David Callahan – författare

The contemporary study of Australian literature ranges widely across issues of general cultural studies, the politics of identity (both ethnic and gendered), and the position of Australia within wider postcolonial contexts. This volume intervenes in the most significant of issues in these areas from a variety of international perspectives.

An inside look at the secretive world of elite philanthropists--and how they''re quietly wielding ever more power to shape American life in ways both good and bad. While media attention focuses on famous philanthropists such as Bill Gates and Charles Koch, thousands of donors are at work below the radar promoting a wide range of causes. David Callahan charts the rise of these new power players and the ways they are converting the fortunes of a second Gilded Age into influence. He shows how this elite works behind the scenes on education, the environment, science, LGBT rights, and many other issues--with deep impact on government policy. Above all, he shows that the influence of the Givers is only just beginning, as new waves of billionaires like Mark Zuckerberg turn to philanthropy. Based on extensive research and interviews with countless donors and policy experts, this is not a brief for or against the Givers, but a fascinating investigation of a power shift in American society that has implications for us all.From the Hardcover edition.

The contemporary study of Australian literature ranges widely across issues of general cultural studies, the politics of identity (both ethnic and gendered), and the position of Australia within wider postcolonial contexts. This volume intervenes in the most significant of issues in these areas from a variety of international perspectives.

The contemporary study of Australian literature ranges widely across issues of general cultural studies, the politics of identity (both ethnic and gendered), and the position of Australia within wider postcolonial contexts. This volume intervenes in the most significant of issues in these areas from a variety of international perspectives.

The definitive site guide to a surprisingly bird-rich corner of England – Kent, Essex and the Greater London area.From the deep forests of Kent to the low-lying mudflats, beaches and saltmarshes of the Greater Thames Estuary, this ecologically rich area of England attracts vast numbers of wildfowl and waders. The region boasts many internationally and nationally important reserves including Rainham Marshes and Cliffe Pools, while Dungeness in Kent is one of Britain’s best known birding hotspots for vagrant species such as Penduline Tit and Kentish Plover. London itself contains numerous birdwatching sites including Barnes and Woodberry Wetlands, along with some of the best spots in Britain for scarcities such as Lesser Spotted Woodpecker and Black Redstart. From Marsh Harrier and Firecrest to Curlew and Lapwing, there is plenty for birdwatchers to enjoy while exploring the parks, wetlands, woodlands and coast of southeast England.Written by life-long birdwatcher David Callahan, this is the definitive guide to the birding highlights of the region. It contains a comprehensive review of all the major sites and many lesser-known ones, with maps, notes on access, and information on target species and when to visit. Where to Watch Birds in Southeast England is indispensable for any birder exploring the region, or anyone in London wanting to head out to the countryside and enjoy a slice of our rich avian heritage.

The definitive site guide to a surprisingly bird-rich corner of England – Kent, Essex and the Greater London area.From the deep forests of Kent to the low-lying mudflats, beaches and saltmarshes of the Greater Thames Estuary, this ecologically rich area of England attracts vast numbers of wildfowl and waders. The region boasts many internationally and nationally important reserves including Rainham Marshes and Cliffe Pools, while Dungeness in Kent is one of Britain''s best known birding hotspots for vagrant species such as Penduline Tit and Kentish Plover. London itself contains numerous birdwatching sites including Barnes and Woodberry Wetlands, along with some of the best spots in Britain for scarcities such as Lesser Spotted Woodpecker and Black Redstart. From Marsh Harrier and Firecrest to Curlew and Lapwing, there is plenty for birdwatchers to enjoy while exploring the parks, wetlands, woodlands and coast of southeast England. Written by life-long birdwatcher David Callahan, this is the definitive guide to the birding highlights of the region. It contains a comprehensive review of all the major sites and many lesser-known ones, with maps, notes on access, and information on target species and when to visit. Where to Watch Birds in Southeast England is indispensable for any birder exploring the region, or anyone in London wanting to head out to the countryside and enjoy a slice of our rich avian heritage.

The definitive site guide to a surprisingly bird-rich corner of England – Kent, Essex and the Greater London area.From the deep forests of Kent to the low-lying mudflats, beaches and saltmarshes of the Greater Thames Estuary, this ecologically rich area of England attracts vast numbers of wildfowl and waders. The region boasts many internationally and nationally important reserves including Rainham Marshes and Cliffe Pools, while Dungeness in Kent is one of Britain''s best known birding hotspots for vagrant species such as Penduline Tit and Kentish Plover. London itself contains numerous birdwatching sites including Barnes and Woodberry Wetlands, along with some of the best spots in Britain for scarcities such as Lesser Spotted Woodpecker and Black Redstart. From Marsh Harrier and Firecrest to Curlew and Lapwing, there is plenty for birdwatchers to enjoy while exploring the parks, wetlands, woodlands and coast of southeast England. Written by life-long birdwatcher David Callahan, this is the definitive guide to the birding highlights of the region. It contains a comprehensive review of all the major sites and many lesser-known ones, with maps, notes on access, and information on target species and when to visit. Where to Watch Birds in Southeast England is indispensable for any birder exploring the region, or anyone in London wanting to head out to the countryside and enjoy a slice of our rich avian heritage.

