David A. Rennie – författare

Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors'' war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity--such as gender, race, and politics--registered in American Great War writing. Rather than being dominated by their perceived membership of such socio-political categories, this study argues that writers reacted to and represented the war in complex ways which were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry.American Writers and World War I argues that even authors'' hallmark ''anti-war'' works are in fact characterized by an awareness of the war''s nuanced effects on society and individuals. By tracking authors'' war writing throughout their entire careers--in well-known texts, autobiography, correspondence, and neglected works--this study contends that writers'' reactions were multifaceted, and subject to change--in response to their developments as writers and individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents which offered writers means of assessing the war. Ultimately, the volume argues, American World War I writing was highly personal, complex, and idiosyncratic.

Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors'' war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity--such as gender, race, and politics--registered in American Great War writing. Rather than being dominated by their perceived membership of such socio-political categories, this study argues that writers reacted to and represented the war in complex ways which were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry.American Writers and World War I argues that even authors'' hallmark ''anti-war'' works are in fact characterized by an awareness of the war''s nuanced effects on society and individuals. By tracking authors'' war writing throughout their entire careers--in well-known texts, autobiography, correspondence, and neglected works--this study contends that writers'' reactions were multifaceted, and subject to change--in response to their developments as writers and individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents which offered writers means of assessing the war. Ultimately, the volume argues, American World War I writing was highly personal, complex, and idiosyncratic.

Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors' war writing continuously evolved in response to developments in their professional and personal lives. Recent research has focused on constituencies of identity--such as gender, race, and politics--registered in American Great War writing. Rather than being dominated by their perceived membership of such socio-political categories, this study argues that writers reacted to and represented the war in complex ways which were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry.American Writers and World War I argues that even authors' hallmark 'anti-war' works are in fact characterized by an awareness of the war's nuanced effects on society and individuals. By tracking authors' war writing throughout their entire careers--in well-known texts, autobiography, correspondence, and neglected works--this study contends that writers' reactions were multifaceted, and subject to change--in response to their developments as writers and individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents which offered writers means of assessing the war. Ultimately, the volume argues, American World War I writing was highly personal, complex, and idiosyncratic.

Ogston's career was of far-ranging, yet under acknowledged, excellence. Inspired by the work of Joseph Lister and Robert Koch, Ogston was determined to find the cause of post-operative infection. Working in his home laboratory, Ogston established the link between acute inflammation and suppuration and microorganisms, discovered (and named) staphylococcus (better known today in connection with MRSA), and correctly linked localised microorganism infections with blood poisoning. Ogston served as a medical volunteer during the 1885 Soudan Campaign and, in 1892, became Surgeon in Ordinary to Queen Victoria. Although instrumental in founding the Royal Army Medical Corps in 1898, Ogston remained critical of the army medical services. These views were amply confirmed by the events of the Boer War, in which Ogston offered his medical services. During the Great War, Ogston in his early seventies and President of the British Medical Association served as a surgeon with the British Red Cross at the Villa Trento hospital in north-east Italy a site which served as an inspiration for the British hospital in Ernest Hemingway's A Farewell to Arms.

Ogston's career was of far-ranging, yet underacknowledged, excellence. Inspired by the work of Joseph Lister and Robert Koch, Ogston determined to find the cause of post-operative infection. Working in his home laboratory, Ogston established the link between acute inflammation and suppuration and microorganisms, discovered (and named) staphylococcus (better known today in connection with MRSA), and correctly linked localised microorganism infections with blood poisoning. Ogston served as a medical volunteer during the 1885 Soudan Campaign and, in 1892, became Surgeon in Ordinary to Queen Victoria. Although instrumental in founding the Royal Army Medical Corps in 1898, Ogston remained critical of the army medical services. These views were amply confirmed by the events of the Boer War, in which Ogston offered his medical services.During the Great War, Ogston in his early seventies and President of the British Medical Association served as a surgeon with the British Red Cross at the Villa Trento hospital in north-east Italy a site which served as an inspiration for the British hospital in Ernest Hemingway's A Farewell to Arms.

Explores the connections between Scottish writing and World War IIncludes studies united by an innovative methodological approach to Scottish World War I writingContends that the war’s effect on Scotland and Scottish letters was more multifaceted and far-ranging than prior assessments have allowed forAddresses work by some of Scotland’s most popular and influential writers, such as Lewis Grassic Gibbon, John Buchan, Nan Shepherd, Neil Gunn, Charles Hamilton Sorley, and Hugh MacDiarmidThis book highlights the variety of literary, social, political and philosophical reverberations of the war in Scotland writing. Part one of the collection presents multi-text case studies of areas such as Scottish Great War prose, popular literature, women’s letters to the editor, Gaelic writing and philosophy. Part two contains essays devoted to individual authors, including canonical figures Lewis Grassic Gibbon, Nan Shepherd, Neil Gunn and John Buchan, as well as peripheral authors such as A. C. Mackinlay, Charles Murray and Ewart Alan Mackintosh.

This book highlights the variety of literary, social, political and philosophical reverberations of the war in Scottish writing. Part one of the collection presents multi-text case studies of areas such as Scottish Great War prose, popular literature, women's letters to the editor, Gaelic writing and philosophy. Part two contains essays devoted to individual authors, including canonical figures such as Lewis Grassic Gibbon, Nan Shepherd, Neil Gunn and John Buchan, as well as peripheral authors such as A. C. Mackinlay, Charles Murray and Ewart Alan Mackintosh.