David Copeland – författare

Forget The Rules. At last, there's a guide to what men really want from a relationship written by the reigning experts on the subject: men! Gender studies specialists Ron Louis and David Copeland deliver the targeted, no-nonsense advice any single or divorced woman needs to find a good man. While publicizing their first team effort, How to Succeed with Women, Ron and David received many requests from the female audiences wanting to know when a book for them would be forthcoming.Packed with lively and revealing true-life examples, How to Succeed with Men moves from the first sparks, through courtships and break ups, to marriage. Along the way, women will discover:The truth about men, sex, and dating *where the desirable men are...and how to meet themThe essentials of effective flirting *how to move from "just friends" to loversSurefire strategies for romancing a man's soul...and seducing his body *how to avoid the pitfalls...and dump the dudsDefinitive criteria for judging whether a relationship has staying powerInstead of simply teaching tricks to hook a man, Louis and Copeland give women valuable insights into what truly makes the opposite sex tick...and reveal precisely how to connect with the right man.

Advances in digital technology over the past two decades have created a wide array of new media platforms, channels, and delivery mechanisms. Through these, people can receive staggering amounts of content. As a result, both consumers and producers of media have exciting new options in creating and acquiring content.An Introduction to Visual Theory and Practice in the Digital Age is designed to prepare students for becoming producers of sophisticated digital media. It combines elements of visual theory and design with the practice of creating interactive media content. A framework for working in the digital world is also provided: students are asked to consider the legal, ethical, and historical aspects of visual theory and design and then combine those concepts with visual design principles and proper composition of still images, video, and sound. Real-world examples are provided, with a section where media professionals explain how theory and practice are brought together.Designed as an introduction to the field, this book is suitable for undergraduate courses including those in multimedia journalism, visual communication, and mass communication practices.

Advances in digital technology over the past two decades have created a wide array of new media platforms, channels, and delivery mechanisms. Through these, people can receive staggering amounts of content. As a result, both consumers and producers of media have exciting new options in creating and acquiring content.An Introduction to Visual Theory and Practice in the Digital Age is designed to prepare students for becoming producers of sophisticated digital media. It combines elements of visual theory and design with the practice of creating interactive media content. A framework for working in the digital world is also provided: students are asked to consider the legal, ethical, and historical aspects of visual theory and design and then combine those concepts with visual design principles and proper composition of still images, video, and sound. Real-world examples are provided, with a section where media professionals explain how theory and practice are brought together.Designed as an introduction to the field, this book is suitable for undergraduate courses including those in multimedia journalism, visual communication, and mass communication practices.

During the 1950s and 1960s, the Cold War and the potential for nuclear attack were on everyone’s mind. It should therefore come as no surprise that despite an initial reluctance, several television shows that aired during this period focused on the atomic and hydrogen bombs ("the Bomb") and their potential for destruction. Music and the Atomic Bomb on American Television, 1950-1969 is the first book to consider the important role that music and sound play in the destruction narratives about the Bomb on Cold War-era television. This book not only examines the television shows that deal with the nuclear weapons in various forms and genres, but also contextualizes these shows through an analysis of primary source documents such as government pamphlets and documents, newspaper and periodical reports, presidential records, composer and television production records, and informational trade paperbacks.

During the 1950s and 1960s, the Cold War and the potential for nuclear attack were on everyone’s mind. It should therefore come as no surprise that despite an initial reluctance, several television shows that aired during this period focused on the atomic and hydrogen bombs ("the Bomb") and their potential for destruction. Music and the Atomic Bomb on American Television, 1950-1969 is the first book to consider the important role that music and sound play in the destruction narratives about the Bomb on Cold War-era television. This book not only examines the television shows that deal with the nuclear weapons in various forms and genres, but also contextualizes these shows through an analysis of primary source documents such as government pamphlets and documents, newspaper and periodical reports, presidential records, composer and television production records, and informational trade paperbacks.

