David Dickinson – författare

Maxwell Fry was known internationally for his research into international and domestic financial issues. This book constitutes a tribute to his pioneering work in so many areas, and draws together contributions from a range of academic and policy-making colleagues who were fortunate enough to experience the depth of knowledge and insights which Maxwell demonstrated.

Creaking open the pages of a heavy hardback, or bending the spine of a poetry book over your knee on the train; squinting over curled-up pages by the light of a candle, or scribbling notes in the margins in the corner of a sprawling library. There are many who read as if for life; many for whom, as David Dickinson explores, reading does not just feed the mind but also the soul.Reading as if for Life takes us beyond the spirituality of sacred texts, and into the spiritual possibilities of 'secular' literature: the opportunity to find or empty oneself, the chance to engage in silent conversation with an absent other, the appreciation of beauty and art, the possibility of enlightenment. From Augustine of Hippo to Thomas Hardy, Iris Murdoch, the poetry of R.S. Thomas, Duffy and Donne, and many other literary works, David Dickinson explores how writers throughout the centuries have understood and experienced their own spirituality of reading. For Dickinson, these myriad journeys all bring us closer to an encounter with God, dreaming ourselves into a world beyond. This book invites its readers to see reading as a valuable spiritual exercise.

Changing the Course of AIDS is an in-depth evaluation of a new and exciting way to create the kind of much-needed behavioral change that could affect the course of the global health crisis of HIV/AIDS. This case study from the South African HIV/AIDS epidemic demonstrates that regular workers serving as peer educators can be as—or even more—effective agents of behavioral change than experts who lecture about the facts and so-called appropriate health care behavior. After spending six years researching the response of large South African companies to the epidemic that is decimating their workforce as well as South African communities, David Dickinson describes the promise of this grassroots intervention—workers educating one another in the workplace and community—and the limitations of traditional top-down strategies.Dickinson's book takes us right into the South African workplace to show how effective and yet enormously complex peer education really is. We see what it means when workers directly tackle the kinds of sexual, gender, religious, ethnic, and broader social and political taboos that make behavior change so difficult, particularly when that behavior involves sex and sexuality. Dickinson's findings show that people who are not officially health care experts or even health care workers can be skilled and effective educators. In this book we see why peer education has so much to offer societies grappling with the HIV/AIDS epidemic and why those interested in changing behaviors to ameliorate other health problems like obesity, alcoholism, and substance abuse have so much to learn from the South African example.

The British Museum in Bloomsbury is home to one of the Caryatids, a statue of a maiden that acted as one of the six columns in a temple which stood on the Acropolis in ancient Athens. Lord Elgin had brought her to London in the nineteenth century, and even though now she was over 2,300 years old, she was still rather beautiful - and desirable.Which is why Lord Francis Powerscourt finds himself summoned by the British Museum to attend a most urgent matter. The Caryatid has been stolen and an inferior copy left in her place. Powerscourt agrees to handle the case discreetly - but then comes the first death: an employee of the British Museum is pushed under a rush hour train before he and the police can question him.What had he known about the statue's disappearance? And who would want such a priceless object? Powerscourt and his friend Johnny Fitzgerald undertake a mission that takes them deep into the heart of London's Greek community and the upper echelons of English society to uncover the bizarre truth of the vanishing lady...

London, 1912, and the famed Ballet Russes have come to London to perform. Anticipation is high, for Diaghilev’s troupe is renowned throughout Europe.At the end of their famed performance of Thamar at the Royal Opera House, the Georgian queen stabs her prince to death and throws him into the river. But life mirrors art when the prince is found truly dead, stabbed through the heart in the orchestra pit below stage. But the corpse is not the dancer in the programme. It is his understudy. Powerscourt is summoned to investigate. But who was the intended victim – the understudy, or the star of the Ballets Russes?And the Ballet Russes are not the only Russian visitors in London this season. Lenin, Europe’s most dangerous revolutionary, has sent some bank robbery money to be changed into pounds. There are stolen jewels from St Petersburg to be sold. And there are other darker forces abroad too and Powerscourt has to look death in the face before he can solve the mystery of Death at the Ballet Russes

