This study, based on a large mass of data, gives a picture of Peruvian society in its formative stages. It describes the nature of Spanish colonisation in the New World, providing a broad, but intimate portrait of an entire society. This edition has updated terminology and new footnotes.

Focusing on a number of historical and literary personalities who were regarded with disdain in the aftermath of the 1917 revolution - figures such as Peter the Great, Ivan the Terrible, Alexander Pushkin, Leo Tolstoy, and Mikhail Lermontov - ""Epic Revisionism"" tells the fascinating story of these individuals' return to canonical status during the darkest days of the Stalin era. An inherently interdisciplinary project, ""Epic Revisionism"" features pieces on literary and cultural history, film, opera, and theater. It pairs scholarly essays with selections from Stalin-era primary sources - newspaper articles, unpublished archival documents, short stories - to provide students and specialists with the richest possible understanding of this understudied phenomenon in modern Russian history.

The USSR is often regarded as the world's first propaganda state. Particularly under Stalin, politically charged rhetoric and imagery dominated the press, schools, and cultural forums from literature and cinema to the fine arts. Yet party propagandists were repeatedly frustrated in their efforts to promote a coherent sense of "Soviet" identity during the interwar years. This book investigates this failure to mobilize society along communist lines by probing the secrets of the party's ideological establishment and indoctrinational system. An exposé of systemic failure within Stalin's ideological establishment, Propaganda State in Crisis ultimately rewrites the history of Soviet indoctrination and mass mobilization between 1927 and 1941.

At the height of the Great Terror in 1937, Joseph Stalin took a break from the purges to edit a new textbook on the history of the USSR. Published shortly thereafter, the Short History of the USSR amounted to an ideological sea change. Stalin had literally rewritten Russo-Soviet History, breaking with two decades of Bolshevik propaganda that styled the 1917 Revolution as the start of a new era. In its place, he established a thousand-year pedigree for the Soviet state that stretched back through the Russian empire and Muscovy to the very dawn of Slavic civilization. Appearing in million-copy print runs through 1955, the Short History transformed how a generation of Soviet citizens were to understand the past, not only in public school and adult indoctrination courses, but on the printed page, the theatrical stage, and the silver screen.Stalin's Usable Past supplies a critical edition of the Short History that both analyzes the text and places it in historical context. By highlighting Stalin's precise redactions and embellishments, historian David Brandenberger reveals the scope of Stalin's personal involvement in the textbook's development, documenting in unprecedented detail his plans for the transformation of Soviet society's historical imagination.

This study, based on a large mass of data, gives a picture of Peruvian society in its formative stages. It describes the nature of Spanish colonisation in the New World, providing a broad, but intimate portrait of an entire society. This edition has updated terminology and new footnotes.

Focusing on a number of historical and literary personalities who were regarded with disdain in the aftermath of the 1917 revolution - figures such as Peter the Great, Ivan the Terrible, Alexander Pushkin, Leo Tolstoy, and Mikhail Lermontov - ""Epic Revisionism"" tells the fascinating story of these individuals' return to canonical status during the darkest days of the Stalin era. An inherently interdisciplinary project, ""Epic Revisionism"" features pieces on literary and cultural history, film, opera, and theater. It pairs scholarly essays with selections from Stalin-era primary sources - newspaper articles, unpublished archival documents, short stories - to provide students and specialists with the richest possible understanding of this understudied phenomenon in modern Russian history.

The USSR is often regarded as the world's first propaganda state. Particularly under Stalin, politically charged rhetoric and imagery dominated the press, schools, and cultural forums from literature and cinema to the fine arts. Yet party propagandists were repeatedly frustrated in their efforts to promote a coherent sense of "Soviet" identity during the interwar years. This book investigates this failure to mobilize society along communist lines by probing the secrets of the party's ideological establishment and indoctrinational system. An exposé of systemic failure within Stalin's ideological establishment, Propaganda State in Crisis ultimately rewrites the history of Soviet indoctrination and mass mobilization between 1927 and 1941.

At the height of the Great Terror in 1937, Joseph Stalin took a break from the purges to edit a new textbook on the history of the USSR. Published shortly thereafter, the Short History of the USSR amounted to an ideological sea change. Stalin had literally rewritten Russo-Soviet History, breaking with two decades of Bolshevik propaganda that styled the 1917 Revolution as the start of a new era. In its place, he established a thousand-year pedigree for the Soviet state that stretched back through the Russian empire and Muscovy to the very dawn of Slavic civilization. Appearing in million-copy print runs through 1955, the Short History transformed how a generation of Soviet citizens were to understand the past, not only in public school and adult indoctrination courses, but on the printed page, the theatrical stage, and the silver screen.Stalin's Usable Past supplies a critical edition of the Short History that both analyzes the text and places it in historical context. By highlighting Stalin's precise redactions and embellishments, historian David Brandenberger reveals the scope of Stalin's personal involvement in the textbook's development, documenting in unprecedented detail his plans for the transformation of Soviet society's historical imagination.