This book looks at 100 items that have profoundly shaped how people watched, studied and engaged with the avian world.Each item contains around 500 words on a double-page spread and include an illustration of the object in question. The book includes the objects listed below as well as many more.The range of items is international and cross-cultural. Subjects include:*An Egyptian ''field guide'' (early tomb decorations of birds, identifiable as species)*Ornithologiae libri tres: the first British bird guide (a 1676 publication that attempted to itemise all British birds known at the time)*The Dodo specimen held at the Horniman museum*Systema Naturae by Carl Linnaeus (the first-ever system of scientific names in 1758, and still the international standard today)*The shotgun*The book, The Natural History and Antiquities of Selborne by Gilbert White (1789)*HMS Beagle (the ship on which Darwin made his ground-breaking discoveries)*Aluminium bird rings (used to record movement and longevity of individuals and species)Along with many more modern innovations including walkie talkies, pagers, radio tags and apps.

This book looks at 100 items that have profoundly shaped how people watched, studied and engaged with the avian world. Each item contains around 500 words on a double-page spread and include an illustration of the object in question. The book includes the objects listed below as well as many more.The range of items is international and cross-cultural. Subjects include: *An Egyptian ''field guide'' (early tomb decorations of birds, identifiable as species) *Ornithologiae libri tres: the first British bird guide (a 1676 publication that attempted to itemise all British birds known at the time) *The Dodo specimen held at the Horniman museum *Systema Naturae by Carl Linnaeus (the first-ever system of scientific names in 1758, and still the international standard today) *The shotgun *The book, The Natural History and Antiquities of Selborne by Gilbert White (1789) *HMS Beagle (the ship on which Darwin made his ground-breaking discoveries) *Aluminium bird rings (used to record movement and longevity of individuals and species)Along with many more modern innovations including walkie talkies, pagers, radio tags and apps.

A definitive site guide to three of Britain''s most bird-rich counties – Cambridgeshire, Norfolk and Suffolk.East Anglia – the jewel in the crown of British birding. The counties of Norfolk, Suffolk and Cambridgeshire represent the most popular region for birders and naturalists to visit in the British Isles, whether to see wintering flocks of geese and waders, rare vagrants, scarce breeding birds such as cranes and bitterns, or just to soak up the countryside, be it fen, broad, coastal dune, breckland, heath or down. This new book by David Callahan is the definitive guide to the birding highlights of the region. It contains a comprehensive review of all the major sites, and many lesser-known ones, with maps, notes on access, and information on target species and when to visit. Where to Watch Birds in East Anglia is indispensable for any birder heading to this bird-rich corner of England.

A definitive site guide to three of Britain's most bird-rich counties – Cambridgeshire, Norfolk and Suffolk.East Anglia – the jewel in the crown of British birding. The counties of Norfolk, Suffolk and Cambridgeshire represent the most popular region for birders and naturalists to visit in the British Isles, whether to see wintering flocks of geese and waders, rare vagrants, scarce breeding birds such as cranes and bitterns, or just to soak up the countryside, be it fen, broad, coastal dune, breckland, heath or down. This new book by David Callahan is the definitive guide to the birding highlights of the region. It contains a comprehensive review of all the major sites, and many lesser-known ones, with maps, notes on access, and information on target species and when to visit. Where to Watch Birds in East Anglia is indispensable for any birder heading to this bird-rich corner of England.

A definitive site guide to three of Britain''s most bird-rich counties – Cambridgeshire, Norfolk and Suffolk.East Anglia – the jewel in the crown of British birding. The counties of Norfolk, Suffolk and Cambridgeshire represent the most popular region for birders and naturalists to visit in the British Isles, whether to see wintering flocks of geese and waders, rare vagrants, scarce breeding birds such as cranes and bitterns, or just to soak up the countryside, be it fen, broad, coastal dune, breckland, heath or down. This new book by David Callahan is the definitive guide to the birding highlights of the region. It contains a comprehensive review of all the major sites, and many lesser-known ones, with maps, notes on access, and information on target species and when to visit. Where to Watch Birds in East Anglia is indispensable for any birder heading to this bird-rich corner of England.

