Darrelyn Gunzburg – författare

Exploring sacred mountains around the world, this book examines whether bonding and reverence to a mountain is intrinsic to the mountain, constructed by people, or a mutual encounter. Chapters explore mountains in England, Scotland, Wales, Italy, Ireland, the Himalaya, Japan, Greece, USA, Asia and South America, and embrace the union of sky, landscape and people to examine the religious dynamics between human and non-human entities.This book takes as its starting point the fact that mountains physically mediate between land and sky and act as metaphors for bridges from one realm to another, recognising that mountains are relational and that landscapes form personal and group cosmologies. The book fuses ideas of space, place and material religion with cultural environmentalism and takes an interconnected approach to material religio-landscapes. In this way it fills the gap between lived religious traditions, personal reflection, phenomenology, historical context, environmental philosophy, myths and performativity.In defining material religion as active engagement with mountain-forming and humanshaping landscapes, the research and ideas presented here provide theories that are widely applicable to other forms of material religion.

Exploring sacred mountains around the world, this book examines whether bonding and reverence to a mountain is intrinsic to the mountain, constructed by people, or a mutual encounter. Chapters explore mountains in England, Scotland, Wales, Italy, Ireland, the Himalaya, Japan, Greece, USA, Asia and South America, and embrace the union of sky, landscape and people to examine the religious dynamics between human and non-human entities.This book takes as its starting point the fact that mountains physically mediate between land and sky and act as metaphors for bridges from one realm to another, recognising that mountains are relational and that landscapes form personal and group cosmologies. The book fuses ideas of space, place and material religion with cultural environmentalism and takes an interconnected approach to material religio-landscapes. In this way it fills the gap between lived religious traditions, personal reflection, phenomenology, historical context, environmental philosophy, myths and performativity. In defining material religion as active engagement with mountain-forming and humanshaping landscapes, the research and ideas presented here provide theories that are widely applicable to other forms of material religion.

Exploring sacred mountains around the world, this book examines whether bonding and reverence to a mountain is intrinsic to the mountain, constructed by people, or a mutual encounter. Chapters explore mountains in England, Scotland, Wales, Italy, Ireland, the Himalaya, Japan, Greece, USA, Asia and South America, and embrace the union of sky, landscape and people to examine the religious dynamics between human and non-human entities.This book takes as its starting point the fact that mountains physically mediate between land and sky and act as metaphors for bridges from one realm to another, recognising that mountains are relational and that landscapes form personal and group cosmologies. The book fuses ideas of space, place and material religion with cultural environmentalism and takes an interconnected approach to material religio-landscapes. In this way it fills the gap between lived religious traditions, personal reflection, phenomenology, historical context, environmental philosophy, myths and performativity. In defining material religion as active engagement with mountain-forming and humanshaping landscapes, the research and ideas presented here provide theories that are widely applicable to other forms of material religion.

Exploring sacred mountains around the world, this book examines whether bonding and reverence to a mountain is intrinsic to the mountain, constructed by people, or a mutual encounter. Chapters explore mountains in England, Scotland, Wales, Italy, Ireland, the Himalaya, Japan, Greece, USA, Asia and South America, and embrace the union of sky, landscape and people to examine the religious dynamics between human and non-human entities.This book takes as its starting point the fact that mountains physically mediate between land and sky and act as metaphors for bridges from one realm to another, recognising that mountains are relational and that landscapes form personal and group cosmologies. The book fuses ideas of space, place and material religion with cultural environmentalism and takes an interconnected approach to material religio-landscapes. In this way it fills the gap between lived religious traditions, personal reflection, phenomenology, historical context, environmental philosophy, myths and performativity.In defining material religion as active engagement with mountain-forming and humanshaping landscapes, the research and ideas presented here provide theories that are widely applicable to other forms of material religion.

The sky forms fifty percent of our visual world and has a voice across cultures. This complex sky-voice contains great diversity and is informed by human images, dreams, and aspirations. The inherent nature of this sky-voice is transmitted from one generation to another through text, image, oral tradition, physical mapping, and painted description. This volume is written by some of the most noted scholars in their fields of British history, history of art, social anthropology, Greek horoscopes and narratology, globe cartography, comets and Irish mythology, western astronomy, Australian aboriginal sky astronomy and mythology, and cultural astronomy and astrology. These scholars acknowledge the presence of such a voice, in the sky's movement mirrored in the archoeastronomy of British prehistory, the apocalyptic myths of comets and meteors, the sky cartography reflected in European globes and frescoes, the Australian aboriginal sky myths, the issue of disappearing dark skies, and in contemporary reflections on the sky. It recognises that sky imagery has persisted in similar forms since its potential roots in the Palaeolithic period.These eleven essays offer critical engagement in understanding the sky in human imagination and culture and contribute to the new fields of cultural astronomy and skyscapes, the role and importance of the sky in the interpretation of cultures, emerging within the academy.

The sky forms fifty percent of our visual world and has a voice across cultures. This complex sky-voice contains great diversity and is informed by human images, dreams, and aspirations. The inherent nature of this sky-voice is transmitted from one generation to another through text, image, oral tradition, physical mapping, and painted description. This volume is written by some of the most noted scholars in their fields of British history, history of art, social anthropology, Greek horoscopes and narratology, globe cartography, comets and Irish mythology, western astronomy, Australian aboriginal sky astronomy and mythology, and cultural astronomy and astrology. These scholars acknowledge the presence of such a voice, in the sky's movement mirrored in the archoeastronomy of British prehistory, the apocalyptic myths of comets and meteors, the sky cartography reflected in European globes and frescoes, the Australian aboriginal sky myths, the issue of disappearing dark skies, and in contemporary reflections on the sky. It recognises that sky imagery has persisted in similar forms since its potential roots in the Palaeolithic period.These eleven essays offer critical engagement in understanding the sky in human imagination and culture and contribute to the new fields of cultural astronomy and skyscapes, the role and importance of the sky in the interpretation of cultures, emerging within the academy.

In this, her first and landmark book, Darrelyn Gunzburg explores how, by using astrology as our guide, we can befriend the notion of letting go and encounter a changed future with focus, determination and understanding. The author draws on the Centaurs, mythology and solid astrological knowledge to demonstrate her points. A Centaur ephemeris is included.

Handwriting is more than just a means of communication. Each time you pick up a pen, you create your own art which draws from all the light and dark areas of your natal chart. By learning how to spot your own natal aspects in your handwriting, you will open a whole new door to the hidden potential within your horoscope. As you begin to understand how your handwriting reflects your natal chart, so you can harness the energy of your predictive work by changing the way you write - and help a difficult aspect to gain a more helpful expression. AstroGraphology synthesizes handwriting and astrology in a totally new paradigm that will delight and inspire you with new power to bring change into your life.