David Ellis – författare

“Wildly entertaining.”—New York Times Book ReviewFrom the bestselling and award-winning author comes a wickedly clever and fast-paced novel of greed, revenge, obsession—and quite possibly the perfect murder.Simon and Vicky couldn’t seem more normal: a wealthy Chicago couple, he a respected law professor, she an advocate for domestic violence victims. A stable, if unexciting marriage. But one thing’s for sure: absolutely nothing is what it seems. The pair are far from normal, and one of them just may be a killer. When the body of a beautiful socialite is found hanging in a mansion in a nearby suburb, Simon and Vicky’s secrets begin to unravel. A secret whirlwind affair. A twenty-million-dollar trust fund about to come due. A decades-long grudge and obsession with revenge. These are just a few of the lies that make up the complex web... and they will have devastating consequences. And while both Vicky and Simon are liars, just who exactly is conning who? Part Gone Girl and part Strangers on a Train, Look Closer is a wild rollercoaster of a read that will have you questioning everything you think you know.

At the heart of Death and the Author is a dramatic account of D. H. Lawrence''s desperate struggle against tuberculosis during his last days, and of certain, often bizarre events which followed his death. Around this narrative David Ellis offers a series of reflections about what it is like to have a disease for which there is no cure, the appeal of alternative medicine, the temptation of suicide for the terminally ill, the diminishing role of religion inmodern life, the institution of famous last words, the consequences of dying intestate, and so on. These are clearly not the most immediately appealing of topics but they have an obvious significance for everyone and the treatment of them here is by no means lugubrious (even if, in the nature of the case, mostof the jokes fall into the category of gallows humour). Lawrence is the main focus throughout but there are extended references to a number of other famous literary consumptives such as Keats, Katherine Mansfield, Kafka, Chekhov, and George Orwell. Not a long book, Death and the author is divided into three parts called `Dying'', `Death'' and `Remembrance'' and is made up of twenty-two short sections. Although it incorporates a good deal of original material, the annotation has been keptdeliberately light. The aim has been to combine the drama of events - a good story - with a consideration of matters which must eventually concern us all, and to present the material in a lively and accessible form.

At the heart of Death and the Author is a dramatic account of D. H. Lawrence's desperate struggle against tuberculosis during his last days, and of certain, often bizarre events which followed his death. Around this narrative David Ellis offers a series of reflections about what it is like to have a disease for which there is no cure, the appeal of alternative medicine, the temptation of suicide for the terminally ill, the diminishing role of religion in modern life, the institution of famous last words, the consequences of dying intestate, and so on. These are clearly not the most immediately appealing of topics but they have an obvious significance for everyone and the treatment of them here is by no means lugubrious (even if, in the nature of the case, most of the jokes fall into the category of gallows humour). Lawrence is the main focus throughout but there are extended references to a number of other famous literary consumptives such as Keats, Katherine Mansfield, Kafka, Chekhov, and George Orwell. Not a long book, Death and the author is divided into three parts called `Dying', `Death' and `Remembrance' and is made up of twenty-two short sections. Although it incorporates a good deal of original material, the annotation has been kept deliberately light. The aim has been to combine the drama of events - a good story - with a consideration of matters which must eventually concern us all, and to present the material in a lively and accessible form.

A USA TODAY BestsellerBestselling and award-winning author David Ellis delivers a fast-paced, twisty thriller that will surprise readers at every turn.Leo Balanoff is a crusading attorney with unthinkable skeletons in his closet. He's also a diagnosed pathological liar. When a predatory gangster with a long list of victims is found dead and Leo’s fingerprints show up on the murder weapon, no one believes a word he says in his defense. But he might be the FBI’s only shot at taking down the gangster's even more lethal boss.Risk his life going undercover for the feds or head straight to prison for murder? Leo accepts the FBI’s offer—but it comes with a price, including a collision course with his ex, Andi Piotrowski, a former cop and "the one who got away." Anyone else forced to walk this tightrope between an ambitious FBI agent and a cruel, calculating crime boss would fail. But this isn't Leo's first balancing act, and he still has a few tricks up his sleeve...

This book meditates on the nature of biography and the way biographers habitually explain their subjects' loves by reference to psychology, ancestry, childhood experience, social relations, the body, or illness.

A USA TODAY BestsellerBestselling and award-winning author David Ellis delivers a fast-paced, twisty thriller that will surprise readers at every turn.Leo Balanoff is a crusading attorney with unthinkable skeletons in his closet. He's also a diagnosed pathological liar. When a predatory gangster with a long list of victims is found dead and Leo’s fingerprints show up on the murder weapon, no one believes a word he says in his defense. But he might be the FBI’s only shot at taking down the gangster's even more lethal boss.Risk his life going undercover for the feds or head straight to prison for murder? Leo accepts the FBI’s offer—but it comes with a price, including a collision course with his ex, Andi Piotrowski, a former cop and "the one who got away." Anyone else forced to walk this tightrope between an ambitious FBI agent and a cruel, calculating crime boss would fail. But this isn't Leo's first balancing act, and he still has a few tricks up his sleeve...

This is the first book devoted entirely to Lawrence's nonfictional writings. It focuses on a selection of representative texts, each of which is placed in an appropriate literary or historical context. These include the 'Study of Thomas Hardy', the two books about the Unconscious, the travel-writing - primarily Twilight in Italy and Sea and Sardinia - the largely autobiographical 'Introduction to Memoirs of the Foreign Legion by M. M' and the late 'thoughts in verse' called Pansies. David Ellis and Howard Mills challenge the automatic relegation to secondary status suffered by these works in the past and suggest a radical reassessment of Lawrence's literary profile of how his writings relate to one another and of where his greatest power and originality lie.

The passages in Wordsworth's Prelude known as the 'spots of time' have always been regarded as important and impressive but have seldom been satisfactorily explained. Whilst there is general agreement about how well they are written, there is none at all about what they might mean. David Ellis sets out to resolve this paradox and, since the passages which concern him deal with very private moments in Wordsworth's life and have an interest which is largely psychological, he considers how far a knowledge of Freud might be relevant to their understanding. His attempt to clarify what is at once the most intriguing and baffling aspect of Wordsworth's great autobiographical poem leads Ellis to make challenging suggestions about how the whole work should be read. This is a book for the student and general reader of Wordsworth as well as for specialists. It should also appeal to those with an interest in the nature of autobiography or the use (and the misuse) of psych-analytic concepts in literary interpretation.