Lord Francis Powerscourt is visited at home in London by the Bishop of Lynchester who wants his advice about the suspect for the death of an aged parishioner. Powerscourt advises that discretion rather than accusation is the best way forward, but this is just the start of his association with the diocese of Lynchester.The death of the parishioner has left available a property in the cathedral close which traditionally the church rents out to a suitable tenant. Four worthy candidates are nominated . . . and then one of them, the retail king of the south of England, is found dead in the house, poisoned by strychnine. So once again Powerscourt is summoned by the bishop as this time there is no doubt of foul play.But there are many suspects from which to choose - there are the other candidates who want to live in that very desirable property . . . or could it be more complex than that? Very soon Powerscourt uncovers a trail of greed, deception and death which goes straight to the heart of the cathedral itself.

A night of dancing that ends with the mysterious disappearance of a stable-boy - and Lord Francis Powerscourt is summoned to investigate. Spring 1914, and Jack Harper, current owner of Melrose Hall, has thrown a party for his eldest, Andrew, who is turning twenty-one. But the following morning there is no sign of Richard O'Connor. More than just a stable-boy, Richard acts as the legs of the paralyzed Jack Harper, pushing him around the estate in his wheelchair and sharing with him an affinity with the family's stable of thoroughbreds. The police aren't interested in the disappearance of a servant so Powerscourt is summoned. And then a body is discovered in the tackroom of one of the farms on the estate. Richard O'Connor has been shot through the head - but why would anyone want to shoot him? And what of Richard's unique ability - he can tell which horse is going to win the race. Did that lead to his death? Or was it the arrival of gangs at the local races, keen to enlist Richard into their crime syndicates? Praise for David Dickinson 'Detective fiction in the grand style' James Naughtie 'Beguilingly real from start to finish ...you have to pinch yourself to remind you that it is fiction ...or is it?' Peter Snow 'Splendid entertainment' Publishers Weekly 'Dickinson's customary historical tidbits and patches of local colour swathed in appealing Victorian narrative' Kirkus Reviews

Reading the likes of Updike, Dickens, and Faulkner with a preacher's eye, David Dickinson offers an instructive examination of the role of the sermon as a literary element and, most strikingly, of literature as a modern sermon. Popular perceptions of religion, religious authority, and the practice of preaching have changed significantly during the past century, so much so, Dickinson argues, that fiction writers have a surprising and unique ability to preach to readers through their own fictionalized sermons and the characters who deliver them. The Novel as Church analyzes the context and intent behind these messages, uncovers the dissonance between ""novel"" and traditional preaching, and illuminates how readers' attitudes toward preaching (and those who preach) may be influenced--or not--by the sermon writers themselves.

The first man murdered was Abel Meredith, a resident at the Jesus Hospital Almshouse near London.The second victim, Roderick Gill, was burser at the Allison's school in Norfolk. Victim number three, Sir Rufus Walcott, was slain in his own hall by the Thames. All had their throats cut.And all had strange markings on their chests, carved there by the murderer but which neither doctor nor coroner could identify.Lord Francis Powerscourt, brought in to solve this case of triple murder, had no shortage of suspects or suspicions.Meredith had shadowy links with the civil service. Gill, a man who seduced women at church during Harvest Festival or the Christmas carol service, had been threatened by angry husbands and disinherited sons while Sir Rufus had wiped fifteen years out of his own past history.And all had ties to Sir Peregrine Fishbourne, Prime Warden of the Guild of Silkworkers, who had visited all three men shortly before their untimely deaths. Yet on one question Powerscourt never wavered, and he knew that only when he had solved the mystery of the strange markings on the victims' bodies would he then be able to solve the mystery of the death at the Jesus Hospital.Praise for David Dickinson:'Splendid entertainment' Publishers Weekly'A leisurely period whodunit with Dickinson's customary historical tidbits and patches of local color, swathed in an appealing Victorian narrative' Kirkus Reviews'Detective fiction in the grand style' James Naughtie'A cracking yarn, beguilingly real from start to finish' Peter Snow

