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2 produkter
2 produkter
436 kr
Skickas inom 5-8 vardagar
A beautifully illustrated retrospective of Art Nouveau architect and designer Hector Guimard, positioning him at the forefront of the modernist movementThe aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature for inspiration, and combined materials such as stone and cast iron in unique ways to create designs composed of curves and waves that evoked movement. Guimard broke away from his classical Beaux-Arts training to advocate a modern, abstract style; he also pioneered the use of standardized models for his design objects and experimented with prefabricated designs in his social housing commissions, advancing the technology of the time. With copious, beautifully reproduced illustrations of his architectural drawings as well as his furniture, jewelry, and textile designs, this volume explores Guimard’s full oeuvre and elucidates the significance of his work to the history of modern art. Essays by an international group of scholars present Guimard as a visionary architect, a shrewd entrepreneur, an industrialist, and a social activist.Published in association with the Richard H. Driehaus MuseumExhibition Schedule:Cooper Hewitt, Smithsonian Design Museum, New York(November 17, 2022–May 21, 2023)The Richard H. Driehaus Museum, Chicago(June 22, 2023–January 7, 2024)
Partners In Design
Alfred H. Barr Jr. und Philip Johnson. Bauhaus-Pioniere in Amerika
Inbunden, Tyska, 2017
518 kr
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As the 1930s began, Alfred H. Barr Jr., founder of the Museum of Modern Art in New York, and Philip Johnson, distinguished architect, brought the principles of the Bauhaus to America - even before exiles from Nazi Germany fully established the idea of architecture and furnishings as a functional whole in the United States. Barr's organisation of the museum reflected the departmental structure of the Bauhaus, elevating architecture, graphic design, utilitarian furniture design, industrial design, photography and film to be on an equal footing with painting and sculpture, and endorsing all to be recognised as art. Barr and Johnson curated exceptional exhibitions such as Modern Architecture, International Exhibition (1932) and Machine Art (1934) at MoMA and created modern interiors in private living quarters. In this book, comprehensive essays and series of photos trace how modernism found its way into the American cultural landscape. Text in German.