David A. Salomon – författare

The Glossa Ordinaria, the medieval glossed Bible first printed in 1480/81, has been a rich source of biblical commentary for centuries. Circulated first in manuscript, the text is the Latin Vulgate Bible of St. Jerome with patristic commentary both in the margins and within the text itself.

The Glossa Ordinaria, the medieval glossed Bible first printed in 1480/81, has been a rich source of biblical commentary for centuries. Circulated first in manuscript, the text is the Latin Vulgate Bible of St. Jerome with patristic commentary both in the margins and within the text itself.

The Glossa Ordinaria, the medieval glossed Bible first printed in 1480/81, has been a rich source of biblical commentary for centuries. Circulated first in manuscript, the text is the Latin Vulgate Bible of St. Jerome with patristic commentary both in the margins and within the text itself.

This volume looks at the history of the idea of sin as it has influenced and shaped Western culture. Emphasis is placed on an inter- and cross-disciplinary approach.The word "sin" has come to transcend the theological and enter the common parlance in both media and society. This book is an examination of that idea. It discusses how the concept of sin evolved through the Middle Ages and into the modern era. From religion to politics and from the bedroom to the boardroom, a more complete understanding of the history of sin will assist the modern reader in a wide variety of fields.This book builds on the work of Gregory the Great to explain each of the so-called seven deadly sins: pride, lust, anger, gluttony, avarice, envy, and sloth. Each chapter provides a close look at the origins and history of that individual sin, concluding with a section on contemporary applications of the idea and a case study. The central argument is that the concept of sin has been integral to the development of Western society, including not only political and religious history but also in extensive aspects of popular culture in the twenty-first century. The broader but significant issue of intention versus action permeates the study.

This volume looks at the history of the idea of sin as it has influenced and shaped Western culture. Emphasis is placed on an inter- and cross-disciplinary approach.The word "sin" has come to transcend the theological and enter the common parlance in both media and society. This book is an examination of that idea. It discusses how the concept of sin evolved through the Middle Ages and into the modern era. From religion to politics and from the bedroom to the boardroom, a more complete understanding of the history of sin will assist the modern reader in a wide variety of fields.This book builds on the work of Gregory the Great to explain each of the so-called seven deadly sins: pride, lust, anger, gluttony, avarice, envy, and sloth. Each chapter provides a close look at the origins and history of that individual sin, concluding with a section on contemporary applications of the idea and a case study. The central argument is that the concept of sin has been integral to the development of Western society, including not only political and religious history but also in extensive aspects of popular culture in the twenty-first century. The broader but significant issue of intention versus action permeates the study.

Angels, demons, and demigods are ubiquitous in popular culture, functioning as protagonists, antagonists, and amused commentators on the folly (or glory) of human existence. Why do these celestial beings hold such enduring power in the human imagination? How do we conceive of angels and what do they mean to us? What are common characteristics of demons and devils, and how do they interplay with human beings? What are demigods, and how do they negotiate the world? This comprehensive reference work answers these and other questions through the lens of popular culture, helping us understand how and why these archetypes are so often used in storytelling.This resource surveys how these powerful archetypes have been presented in film, television, literature, and music. Each entry provides essential information about the work in question, such as the plot, primary characters, and critical reputation, as well as perspectives on how these non-human characters have been used by their creators to comment on a wide array of issues related to human nature, religious belief, and the triumphs and tribulations of human existence. Some of these depictions are lighthearted and irreverent romantic comedies while others are somber representations freighted with reflections about life, death, and the afterlife. Angels, Demons, and Demigods covers them all, from The Good Place to Paradise Lost.

The Glossa Ordinaria, the medieval glossed Bible first printed in 1480/81, has been a rich source of biblical commentary for centuries. Circulated first in manuscript, the text is the Latin Vulgate Bible of St. Jerome with patristic commentary both in the margins and within the text itself.

This volume looks at the history of the idea of sin as it has influenced and shaped Western culture. Emphasis is placed on an inter- and cross-disciplinary approach.The word "sin" has come to transcend the theological and enter the common parlance in both media and society. This book is an examination of that idea. It discusses how the concept of sin evolved through the Middle Ages and into the modern era. From religion to politics and from the bedroom to the boardroom, a more complete understanding of the history of sin will assist the modern reader in a wide variety of fields.This book builds on the work of Gregory the Great to explain each of the so-called seven deadly sins: pride, lust, anger, gluttony, avarice, envy, and sloth. Each chapter provides a close look at the origins and history of that individual sin, concluding with a section on contemporary applications of the idea and a case study. The central argument is that the concept of sin has been integral to the development of Western society, including not only political and religious history but also in extensive aspects of popular culture in the twenty-first century. The broader but significant issue of intention versus action permeates the study.

Angels, demons, and demigods are ubiquitous in popular culture, functioning as protagonists, antagonists, and amused commentators on the folly (or glory) of human existence. Why do these celestial beings hold such enduring power in the human imagination? How do we conceive of angels and what do they mean to us? What are common characteristics of demons and devils, and how do they interplay with human beings? What are demigods, and how do they negotiate the world? This comprehensive reference work answers these and other questions through the lens of popular culture, helping us understand how and why these archetypes are so often used in storytelling.This resource surveys how these powerful archetypes have been presented in film, television, literature, and music. Each entry provides essential information about the work in question, such as the plot, primary characters, and critical reputation, as well as perspectives on how these non-human characters have been used by their creators to comment on a wide array of issues related to human nature, religious belief, and the triumphs and tribulations of human existence. Some of these depictions are lighthearted and irreverent romantic comedies while others are somber representations freighted with reflections about life, death, and the afterlife. Angels, Demons, and Demigods covers them all, from The Good Place to Paradise Lost.