David Dabydeen – författare

A HARLOT'S PROGRESS reinvents William Hogarth's famous painting of 1732 which tells the story of a whore, a Jewish merchant, a magistrate and a quack doctor bound together by sexual and financial greed. Dabydeen's novel endows Hogarth's characters with alternative potential lives, redeeming them for their cliched status as predators or victims. The protagonist - in Hogarth, a black slave boy, in Dabydeen, London's oldest black inhabitant - is forced to tell his story to the Abolitionists in return for their charity. He refuses however to supply parade of grievances, and to give a simplistic account of beatings, sexual abuses, etc. He will not embark upon yet another fictional journey into the dark nature of slavery for the voyeuristic delight of the English reader. Instead, the old man ties the reader up in knots as deftly as a harlot her client: he spins a tale of myths, half-truths and fantasies; recreating Africa and eighteenth-century London in startlingly poetic ways. What matters to him is the odyssey into poetry, the rich texture of his narrative, not its truthfulness. In this, his fourth novel, David Dabydeen opens up history to myriad imaginary interpretations, repopulating a vanished world with a strange, defiantly vivid and compassionate humanity.

The Oxford Companion to Black British History is essential reading for anyone who wants to understand the long and fascinating history of black people in the British Isles, from African auxiliaries stationed on Hadrian's Wall in the 2nd century AD, through John Edmonstone, who taught taxidermy to Charles Darwin, Mary Seacole, the 'Black Florence Nightingale', and Walter Tull, footballer and First World War officer, to our own day. It considers such key concepts as Emancipation and Reparations. It is also timely: the Qualifications and Curriculum Authority highlighted in their annual report of December 2005 the need to give more attention to the wider teaching of black history. OCBBH brings together a unique collection of articles which provides an overview of the black presence in Britain, and the rich and diverse contribution made to British society.

'This illuminating, vivid volume is a fitting tribute to the experiences of migration' - Hanif KureishiBetween the arrival of the HMT Empire Windrush in 1948 and the passing of the 1971 Immigration Act, half a million people came to the UK from the Caribbean. In the aftermath of the 2018 Windrush Scandal, the story of the Windrush Generation is more widely known than ever. But is it the whole story? Through a series of biographical essays, poems and articles, The Other Windrush shines a light on the hidden history of a 'minority within a minority': Caribbean migrants of Indian and Chinese descent - often the descendants of indentured labourers - who were the 'invisible passengers' of the Windrush generation. Both highlighting the diversity of their lives and cultural backgrounds, and delving into the largely forgotten history of the system of indenture in the British Caribbean, The Other Windrush makes a unique addition to the literature on migration and the British Empire.

'This illuminating, vivid volume is a fitting tribute to the experiences of migration' - Hanif KureishiBetween the arrival of the HMT Empire Windrush in 1948 and the passing of the 1971 Immigration Act, half a million people came to the UK from the Caribbean. In the aftermath of the 2018 Windrush Scandal, the story of the Windrush Generation is more widely known than ever. But is it the whole story? Through a series of biographical essays, poems and articles, The Other Windrush shines a light on the hidden history of a 'minority within a minority': Caribbean migrants of Indian and Chinese descent - often the descendants of indentured labourers - who were the 'invisible passengers' of the Windrush generation. Both highlighting the diversity of their lives and cultural backgrounds, and delving into the largely forgotten history of the system of indenture in the British Caribbean, The Other Windrush makes a unique addition to the literature on migration and the British Empire.

Extracts from the work of 19 Afro-British, Black American, and Caribbean writers who spent time in Britain during the period. They are drawn from autobiographies, slave narratives, unpublished letters, oral accounts, and public records. Includes a general introduction and an introduction to each writer.

Most writers associated with the first generation of British Romanticism - Blake, Coleridge, Wordsworth, Southey, Thelwall, and others - wrote against the slave trade. This edition collects a corpus of work which reflects the issues and theories concerning slavery and the status of the slave.