A murder mystery set in pandemic-era Virginia, where a young web designer attempts to uncover who shot and killed her brother—and why the murderer decided to use a silver bullet, from the author of Blurry and Discipline.Like Swimmers opens during the Covid summer of 2020, when Richmond-based web designer Mackenzie wakes up to find her younger brother Howie dead in their apartment. An autopsy reveals a startling cause: Howie was killed by a silver bullet. With no help from a police force overwhelmed by protest and plague, Mackenzie turns sleuth and goes on the hunt for an answer to what she believes is a simple question: who murdered Howie?But what seems straightforward to her isn’t to anyone else. Howie’s deadbeat friends aren’t even sure Howie was murdered: what if he just killed himself? Undeterred, Mackenzie suspects the cryptic Isa, who Howie was running errands for before his death. Was she Howie’s lover? Or just the focus of Howie’s unrelenting obsession? Mackenzie will follow all the threads—from Howie’s time as a courier during the worst of Covid to the sleazy machinations of Isa’s professor husband—all the way to a startling and brutal conclusion. Dash Shaw, fresh off the acclaimed Blurry, delivers a fast-paced mystery in lush painted color that delves into loss, calamity, and whether we ever really know the people we love.

When the parents of the Loony family announce their divorce, the rest of the family comes together at their beach house for a week. Dennis, the eldest son, is having marriage troubles of his own, and searches for clues, trap doors, and secret tunnels. Claire, the middle child, is a single mother with a troubled 16-year-old daughter, Jill. The youngest child, Peter, is a hack filmmaker suffering from paralyzing insecurities who establishes an unorthodox romance with a mysterious day care counsellor at the beach.

NAMED ONE OF THE BEST GRAPHIC NOVELS OF THE YEAR BY THE NEW YORK TIMES, THE WASHINGTON POST, LITERARY HUB, AND FORBESA warm and quietly inventive new graphic novel about a group of characters whose lives interconnect in subtle, often unseen ways—and the seemingly mundane choices that bring them together or draw them apart.A man can’t decide between two dress shirts for a wedding. A woman questions the style of her new glasses. A teacher considers quitting teaching. A figure-drawing model considers quitting modeling. A man drives into a fog bank and is unsure how to get home. From Dash Shaw, cartoonist of one of the New York Times Best Comics of 2021, comes a new graphic novel, Blurry. In Blurry, Shaw renders doubts around everyday decisions as startling cliffhangers, presenting us with the kinds of choices that can make a life expand or contract in equal measure. Drawn in clear lines and washes, Shaw captures the humor and anxiety of life in a one-of-a-kind structure that bends back to a thrilling, lyrical finish. Blurry is more evidence that Shaw is one of our greatest contemporary cartoonists.

A CLASSIC 1930s COMIC STRIP: The New Yorker’s first art editor satirizes the petit bourgeoisie in these stylishly eccentric cartoons with echoes of Cheever and Wodehouse.Rea Irvin was The New Yorker’s first art editor and creator of the magazine’s iconic mascot, the butterfly enthusiast Eustace Tilley. In 1930, he ventured into new territory with the comic strip The Smythes. The Smythes—comprised of John, Margie, and their two forgettable children, Willie and Maudie—are a niceish suburban family, restless in their social stature, and eager to climb a sometimes wobbly social ladder. Irvin’s distinct, graceful line renders the Smythes in all their glory and hilarity as they navigate ill-fated dinner parties with pompous socialites, fend off robbers dressed as Santa, and get chased out of restaurants by cleaver-wielding chefs.The Smythes drolly captures the joys, heartbreaks, and humiliations of being in a family. Handpicked by acclaimed cartoonists R. Kikuo Johnson and Dash Shaw—who also penned the introduction together—this new selection of Smythes strips also includes an enlightening afterword by comics historian Caitlin McGurk. An unsung masterpiece of cartooning, The Smythes is finally available to a new generation of readers ready to marvel at the full reach of Irvin’s artistic abilities.

