Daria Berg – författare

This book examines how China’s new generation of avant-garde writers and artists are pushing the boundaries of vernacular culture, creatively appropriating artistic and literary languages from global cultures to reflect on reform-era China’s transformation and the Maoist heritage. It explores the vortex of cultural change from the launch of Deng Xiaoping’s reforms in 1978 to Xi Jinping establishing his leadership for life in 2018. The book argues that China’s new avant-garde adopt transcultural forms of expression while challenging the official discourse of Xi Jinping’s regime, which promotes cultural nationalism and demands that cultural production in China embodies the essence of the "Chinese nation". The topics range from body art, women’s poetry and boys’ love literature to Tibetan fiction and ceramic art. The book shows how the avant-garde use the new digital media to bypass government censorship, transcending China’s virtual frontiers while breaking new ground for an emerging public sphere. Overall, the book provides a rich picture of the nature of China’s avant-garde art and literature and the challenges it poses for the Chinese government.

The introduction and chapter 10 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

This book examines how China’s new generation of avant-garde writers and artists are pushing the boundaries of vernacular culture, creatively appropriating artistic and literary languages from global cultures to reflect on reform-era China’s transformation and the Maoist heritage. It explores the vortex of cultural change from the launch of Deng Xiaoping’s reforms in 1978 to Xi Jinping establishing his leadership for life in 2018. The book argues that China’s new avant-garde adopt transcultural forms of expression while challenging the official discourse of Xi Jinping’s regime, which promotes cultural nationalism and demands that cultural production in China embodies the essence of the "Chinese nation". The topics range from body art, women’s poetry and boys’ love literature to Tibetan fiction and ceramic art. The book shows how the avant-garde use the new digital media to bypass government censorship, transcending China’s virtual frontiers while breaking new ground for an emerging public sphere. Overall, the book provides a rich picture of the nature of China’s avant-garde art and literature and the challenges it poses for the Chinese government.

The introduction and chapter 10 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

The quest for gentility has shaped Chinese civilization and the formation of culture in China until the present day. This book analyzes social aspirations and cultural practices in China from 1550 to 1999, showing how the notion of gentility has evolved and retained its relevance in China from late imperial times until the modern day. Gentility denotes the way of the gentleman and gentlewoman. The concept of gentility transcends the categories of gender and class and provides important new insights into the ways Chinese men and women lived their lives, perceived their world and constructed their cultural environment. In contrast to analyses of the elite, perceptions of gentility relate to ideals, ambitions, desires, social capital, cultural sophistication, literary refinement, aesthetic appreciation, moral behaviour, femininity and gentlemanly elegance, rather than to actual status or power. Twelve international leading scholars present multi-disciplinary approaches to explore the images, artefacts and transmission of gentility across the centuries in historical and literary situations, popular and high culture, private and official documents, poetry clubs, garden culture and aesthetic guidebooks. This volume changes the ways we look at Chinese cultural history, literature, women and gender issues and offers new perspectives on Chinese sources.

The quest for gentility has shaped Chinese civilization and the formation of culture in China until the present day. This book analyzes social aspirations and cultural practices in China from 1550 to 1999, showing how the notion of gentility has evolved and retained its relevance in China from late imperial times until the modern day. Gentility denotes the way of the gentleman and gentlewoman. The concept of gentility transcends the categories of gender and class and provides important new insights into the ways Chinese men and women lived their lives, perceived their world and constructed their cultural environment. In contrast to analyses of the elite, perceptions of gentility relate to ideals, ambitions, desires, social capital, cultural sophistication, literary refinement, aesthetic appreciation, moral behaviour, femininity and gentlemanly elegance, rather than to actual status or power. Twelve international leading scholars present multi-disciplinary approaches to explore the images, artefacts and transmission of gentility across the centuries in historical and literary situations, popular and high culture, private and official documents, poetry clubs, garden culture and aesthetic guidebooks. This volume changes the ways we look at Chinese cultural history, literature, women and gender issues and offers new perspectives on Chinese sources.

Exploring the works of key women writers within their cultural, artistic and socio-political contexts, this book considers changes in the perception of women in early modern China. The sixteenth century brought rapid developments in technology, commerce and the publishing industry that saw women emerging in new roles as both consumers and producers of culture. This book examines the place of women in the cultural elite and in society more generally, reconstructing examples of particular women’s personal experiences, and retracing the changing roles of women from the late Ming to the early Qing era (1580-1700). Providing rich detail of exceptionally fine, interesting and engaging literary works, this book opens fascinating new windows onto the lives, dreams, nightmares, anxieties and desires of the authors and the world out of which they emerged.

Exploring the works of key women writers within their cultural, artistic and socio-political contexts, this book considers changes in the perception of women in early modern China. The sixteenth century brought rapid developments in technology, commerce and the publishing industry that saw women emerging in new roles as both consumers and producers of culture. This book examines the place of women in the cultural elite and in society more generally, reconstructing examples of particular women’s personal experiences, and retracing the changing roles of women from the late Ming to the early Qing era (1580-1700). Providing rich detail of exceptionally fine, interesting and engaging literary works, this book opens fascinating new windows onto the lives, dreams, nightmares, anxieties and desires of the authors and the world out of which they emerged.