David Detmer – författare

Jean-Paul Sartre is perhaps the most famous of the existentialists, and by far the most famous philosopher of the post-war era. Sartre was a highly prolific writer and thinker, and delving into his novels, plays, stories, essays, and memoirs can be challenging. Most books on Sartre focus on only one sphere of his astounding intellect -- either his philosophical treatises or his forays into fiction. Enter Sartre Explained, a comprehensive guide to Sartre's versatile work, as well as a valuable overview of his life and scholarly context. Detailing the philosophical notions central to all of Sartre's work, including his fictional pieces, this guide is an essential resource for anyone interested in Sartre's full range of talents.

Phenomenology is one of the most important and influential philosophical movements of the last one hundred years. It began in 1900, with the publication of a massive two-volume work, Logical Investigations, by a Czech-German mathematician, Edmund Husserl. It proceeded immediately to exert a strong influence on both philosophy and the social sciences. For example, phenomenology provided the central inspiration for the existentialist movement, as represented by such figures as Martin Heidegger in Germany and Jean-Paul Sartre in France. Subsequent intellectual currents in Europe, when they have not claimed phenomenology as part of their ancestry, have defined themselves in opposition to phenomenology. Thus, to give just one example, the first two works of Jacques Derrida, the father of deconstruction, were devoted to criticisms of Husserl's phenomenological works. In the English-speaking world, where "analytic philosophy" dominates, phenomenology has recently emerged as a hot topic after decades of neglect. This has resulted from a dramatic upswing in interest in consciousness, the condition that makes all experience possible.Since the special significance of phenomenology is that it investigates consciousness, analytic philosophers have begun to turn to it as an underutilized resource. For the same reason, Husserl's work is now widely studied by cognitive scientists. The current revival of interest in phenomenology also stems from the recognition that not every kind of question can be approached by means of experimental techniques. Not all questions are scientific in that sense. Thus, if there is to be knowledge in logic, mathematics, ethics, political philosophy, aesthetics, epistemology (theory of knowledge), psychology (from the inside), and the study of consciousness, among others, another method is clearly needed. Phenomenology is an attempt to rectify this. Its aim is to focus on the world as given in experience, and to describe it with unprecedented care, rigor, subtlety, and completeness. This applies not only to the objects of sense experience, but to all phenomena: moral, aesthetic, political, mathematical, and so forth.One can avoid the obscure problem of the real, independent existence of the objects of experience in these domains by focusing instead on the objects, as experienced, themselves, along with the acts of consciousness which disclose them. Phenomenology thus opens up an entirely new field of investigation, never previously explored. Rather than assuming, or trying to discern, what exists outside the realm of the mental, and what causal relations pertain to these extra-mental entities, we can study objects strictly as they are given, that is, as they appear to us in experience. This book explains what phenomenology is and why it is important. It focuses primarily on the works and ideas of Husserl, but also discusses important later thinkers, giving special emphasis to those whose contributions are most relevant to contemporary concerns. Finally, while Husserl's greatest contributions were to the philosophical foundations of logic, mathematics, knowledge, and science, this book also addresses extensively the relatively neglected contribution of phenomenology to value theory, especially ethics, political philosophy, and aesthetics.

Zinnophobia offers an extended defense of the work of radical historian Howard Zinn, author of the bestselling A People's History of the United States, against his many critics. It includes a discussion of the attempt to ban Zinn's book from Indiana classrooms; a brief summary of Zinn's life and work; an analysis of Zinn's theorizing about bias and objectivity in history; and a detailed response to twenty-five of Zinn's most hostile critics, many of whom are (or were) eminent historians. 'A major contribution to bringing Zinn’s great contributions to even broader public attention, and exposing features of intellectual and political culture that are of no little interest.' Noam Chomsky

Renaissance, a much beloved but highly underrated English progressive rock band, began life in 1969 as an offshoot of The Yardbirds. Keith Relf and Jim McCarty, who had recently left that iconic blues-rock group, decided to put together a new band that would differ from its predecessor by being more influenced by classical and folk music. After releasing two albums in 1969 and 1971, The band then quickly underwent a 100 percent turnover in personnel, resulting in an entirely new RenaissanceThe new band was distinguished by the astonishingly beautiful five-octave-range vocals of their lead singer, Annie Haslam, their lengthy, multi-movement, classically inspired compositions, and their unusual instrumentation. Renaissance released six classic studio albums, and one live double album, between 1972 and 1978, even scoring a UK hit with 'Northern Lights'. The late 1970s and early 1980s saw the band commercialise with limited success, before folding.The 21st century, with Haslam continuing as the band's distinctive voice, Renaissance has returned to its orchestral/symphonic rock roots with two studio albums of new material and multiple live releases featuring contemporary treatments of its 1970s classics. This volume, the first ever published on Renaissance, assesses their entire career, covering every song on every album. It is the essential guide to the recorded works of a group that deserves to be ranked among the greatest in the progressive rock genre.