticity maneuvering.” In it Danielle Hidalgo exposes how the strategic use of a rave ethos both bolsters acceptance in dance music spaces and hides often problematic commercial practices. This timely, thoughtful, and deeply personal book presents a compelling analysis of the complicated interplay between dancing bodies, digital practices, and spatial offerings in contemporary dance music.

Dance Music Spaces examines the production of physical and digital spaces in dance music, and how the players—clubs, clubbers, and DJs—use authenticity, branding, and commercialism to navigate them. An in-depth study into three women DJs—The Blessed Madonna, Honey Dijon, and Peggy Gou—reveals a new concept, “authenticity maneuvering.” In it Danielle Hidalgo exposes how the strategic use of a rave ethos both bolsters acceptance in dance music spaces and hides often problematic commercial practices. This timely, thoughtful, and deeply personal book presents a compelling analysis of the complicated interplay between dancing bodies, digital practices, and spatial offerings in contemporary dance music.