David Chaney – författare

In the second half of the twentieth century the theme of culture has dominated the human sciences. The forms of contemporary culture demand a radical reappraisal of the terms of description of the modern world. We therefore need to consider our options when culture does not just provide the meaning of experience but is also the terms of that experience. This book reviews these ideas in ways that will be accessible to those new to the field and also stimulating to experts. The three parts of the book: * Review the character and lessons of this "turn to culture" in a number of academic fields. The author demonstrates the socio-intellectual context within which these themes have been generated and documents the main strengths of the paradigm shift. * Explore key themes in contemporary culture. By showing how questions of citizenship and the meaning of places have been colonized under the remit of the culturalist paradigm, a cluster of associated ideas and themes implicit in the paradigm are explicitly tackled. * Examine some of the ways in whcih cultural forms are increasingly seen to dominate social reality. The final chapter explores triumphant culturalism - the postmodern world as the apogee of the turn to culture.

In the modern world our lifestyle helps to define our attitudes and values as well as show our wealth and social position. This clearly written introduction to the concept of lifestyle offers a concise guide to how the term is used in sociological accounts to refer to this modern social form. Lifestyles explores* how we should classify lifestyles* why they have become more important* what precisely constitutes a lifestyle.By reviewing a wide range of published material, introducing central themes in the sociology of modern life, examining distinctive styles in social theory and offering its own original contribution to current debates, Lifestyles provides students with a much needed overview of this often misused term.

In the modern world our lifestyle helps to define our attitudes and values as well as show our wealth and social position. This clearly written introduction to the concept of lifestyle offers a concise guide to how the term is used in sociological accounts to refer to this modern social form. Lifestyles explores* how we should classify lifestyles* why they have become more important* what precisely constitutes a lifestyle.By reviewing a wide range of published material, introducing central themes in the sociology of modern life, examining distinctive styles in social theory and offering its own original contribution to current debates, Lifestyles provides students with a much needed overview of this often misused term.

First published in 1993, Fictions of Collective Life argues that the distinctive forms of modern popular culture can only be understood through the ways we dramatize public life, and that in the dramatic ‘fiction’ of collective experience we represent the terms of social order. The argument is richly illustrated with chapters on the theoretical character of performance in modernity; photography as the first means of mass representation; the nature of public discourse in mass democracy; and the elaboration of space for theatrical performance; and the marketing of culture and communication through mass systems of distribution. The book aims to provide a framework within which any of the popular cultural forms of modernity can be understood. Drawing upon and adapting the extensive literature of cultural studies, the author offers a distinctive and original sociological perspective on the relationship between individual and community in popular culture. The author also sets out the distinctive features of change in late-modern and postmodern culture. This book will be of interest to students of sociology, cultural studies, and related fields.

First published in 1993, Fictions of Collective Life argues that the distinctive forms of modern popular culture can only be understood through the ways we dramatize public life, and that in the dramatic ‘fiction’ of collective experience we represent the terms of social order. The argument is richly illustrated with chapters on the theoretical character of performance in modernity; photography as the first means of mass representation; the nature of public discourse in mass democracy; and the elaboration of space for theatrical performance; and the marketing of culture and communication through mass systems of distribution. The book aims to provide a framework within which any of the popular cultural forms of modernity can be understood. Drawing upon and adapting the extensive literature of cultural studies, the author offers a distinctive and original sociological perspective on the relationship between individual and community in popular culture. The author also sets out the distinctive features of change in late-modern and postmodern culture. This book will be of interest to students of sociology, cultural studies, and related fields.