Master of the Hunt, the fifteenth Earl of Candlesby, has come to lead his riders once again. But this time he comes as a corpse, wrapped in blankets across his horse, a corner of his scarlet coat visible in the morning mist. Only three people see the body. One dies. Another vanishes. Now only one man knows how he was killed. Powerscourt is summoned to investigate murder in a crumbling house where the paper is peeling off the walls and the stuffed owls each only have one leg. The estate is virtually bankrupt as Powerscourt uncovers a world of jealousy, revenge and hatred, where the sons are as dissolute and dangerous as the father. The fifteenth earl had left a trail of duels, theft and adultery across the flatlands of Lincolnshire. It takes another death and a deadly chase under the crumbling estate before Powerscourt unlocks the secret of death in a scarlet coat. Praise for David Dickinson: 'Splendid entertainment' Publishers Weekly 'Detective fiction in the grand style' James Naughtie 'Beguilingly real from start to finish...you have to pinch yourself to remind you that it is fiction - or is it?'Peter Snow 'Dickinson's customary historical tidbits and patches of local colour swathed in...appealing Victorian narrative' Kirkus Reviews

Queen's Inn is London's youngest and most fashionable Inn of Court. On 29th February 1902, at a Feast, senior barrister Alexander Dauntsey collapses into his soup and dies. He has been poisoned. Soon after his friend Woodford Stewart is shot dead, and Lord Francis Powerscourt is summoned to discreetly investigate the matter of the murdered barristers. His inquiries take him into the heart of legal London where the wills of the dead can reveal the crimes of the living. It takes him to the heart of a troubled marriage where lack of children imperils everything. And it takes him to Calne, a mysterious house in the country where the glorious past is boarded up and the treasures of generations hide beneath the dustsheets. There are many suspects: a jealous wife, a mistress fearful of being jilted, a work colleague beaten to the senior role in the Inn and a cuckolded husband who writes books about poisons. Powerscourt himself is put in grave danger before he finally solves the mystery of Death Called to the Bar.

Mystery surrounds the death of Queen Victoria's grandson England, 1892.Victoria, Queen and Empress, is in the 54th year of her reign, when her grandson Prince Eddy, eldest son of the Prince of Wales, is found slaughtered in his bed at Sandringham. Terrified of more royal scandal, the Prince of Wales and his spindoctors decide to cover up the facts and the murder is disguised as death by influenza.Lord Francis Powerscourt, an Irish investigator, is privately asked to find the killer. His quest takes him on a journey through the prince's debauched and dissolute past, across Europe to the misty waterways of Venice where, amidst scandal and suicide, Powerscourt finally unravels themystery of the sweet prince's last goodnight.PRAISE FOR THE BOOK" 'In this excellent novel, Dickinson weaves a tale of blackmail and murder among the royals late in Victoria's reign& [his] knowledge of the arts, history and literature is nothing if not exhaustive, and adds enormously to the overall background& One hopes to see more of Lord Powerscourt and his friends in the near future.' - Publishers Weekly" 'This is detective fiction in the grand style; the characters and the plot soar upwards and carry us in their wake. Powerscourt's debut in this intoxicating book is the start of a gilded life in the archives of crime.' - James Naughtie

A case of murder in the cathedralCompton Minster is preparing to celebrate a very special anniversary in the year 1901 - a thousand years of Christian worship. But a few weeks before the main ceremonies, a high official of the cathedral, the chancellor, dies in mysterious circumstances, and no on except the doctor and the undertaker is allowed to view the corpse. It then transpires that the chancellor was one of England's richest men. When his sister suspects foul play, Lord Francis Powerscourt is asked to investigate. As Powerscourt paces the ancient cloisters and listens to evensong from the choir stalls, he begins to suspect that a terrible secret lies hidden in the cathedral, one that may have someting to do with the anniversary. Then a chorister is strangles, his body found turning on the great spit in the Vicars Hall kitchen. Powerscourt himself escpaes death by a whisker, as does his wife, Lady Lucy, before he uncovers the astonishing secret of Compton Minster and unmasks a murderer.

In May 1901 the Salisbury Galleries announce the biggest exhibition of the Old Master Paintings ever seen in Europe. Excitement is intense. But before it opens, one of Britain's leading art experts, Christopher Montague, is found murdered in his study. When Lord Francis Powerscourt is called in to investigate he finds every book, notepad and scrap of paper has been removed from the scene of the crime. Montague had been working on something that would have rocked the art world. Did his article that claimed a number of the Old Masters had been painted recently by a single hand have anything to do with his death? Powerscourt embarks on an odyssey through a treacherous world of art dealers and picture restorers in pursuit of a master forger. He travels to Sicily where the trail goes cold, but, after the thrills and danger of that wild, lawless isalnd, in a remopte corer of England, the truth is finally revealed.

