Darcie DeAngelo – författare

How to Love a Rat takes place in a Cambodian minefield. Working amid hidden bombs, former war combatants use explosive-sniffing rats to clear mines from the land. In total, an estimated four to six million landmines in Cambodia have been left behind by wars that ended decades ago. This has created the conditions for a flourishing mine-clearance industry, where workers who were once enemy combatants may now be employed on the same clearance teams.Zeroing in on two distinct sets of feelings, Darcie DeAngelo paints a portrait of the love experienced between humans and rats and the suspicions felt between former adversaries turned coworkers. In doing so, she points to how human-animal relationships in the minefield produce models for relationality among people from opposing sides of war. The ways the deminers love the rats mediate both the traumatic violence of the past and the uncertain dangers of the minefield. The book's stories depict an transformative postwar ecology emerging through human-nonhuman relationships, including those shared between humans and rats, landmines, and spirits.

How to Love a Rat takes place in a Cambodian minefield. Working amid hidden bombs, former war combatants use explosive-sniffing rats to clear mines from the land. In total, an estimated four to six million landmines in Cambodia have been left behind by wars that ended decades ago. This has created the conditions for a flourishing mine-clearance industry, where workers who were once enemy combatants may now be employed on the same clearance teams.Zeroing in on two distinct sets of feelings, Darcie DeAngelo paints a portrait of the love experienced between humans and rats and the suspicions felt between former adversaries turned coworkers. In doing so, she points to how human-animal relationships in the minefield produce models for relationality among people from opposing sides of war. The ways the deminers love the rats mediate both the traumatic violence of the past and the uncertain dangers of the minefield. The book's stories depict an transformative postwar ecology emerging through human-nonhuman relationships, including those shared between humans and rats, landmines, and spirits.

How to Love a Rat takes place in a Cambodian minefield. Working amid hidden bombs, former war combatants use explosive-sniffing rats to clear mines from the land. In total, an estimated four to six million landmines in Cambodia have been left behind by wars that ended decades ago. This has created the conditions for a flourishing mine-clearance industry, where workers who were once enemy combatants may now be employed on the same clearance teams. Zeroing in on two distinct sets of feelings, Darcie DeAngelo paints a portrait of the love experienced between humans and rats and the suspicions felt between former adversaries turned coworkers. In doing so, she points to how human-animal relationships in the minefield produce models for relationality among people from opposing sides of war. The ways the deminers love the rats mediate both the traumatic violence of the past and the uncertain dangers of the minefield. The book's stories depict an transformative postwar ecology emerging through human-nonhuman relationships, including those shared between humans and rats, landmines, and spirits.

Demilitarizing the Future draws from art, anthropology, and activism to investigate the entrenchment of militarism in everyday lives and to consider novel imaginaries of its dissolution. The pieces collected in this anthology track across military training camps in the United States, the tenements of Palestine, and other sites in the global networks of warfare and military preparedness to consider the pathways by which more equitable futures might be envisioned and sustained. Representing fields from anthropology to poetry and from literary studies to community organizing, the authors together weave a multidisciplinary collection of creative scholarship. Rather than presuming that the aftermath of war requires the reimposition of new military infrastructures, the collection speaks to the socially and artistically generative potentialities of military waste infrastructures as well as their enduring toxicities. Militarism and preparedness for war undergirds the infrastructure and design of everyday lives across the globe and its satellites, but the processes of demilitarization offer their own affordances. Within this collection, the authors broaden our understanding of militarization to examine its excesses and their repurposing toward demilitarized futures.

An anthology that investigates the entrenchment of militarism in everyday lives and considers novel imaginaries of its dissolution.Demilitarizing the Future draws from art, anthropology, and activism to investigate the entrenchment of militarism in everyday lives and consider novel imaginaries of its dissolution of peacemaking, community, and shared equitable futures. The pieces collected in this anthology track across the Korean DMZ, fortified homes of high-crime Jamaica, the tenements of Palestine, police drones in the skies over U.S. cities, and other sites in the global networks of warfare and military preparedness. The authors represent various fields from anthropology, poetry, literary studies, and community organizing to together present a multidisciplinary collection of creative scholarship. In addition to typical chapters with empirically backed arguments, we include one anthropologist-poet contributor, Nomi Stone, and one photographer, Boone Nguyen, who both showcase the interdisciplinary experiments of our humanistic social science about militarized landscapes. Rather than presuming that the aftermath of war requires the reimposition of new military infrastructures, we have collected a variety of pieces that speak to the socially and artistically generative potentialities of military waste infrastructures as well as their enduring toxicities. Militarism and preparedness for war undergirds the infrastructure and design of everyday lives across the globe and its satellites, but the processes of demilitarization offer their own forms and affordances. Within this collection, we do not insist on a dichotomy between militarism and demilitarization, but rather invite our authors and artists to depict these forces as a categorical range with interdependent imaginaries.