David Cunningham – författare

In the 1960s, on the heels of the Brown vs. Board of Education decision and in the midst of the growing Civil Rights Movement, Ku Klux Klan activity boomed, reaching an intensity not seen since the 1920s, when the KKK boasted over 4 million members. Most surprisingly, the state with the largest Klan membership-more than the rest of the South combined-was North Carolina, a supposed bastion of southern-style progressivism. Klansville, U.S.A. is the first substantial history of the civil rights-era KKK's astounding rise and fall, focusing on the under-explored case of the United Klans of America (UKA) in North Carolina. Why the UKA flourished in the Tar Heel state presents a fascinating puzzle and a window into the complex appeal of the Klan as a whole. Drawing on a range of new archival sources and interviews with Klan members, including state and national leaders, the book uncovers the complex logic of KKK activity. David Cunningham demonstrates that the Klan organized most successfully where whites perceived civil rights reforms to be a significant threat to their status, where mainstream outlets for segregationist resistance were lacking, and where the policing of the Klan's activities was lax. Moreover, by connecting the Klan to the more mainstream segregationist and anti-communist groups across the South, Cunningham provides valuable insight into southern conservatism, its resistance to civil rights, and the region's subsequent dramatic shift to the Republican Party.Klansville, U.S.A. illuminates a period of Klan history that has been largely ignored, shedding new light on organized racism and on how political extremism can intersect with mainstream institutions and ideals.

In the 1960s, on the heels of the Brown vs. Board of Education decision and in the midst of the growing Civil Rights Movement, Ku Klux Klan activity boomed, reaching an intensity not seen since the 1920s, when the KKK boasted over 4 million members. Most surprisingly, the state with the largest Klan membership--more than the rest of the South combined--was North Carolina, a supposed bastion of southern-style progressivism. Klansville, U.S.A. is the first substantial history of the civil rights-era KKK's astounding rise and fall, focusing on the under-explored case of the United Klans of America (UKA) in North Carolina. Why the UKA flourished in the Tar Heel state presents a fascinating puzzle and a window into the complex appeal of the Klan as a whole. Drawing on a range of new archival sources and interviews with Klan members, including several state and national leaders, the book uncovers the complex logic of KKK activity. David Cunningham demonstrates that the Klan organized most successfully where whites perceived civil rights reforms to be a significant threat to their status, where mainstream outlets for segregationist resistance were lacking, and where the policing of the Klan's activities was lax. Moreover, by connecting the Klan to the more mainstream segregationist and anti-communist groups across the South, Cunningham provides valuable insight into southern conservatism, its resistance to civil rights, and the region's subsequent dramatic shift to the Republican Party. Klansville, U.S.A. illuminates a period of Klan history that has been largely ignored, shedding new light on organized racism and on how political extremism can intersect with mainstream institutions and ideals.

Using over twelve thousand previously classified documents made available through the Freedom of Information Act, David Cunningham uncovers the riveting inside story of the FBI's attempts to neutralize political targets on both the Right and the Left during the 1960s. Examining the FBI's infamous counterintelligence programs (COINTELPROs) against suspected communists, civil rights and black power advocates, Klan adherents, and antiwar activists, he questions whether such actions were aberrations or are evidence of the bureau's ongoing mission to restrict citizens' right to engage in legal forms of political dissent. At a time of heightened concerns about domestic security, with the FBI's license to spy on U.S. citizens expanded to a historic degree, the question becomes an urgent one. This book supplies readers with insights and information vital to a meaningful assessment of the current situation. "There's Something Happening Here" looks inside the FBI's COINTELPROs against white hate groups and the New Left to explore how agents dealt with the hundreds of individuals and organizations labeled as subversive threats.Rather than reducing these activities to a product of the idiosyncratic concerns of longtime director J. Edgar Hoover, Cunningham focuses on the complex organizational dynamics that generated literally thousands of COINTELPRO actions. His account shows how - and why - the inner workings of the programs led to outcomes that often seemed to lack any overriding logic; it also examines the impact the bureau's massive campaign of repression had on its targets. The lessons of this era have considerable relevance today, and Cunningham extends his analysis to the FBI's often controversial recent actions to map the influence of the COINTELPRO legacy on contemporary debates over national security and civil liberties.