The year is 1905 and Powerscourt is sent to Ireland to investigate a series of art thefts from stately houses. Motive troubles Powerscourt; were these robberies merely for gain? A number of Old Masters had been left untouched and the ones taken were all ancient family portraits of the aristocratic Protestant gentry. Are these thefts political?Then, astonishingly, some of the portraits begin to return - but with altered faces; the aristocrats' being replaced by those from the estates and towns beyond the gates. Truly an elaborate joke, but then real people begin to disappear - and not long after the first body is found in the chapel at the top of Croagh Patrick, Ireland's Holy Mountain on the very day 10,000 people make the great pilgrimage to the summit.More follow, and as Powerscourt makes his way towards the killer his own life comes under threat, while his patriotism, and his devotion to Ireland is called into question on his journey towards the truth.

How are residents of South Africa's townships responding to socio-economic inequality and a pervasive sense that the country's democratic transition has not delivered on its constitutional promises of social justice?Based on extensive fieldwork, this book challenges beliefs that the agency of township residents is limited to waiting for handouts or demanding delivery from the state, showing how they are instead assisting themselves by taking advantage of the opportunities, menyetla, available. In the kasi, or urban townships, where almost half of the urban population lives, there is limited state-enforced order; while the lex constitutional may be the law of the land, the lex lokasi governs day-to-day life in the township. The book opens with a description of life in townships and the interconnected crises facing the country before examining commonly practiced township menyetla to illustrate how the lex lokasi operates: stealing electricity, informal charges to access the Social Relief of Distress grant, fare evasion on the Metrorail, the illicit sale of alcohol during COVID-19 prohibition, medical aid scams, and looting. Exploring how this looting from below protects those looting from above, it provides a different perspective to the view that state capture is the primary cause of the country's current entropic trajectory and that the application of the much-vaunted constitution can bring South Africa back on track.

1905. A young man called James Delaney is dying in a New York hospital. The doctors and the nuns cannot save him. When his life is spared his tycoon father takes it as a miracle and organizes a family pilgrimage to the resting place of the boy's name saint, Saint James the Greater in Santiago de Compostela in Spain, the greatest pilgrimage site of the Middle Ages.The first modern-day pilgrim is killed in Le Puy en Velay in Southern France and Powerscourt is summoned to investigate. The pilgrims' progress across the holy sites is punctuated by further bizarre deaths. After his own life is put in terrible danger Powerscourt finally solves the murders on the day of the Bull Run at Pamplona in Southern Spain where young men race down the cobbled streets pursued by the bulls. The careless are gored to death, but it is up to Powerscourt to beware of the horns and other hidden dangers to finally resolve the Deaths of the Pilgrims.

An unwelcome guest - Death - gatecrashes a society wedding and Lord Francis Powerscourt is summoned by his barrister friend, Charles Augustus Pugh, to investigate this most singular case of murder in the Fens.The dead man is Randolph Colville, successful wine merchant and father of the groom. The murderer would appear to be his brother Cosmo, found in the same room with a gun in his hand. But is this simply a modern-day version of Cain and Abel, or is there more to it than that? Cosmo isn't speaking and time is running out for him for he has an appointment with the gallows in two weeks.Francis has to act fast and sets out to discover all he can about the dead man - and his brother. Cosmo's silence is bothering him for it can only be for two reasons; either he is protecting a woman - or a family scandal. His investigations take him to the vineyards and towns of Burgundy, where he uncovers evidence of serious malpractise in the Colville wine trade, bitter rivalry with a London-based competitor and a disgruntled ex-employee bent on revenge. But there is another secret - more terrible and shocking than anything gone on before - which finally reveals the motive for the untimely death of a wine merchant.Praise for David Dickinson:'Splendid entertainment' Publishers Weekly'A leisurely period whodunit with Dickinson's customary historical tidbits and patches of local color, swathed in an appealing Victorian narrative' Kirkus Reviews'Detective fiction in the grand style' James Naughtie'A cracking yarn, beguilingly real from start to finish' Peter Snow