David Dowling – författare

A deep dive into the world of online and multimedia longform storytelling, this book charts the renaissance in deep reading, viewing and listening associated with the literary mind, and the resulting implications of its rise in popularity.

David O. Dowling argues that although developments in media technology have enabled the ascendance of nonfictional storytelling to new heights through new forms, it has done so at the peril of these intensely persuasive designs becoming deployed for commercial and political purposes. He shows how traditional boundaries separating genres and dividing editorial from advertising content have fallen with the rise of media hybridity, drawing attention to how the principle of an independent press can be reformulated for the digital ecosystem.

Immersive Longform Storytelling is a compelling examination of storytelling, covering multimedia features, on-demand documentary television, branded digital documentaries, interactive online documentaries, and podcasting. This book’s focus on both form and effect makes it a fascinating read for scholars and academics interested in storytelling and the rise of new media.

A deep dive into the world of online and multimedia longform storytelling, this book charts the renaissance in deep reading, viewing and listening associated with the literary mind, and the resulting implications of its rise in popularity.

David O. Dowling argues that although developments in media technology have enabled the ascendance of nonfictional storytelling to new heights through new forms, it has done so at the peril of these intensely persuasive designs becoming deployed for commercial and political purposes. He shows how traditional boundaries separating genres and dividing editorial from advertising content have fallen with the rise of media hybridity, drawing attention to how the principle of an independent press can be reformulated for the digital ecosystem.

Immersive Longform Storytelling is a compelling examination of storytelling, covering multimedia features, on-demand documentary television, branded digital documentaries, interactive online documentaries, and podcasting. This book’s focus on both form and effect makes it a fascinating read for scholars and academics interested in storytelling and the rise of new media.

The first part of Volume 9 will supply the readers with up-to-date information concerning the necessary theoretical background, both concerning removal of heavy metals from the contaminated environment, and removal, detoxication and even degradation of toxic organic contaminants. Until recently phytoremediation has been discussed mostly in monographs dealing with microbiological remediation methods as a separate chapter, just to illustrate an additional possibility of use of biological systems. This book intends to show especially the importance of cooperation between plant and microorganisms, there is practically no phytoremediation without rhizoremediation. Newest approaches based on methods of molecular biology and genetic engineering are described, as well as plant science achievements. The great advantage of this volume is that the reader will find here in addition to a survey of published data also a lot of original findings, thus supplying an up-to-date review of this quickly developing field of science.