This is the first book to provide a comprehensive account of Adorno's aesthetic theory in relation to literature, now available in paperback. Despite the recent upsurge of interest in Theodor Adorno's work, his literary writings are generally under-represented. However, literature is a central element in his aesthetic theory. Bringing together original essays from a distinguished international group of contributors, this book offers a wide ranging account of the literary components of Adorno's thinking.It is divided into three sections, dealing with the concept of literature, with poetry, and with modernity and the novel respectively. At the same time, the book provides a clear sense of the unique qualities of Adorno's philosophy of literature by critically relating his work to a number of other influential theorists and theories including contemporary postmodernist theory and cultural studies.

Despite the recent upsurge of interest in Theodor Adorno's work, his literary writings remain generally neglected. Yet literature is a central element in his aesthetic theory. Building on the current emergent interest in modern philosophical aesthetics, this book offers a wide-ranging account of the literary components of Adorno's thinking. Bringing together original essays from a distinguished international group of contributors, it offers the reader a user-friendly path through the major areas of Adorno's work in this area. It is divided into three sections, dealing with the concept of literature, with poetry and poetics, and with modernity, drama and the novel respectively. At the same time, the book provides a clear sense of the unique qualities of Adorno's philosophy of literature by critically relating his work to a number of other influential theorists and theories including contemporary postmodernist thought and cultural studies.

Scholars increasingly agree that histories of racial violence relate to contemporary patterns of conflict and inequality, and growing interest exists among civic leaders in reckoning with these legacies today. This volume of The ANNALS examines the contributions and limitations of scientific research on legacies of racial violence and suggests implications for policy, practice, and other forms of intervention aimed at redress.

Scholars increasingly agree that histories of racial violence relate to contemporary patterns of conflict and inequality, and growing interest exists among civic leaders in reckoning with these legacies today. This volume of The ANNALS examines the contributions and limitations of scientific research on legacies of racial violence and suggests implications for policy, practice, and other forms of intervention aimed at redress.

We live in an age of incredible medical technology, and with it, a great emphasis on health and well-being. We fully entrust the care of our bodies to the medical profession, often taking its solutions and judgments as gospel. But what role, if any, should our Christian faith play in all this? In Reclaiming the Body, a physician and a theologian take a critical look at some of the assumptions we draw from the medical profession and explore what theology has to say about medicine, our bodies, our health, and the Body of Christ. The authors deal with such issues as suffering, caring for the sick, children and reproductive technologies, medicine and the poor, our obsession with physical perfection, and death and dying.

Told through their letters, the storybook romance of Lucas and Dawn unfolds in a unique love story which began as a simple post on a dating website, and evolves into an extraordinary relationship that extends beyond Lucas’ death. Given a second chance through a secret government agency, Luke’s consciousness is preserved, and the lovers embark on a journey of discovery as they explore the meaning of life, hope, courage and, above all, What Love Feels Like.

Photography and Literature in the Twentieth-Century offers an accessible and fresh approach to an object of interdisciplinary research that is currently receiving increased international attention. Providing a broad historical schema, and examining pivotal moments within it, the collection brings together a range of writers and practitioners who help to guide the reader through a historical cross-section of current work in this area. Unlike most existing studies, this volume considers both key literary figures, from Proust to Sebald, and photographic practitioners, from Heartfield to Sekula, in order to give a commanding overview of its subject that is both well-informed and often ground-breaking. With original and accessible essays by acknowledged experts in the field, this is a book that should be of interest not only to students and teachers in departments of literature and photography, but also to those in cultural studies and art history, as well as photographic artists.