A murder mystery set in pandemic-era Virginia, where a young web designer attempts to uncover who shot and killed her brother—and why the murderer decided to use a silver bullet, from the author of Blurry and Discipline.Like Swimmers opens during the Covid summer of 2020, when Richmond-based web designer Mackenzie wakes up to find her younger brother Howie dead in their apartment. An autopsy reveals a startling cause: Howie was killed by a silver bullet. With no help from a police force overwhelmed by protest and plague, Mackenzie turns sleuth and goes on the hunt for an answer to what she believes is a simple question: who murdered Howie?But what seems straightforward to her isn’t to anyone else. Howie’s deadbeat friends aren’t even sure Howie was murdered: what if he just killed himself? Undeterred, Mackenzie suspects the cryptic Isa, who Howie was running errands for before his death. Was she Howie’s lover? Or just the focus of Howie’s unrelenting obsession? Mackenzie will follow all the threads—from Howie’s time as a courier during the worst of Covid to the sleazy machinations of Isa’s professor husband—all the way to a startling and brutal conclusion. Dash Shaw, fresh off the acclaimed Blurry, delivers a fast-paced mystery in lush painted color that delves into loss, calamity, and whether we ever really know the people we love.

When the parents of the Loony family announce their divorce, the rest of the family comes together at their beach house for a week. Dennis, the eldest son, is having marriage troubles of his own, and searches for clues, trap doors, and secret tunnels. Claire, the middle child, is a single mother with a troubled 16-year-old daughter, Jill. The youngest child, Peter, is a hack filmmaker suffering from paralyzing insecurities who establishes an unorthodox romance with a mysterious day care counsellor at the beach.

NAMED ONE OF THE BEST GRAPHIC NOVELS OF THE YEAR BY THE NEW YORK TIMES, THE WASHINGTON POST, LITERARY HUB, AND FORBESA warm and quietly inventive new graphic novel about a group of characters whose lives interconnect in subtle, often unseen ways—and the seemingly mundane choices that bring them together or draw them apart.A man can’t decide between two dress shirts for a wedding. A woman questions the style of her new glasses. A teacher considers quitting teaching. A figure-drawing model considers quitting modeling. A man drives into a fog bank and is unsure how to get home. From Dash Shaw, cartoonist of one of the New York Times Best Comics of 2021, comes a new graphic novel, Blurry. In Blurry, Shaw renders doubts around everyday decisions as startling cliffhangers, presenting us with the kinds of choices that can make a life expand or contract in equal measure. Drawn in clear lines and washes, Shaw captures the humor and anxiety of life in a one-of-a-kind structure that bends back to a thrilling, lyrical finish. Blurry is more evidence that Shaw is one of our greatest contemporary cartoonists.

A CLASSIC 1930s COMIC STRIP: The New Yorker’s first art editor satirizes the petit bourgeoisie in these stylishly eccentric cartoons with echoes of Cheever and Wodehouse.Rea Irvin was The New Yorker’s first art editor and creator of the magazine’s iconic mascot, the butterfly enthusiast Eustace Tilley. In 1930, he ventured into new territory with the comic strip The Smythes. The Smythes—comprised of John, Margie, and their two forgettable children, Willie and Maudie—are a niceish suburban family, restless in their social stature, and eager to climb a sometimes wobbly social ladder. Irvin’s distinct, graceful line renders the Smythes in all their glory and hilarity as they navigate ill-fated dinner parties with pompous socialites, fend off robbers dressed as Santa, and get chased out of restaurants by cleaver-wielding chefs.The Smythes drolly captures the joys, heartbreaks, and humiliations of being in a family. Handpicked by acclaimed cartoonists R. Kikuo Johnson and Dash Shaw—who also penned the introduction together—this new selection of Smythes strips also includes an enlightening afterword by comics historian Caitlin McGurk. An unsung masterpiece of cartooning, The Smythes is finally available to a new generation of readers ready to marvel at the full reach of Irvin’s artistic abilities.