From the cardinal Brown v. Board of Education Supreme Court ruling that desegregated U.S. public education to the demonstrations, marches, and violence of the civil rights movement, A History of the American Civil Rights Movement Through Newspaper Coverage: The Race Agenda, Volume 1 traces the crusade for justice through the lens of major newspaper coverage to reveal the combating sectional press attitudes of the era. The book details attempts, blatant and subtle, to frame the major events of the movement in themes that have resonated from before, during, and since the Civil War. States’ rights versus constitutional guarantees of freedom and equality, nullification versus federal authority, and regional social and cultural mores that buttressed the prejudices and political arguments of segregation and desegregation across the nation are some of the issues covered. This analysis of the press coverage of events and issues of that tumultuous period of U.S. history—by newspapers in the North, South, Midwest, and West—exposes perspectives and press routines that remain ingrained and thus relevant today, when journalistic treatment of political debate, ranging from traditional newspapers and broadcast platforms to those of cable, social media, and the Internet, continues to set an often volatile and oppositional political agenda.

Yankee Reporters and Southern Secrets: Journalism, Open Source Intelligence, and the Coming of the Civil War reveals the evidence of secessionist conspiracy that appeared in American newspapers from the end of the 1860 presidential campaign to just before the first major battle of the American Civil War. This book tells the story of the Yankee reporters who risked their lives by going undercover in hostile places that became the Confederate States of America. By observing the secession movement and sending reports for publication in Northern newspapers, they armed the Union with intelligence about the enemy that civil and military leaders used to inform their decisions in order to contain damage and answer the movement to break the Union apart and establish a separate slavery-based nation in the South.

American Consultants and the Marketization of Television News in the United Kingdom provides unprecedented insight into American news consultants’ role in reshaping British television news during the 1990s. In 1986, American research and news consulting company Frank N. Magid Associates began infiltrating the British market. Five years later, the company was consulting for an extensive list of British client stations in preparation for the 1991 Independent Television (ITV) franchise auction. Their efforts were controversial, prompting public outcry against the "Americanization" of British television news. Despite the hostile climate, Magid’s efforts were successful. Nine of their eleven client bidders emerged victorious from the franchise auction. This was only the beginning. Throughout the 1990s, Magid employees crisscrossed the country with research studies, business and marketing plans, and writing and storytelling seminars. At the time, this was the company’s largest venture into international television. American consultants’ work abroad is important. They spread the U.S. model—the origin of today’s on-air style—and changed television news globally by working with indigenous media. Yet, despite their vast influence, limited research has been conducted on their international efforts, largely because of proprietary material. This book is based on unprecedented and unrestricted access to Magid’s archives. In addition, interviews with Magid staff and U.K. journalists allow for a comprehensive examination of the marketization of British television news, attending especially to how news became better tailored to the medium and audience; the key concepts that Magid advocated to be integrated into U.K. news; and the societal forces at play in this transformation. American Consultants and the Marketization of Television News in the United Kingdom is a recommended read for anyone interested in journalism and television history, Americanization, media economics and sociology.

How has the mass media changed our experience of Election Day? This chronological account of Election Day in Philadelphia begins in the colonial era and traces the evolution of the democratic process through to the present day. Using a variety of sources, the book documents how Philadelphians have dramatically changed the ways in which they perform and discuss Election Day, and examines the significance of these changes, using them as a lens through which to understand differing conceptions of democratic life. Particular attention is paid to the day’s status as a mass-mediated ritual, and the various forms of media – among them broadsides, newspapers, television, and the Internet – that have dominated public portrayals of the occasion.Well-researched and written, Celebrating Democracy is as much about the history of Election Day as it is about the history of American journalism and mass media.

When Apollo 11 landed on the moon in July 1969, it capped not only the most remarkable engineering feat in history, but also a decade-long battle over how much access the press and public should have to the manned space program. Now, forty years after an awed world watched Neil Armstrong and Buzz Aldrin bounce across the surface of the moon, this book tells the behind-the-scenes story of how NASA and the U.S. media were often at odds, but ultimately showed extraordinary cooperation in bringing the story of lunar conquest to the world. Drawing upon rich historical sources from NASA, journalists, and television networks, this book sheds new light on how media shaped how we saw America’s great adventure in space, and raises contemporary questions about the role of information in a free society.