Danny Barker – författare
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4 produkter
4 produkter
E-bok
PDF, Engelska, 2001643 kr
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The first volume of Barker's memoirs, A Life in Jazz, followed him from New Orleans into the big bands of Cab Calloway and Benny Carter. He was working on this-the second volume-for some years before his death in 1994. Beginning with an extended portrait of Buddy Bolden as recalled by the likes of Jelly Roll Morton and Bunk Johnson as well as Barker himself, this book draws together a lifetime of stories and the vivid characters who populated "Storyville."Danny Barker (1909-1994) sang and played the guitar and banjo on over 1,000 jazz, swing, blues, and bebop records. He is a member of the Jazz Hall of Fame and recipient of the National Endowment for the Arts Music Master Award. Alyn Shipton is a writer and broadcaster on jazz. He is the editor of A Life in Jazz, the first volume of Danny Barker's memoirs.
Häftad, Engelska, 2001
599 kr
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In 1986, jazz guitarist, banjoist, singer and composer Danny Barker (who died in 1994) published the first volume of his memoirs "A Life in Jazz," which was widely praised as an addition to the history of jazz. This is a further selection of Barker's writings (beginning with a long portrait of Buddy Bolden, the "first man of jazz") drawn from conversations and interviews with the generation of jazzmen that invented the music. Many of those interviewed were musicians Danny Barker knew and worked with. The book also contains Barker's own recollections of Storyville in its dying days, plus more material dating from his pioneering period of work in the big bands, with a memoir of trombonist Charlie Green, and of life on the road with Cab Calloway
Inbunden, Engelska, 2016
304 kr
Skickas inom 5-8 vardagar
E-bok
PDF, Engelska, 2016375 kr
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As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children''s ''spasm'' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie''s impact on jazz, is given. The final chapters discuss Barker''s career from the late 1940s. Starting with the New York dixieland scene at Ryan''s and Condon''s he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker''s photographs,