Daryl R. Ireland – författare

Dubbed the ""Billy Sunday of China"" for the staggering number of people he led to Christ, John Song has captured the imagination of generations of readers. His story, as it became popular in the West, possessed memorable, if not necessarily true, elements: Song was converted while he studied in New York at Union Theological Seminary in 1927, but his modernist professors placed him in an insane asylum because of his fundamentalism. Upon his release, he returned to China and drew enormous crowds as he introduced hundreds of thousands of people to the Old-Time Religion.In John Song: Modern Chinese Christianity and the Making of a New Man, Daryl Ireland upends conventional images of John Song and theologically conservative Chinese Christianity. Working with never before used sources, this groundbreaking book paints the picture of a man who struggled alongside his Chinese contemporaries to find a way to save their nation. Unlike reformers who attempted to update ancient traditions, and revolutionaries who tried to escape the past altogether, Song hammered out the contours of a modern Chinese life in the furnace of his revivals.With sharp storytelling and careful analysis, Ireland reveals how Song ingeniously reformulated the Christian faith so that it was transformative and transferrable throughout China and Southeast Asia. It created new men and women who thrived in the region's newly globalized cities. Song's style of Christianity continues to prove resilient and still animates the extraordinary growth of the Chinese church today.

Between the May Fourth Movement of 1919 and the Communist Revolution of 1949, Chinese Christians had to compete with Nationalist and Communist ideologies over how best to save the nation. They, along with China's political parties, adopted propaganda posters and relied on their eye-catching colors and potent symbolism to win the hearts of the masses. Because these images were meant to attract the public, we can look at the posters and ask, What did Christian artists and evangelists believe would appeal to viewers? How did they choose to present the gospel to a Chinese audience? The answers may come as a surprise, as Jesus is scarcely present. Instead, playful children, the Chinese flag, lotus flowers, clean teeth, and other images became the vehicles Christians used to address the felt needs and aspirations of a nation struggling to survive. Unpacking the significance of these and other visual cues, Visions of Salvation offers a fresh look at Chinese history and theology. Drawing on a landmark collection of more than 200 color prints, assembled and analyzed here for the first time, leading scholars in Chinese Studies, mission history, Chinese Christianity, and visual culture reassess various facets of Chinese life in the second quarter of the twentieth century. In an age of revolution, political activists were not the only ones advancing prescriptions for change. Chinese Christians also pursued a New China, as one poster explicitly put it. Though later suppressed and largely forgotten, Christian posters placarded the country for thirty years with an alternative vision of national salvation.