This book presents a collection of academic essays that take a fresh look at content and body  transformation in the new media, highlighting how old hierarchies and canons of analysis must be revised. The movement of narratives and characterisations across forms, conventionally understood as adaptation, has commonly involved high-status classical forms (drama, epic, novel) being transformed into recorded and broadcast media (film, radio and television), or from the older recorded media to the newer ones. The advent of convergent digital platforms has further transformed hierarchies, and the formation of global conglomerates has created the commercial conditions for ever more lucrative exchanges between different media. Now source texts can move in any direction and take up any configuration, as emerging interacting fan bases drive innovation and new creative and commercial possibilities are deployed. Moreover, transformation may be not just a technology-driven creative practice and response, but at the very centre of the thematic worlds developed in those forms of story-telling which are currently popular: television series, video games, films and novels. The magic transformation of “your” money into “their” money is paralleled in contemporary media and culture by the centrality of transformation of one product to another as a media industry practice, as well as the transformation of bodies as a major theme both in the ensuing media products and in people’s identity practices in daily life.

This book presents a collection of academic essays that take a fresh look at content and body  transformation in the new media, highlighting how old hierarchies and canons of analysis must be revised. The movement of narratives and characterisations across forms, conventionally understood as adaptation, has commonly involved high-status classical forms (drama, epic, novel) being transformed into recorded and broadcast media (film, radio and television), or from the older recorded media to the newer ones. The advent of convergent digital platforms has further transformed hierarchies, and the formation of global conglomerates has created the commercial conditions for ever more lucrative exchanges between different media. Now source texts can move in any direction and take up any configuration, as emerging interacting fan bases drive innovation and new creative and commercial possibilities are deployed. Moreover, transformation may be not just a technology-driven creative practice and response, but at the very centre of the thematic worlds developed in those forms of story-telling which are currently popular: television series, video games, films and novels. The magic transformation of “your” money into “their” money is paralleled in contemporary media and culture by the centrality of transformation of one product to another as a media industry practice, as well as the transformation of bodies as a major theme both in the ensuing media products and in people’s identity practices in daily life.

This book presents a collection of academic essays that take a fresh look at content and body  transformation in the new media, highlighting how old hierarchies and canons of analysis must be revised. The movement of narratives and characterisations across forms, conventionally understood as adaptation, has commonly involved high-status classical forms (drama, epic, novel) being transformed into recorded and broadcast media (film, radio and television), or from the older recorded media to the newer ones. The advent of convergent digital platforms has further transformed hierarchies, and the formation of global conglomerates has created the commercial conditions for ever more lucrative exchanges between different media. Now source texts can move in any direction and take up any configuration, as emerging interacting fan bases drive innovation and new creative and commercial possibilities are deployed. Moreover, transformation may be not just a technology-driven creative practice and response, but at the very centre of the thematic worlds developed in those forms of story-telling which are currently popular: television series, video games, films and novels. The magic transformation of “your” money into “their” money is paralleled in contemporary media and culture by the centrality of transformation of one product to another as a media industry practice, as well as the transformation of bodies as a major theme both in the ensuing media products and in people’s identity practices in daily life.

This volume will explore varying contemporary strategies and examples of visual storytelling across several contemporary spheres: from street art to video games, from media for children to media for adults, from images in movement to static images.It reads these storytelling venues in terms of the ethical itineraries that we live by, or would like to live by, or wish the world lived by. In this sense it relates to the fact that the term “narrative” has become a ubiquitous shorthand for discursive dominance. Observers of widely varying aspects of social life talk, for example, of changing the narrative, claiming the narrative, overhauling the narrative, or owning the narrative. While these general contexts are well known, there remains a need to continually interrogate new examples of storytelling forms, new cases of the uses of stories in differing formats, and new stories in general. This perpetual need is what this volume aims to respond to by way of its mixture of contemporary storytelling locations and exemplars.

This volume will explore varying contemporary strategies and examples of visual storytelling across several contemporary spheres: from street art to video games, from media for children to media for adults, from images in movement to static images.It reads these storytelling venues in terms of the ethical itineraries that we live by, or would like to live by, or wish the world lived by. In this sense it relates to the fact that the term “narrative” has become a ubiquitous shorthand for discursive dominance. Observers of widely varying aspects of social life talk, for example, of changing the narrative, claiming the narrative, overhauling the narrative, or owning the narrative. While these general contexts are well known, there remains a need to continually interrogate new examples of storytelling forms, new cases of the uses of stories in differing formats, and new stories in general. This perpetual need is what this volume aims to respond to by way of its mixture of contemporary storytelling locations and exemplars.