A World History of Tax Rebellions is an exhaustive reference source for over 4,300 years of riots, rebellions, protests, and war triggered by abusive taxation and tax collecting systems around the world. Each of the chronologically arranged entries focuses on a specific historical event, analyzing its roots, and socio-economic context.

In 1893, the year that marked the four hundredth anniversary of the landing of Columbus in the New World, Chicago was host to an exposition to mark the occasion. Although the World's Columbian Exposition was the fifteenth world's fair, it was of vastly greater scope than any of its predecessors. Chicago created a veritable new city. It was not only larger than any previous exposition but also more elaborately designed, more precisely laid out, more fully realized, and more prophetic. It was the first exposition truly to solicit the participation of the entire world.In this study of the White City, David F. Burg shows America at a crossroads in its development. It was in the process of moving from a largely agricultural society to a predominately urban and industrial one. The exposition was an index of American values, achievements, and expectation in this era of profound and complex change. The exposition was an achievement of cooperative endeavor and expertise. It demonstrated that both artistic capacity and technology were available to transform, in agreeable combination, burgeoning industrial cities into well-designed centers of business, culture, and community.Burg places his discussion in the context of the United States and Chicago during the early 1890s. Besides dealing with the multifaceted fair itself -- its architecture, artworks, music, technological achievements -- he discusses the congresses that were held on a variety of subjects, two of the most significant being the Congresses of Women and the World's Parliament of Religions.In the exposition's theme was the potential of fashioning the Kingdom of God on earth in contrast to the chaotic, dirty, industrial cities of the time. Burg finds in the exposition a significant legacy to architecture, city planning, and civic organization. Its most promising aftereffect occurred in the City Beautiful movement; its influence extended also to such ordinary concerns as well-lighted streets, efficient waste disposal, and honest government.

"A detailed day-by-day account of the war''s events, emphasizing the military dimensions but also touching on politics and diplomacy." —Choice Almanac of World War I provides reports of the action on all fronts and of the events surrounding the conflict, from the guns of August 1914 to the November 1918 Armistice and its troubled aftermath. Daily entries, topical descriptions, biographical sketches, maps, and illustrations combine to give a ready and succinct account of what was happening in each of the principal theaters of war. This definitive book on the Great War by David F. Burg and L. Edward Purcell—coauthors of The World Almanac of the American Revolution—"captures the pathos and absurdity of the conflict in a way that few others have" (American Reference Books Annual). "Whereas most accounts of World War I zero in on the muddy trenches of the Western front, Burg and Purcell''s work puts that theater in the context of the larger war." —Tallahassee Democrat "There is really nothing comparable to this volume." —Booklist "Almanacs represent the final book(s) needed to complete a collection regarding a particular period in history. David Burg and L. Edward Purcell''s Almanac of World War I is such a book." —BookLovers "A useful reference for the Great War." —Paper Wars "This valuable reference book provides a day-by-day account of the First World War, with each entry divided geographically." —Canadian Military History

In 1893, the year that marked the four hundredth anniversary of the landing of Columbus in the New World, Chicago was host to an exposition to mark the occasion. Although the World's Columbian Exposition was the fifteenth world's fair, it was of vastly greater scope than any of its predecessors. Chicago created a veritable new city. It was not only larger than any previous exposition but also more elaborately designed, more precisely laid out, more fully realized, and more prophetic. It was the first exposition truly to solicit the participation of the entire world.In this study of the White City, David F. Burg shows America at a crossroads in its development. It was in the process of moving from a largely agricultural society to a predominately urban and industrial one. The exposition was an index of American values, achievements, and expectation in this era of profound and complex change. The exposition was an achievement of cooperative endeavor and expertise. It demonstrated that both artistic capacity and technology were available to transform, in agreeable combination, burgeoning industrial cities into well-designed centers of business, culture, and community.Burg places his discussion in the context of the United States and Chicago during the early 1890s. Besides dealing with the multifaceted fair itselfits architecture, artworks, music, technological achievementshe discusses the congresses that were held on a variety of subjects, two of the most significant being the Congresses of Women and the World's Parliament of Religions.In the exposition's theme was the potential of fashioning the Kingdom of God on earth in contrast to the chaotic, dirty, industrial cities of the time. Burg finds in the exposition a significant legacy to architecture, city planning, and civic organization. Its most promising aftereffect occurred in the City Beautiful movement; its influence extended also to such ordinary concerns as well-lighted streets, efficient waste disposal, and honest government.

Provides a day-by-day account of the action on all fronts and of the events surrounding the conflict, from the guns of August 1914 to the November 1918 Armistice and its troubled aftermath. Daily entries, topical descriptions, biographical sketches, maps, and illustrations combine to give a ready and succinct account of what was happening in each of the principal theaters of war.

A World History of Tax Rebellions is an exhaustive reference source for over 4,300 years of riots, rebellions, protests, and war triggered by abusive taxation and tax collecting systems around the world. Each of the chronologically arranged entries focuses on a specific historical event, analyzing its roots, and socio-economic context.

A World History of Tax Rebellions is an exhaustive reference source for over 4,300 years of riots, rebellions, protests, and war triggered by abusive taxation and tax collecting systems around the world. Each of the chronologically arranged entries focuses on a specific historical event, analyzing its roots, and socio-economic context.

In 1893, the year that marked the four hundredth anniversary of the landing of Columbus in the New World, Chicago was host to an exposition to mark the occasion. Although the World's Columbian Exposition was the fifteenth world's fair, it was of vastly greater scope than any of its predecessors. Chicago created a veritable new city. It was not only larger than any previous exposition but also more elaborately designed, more precisely laid out, more fully realized, and more prophetic. It was the first exposition truly to solicit the participation of the entire world.In this study of the White City, David F. Burg shows America at a crossroads in its development. It was in the process of moving from a largely agricultural society to a predominately urban and industrial one. The exposition was an index of American values, achievements, and expectation in this era of profound and complex change. The exposition was an achievement of cooperative endeavor and expertise. It demonstrated that both artistic capacity and technology were available to transform, in agreeable combination, burgeoning industrial cities into well-designed centers of business, culture, and community.Burg places his discussion in the context of the United States and Chicago during the early 1890s. Besides dealing with the multifaceted fair itself -- its architecture, artworks, music, technological achievements -- he discusses the congresses that were held on a variety of subjects, two of the most significant being the Congresses of Women and the World's Parliament of Religions.In the exposition's theme was the potential of fashioning the Kingdom of God on earth in contrast to the chaotic, dirty, industrial cities of the time. Burg finds in the exposition a significant legacy to architecture, city planning, and civic organization. Its most promising aftereffect occurred in the City Beautiful movement; its influence extended also to such ordinary concerns as well-lighted streets, efficient waste disposal, and honest government.

"A detailed day-by-day account of the war''s events, emphasizing the military dimensions but also touching on politics and diplomacy." —Choice Almanac of World War I provides reports of the action on all fronts and of the events surrounding the conflict, from the guns of August 1914 to the November 1918 Armistice and its troubled aftermath. Daily entries, topical descriptions, biographical sketches, maps, and illustrations combine to give a ready and succinct account of what was happening in each of the principal theaters of war. This definitive book on the Great War by David F. Burg and L. Edward Purcell—coauthors of The World Almanac of the American Revolution—"captures the pathos and absurdity of the conflict in a way that few others have" (American Reference Books Annual). "Whereas most accounts of World War I zero in on the muddy trenches of the Western front, Burg and Purcell''s work puts that theater in the context of the larger war." —Tallahassee Democrat "There is really nothing comparable to this volume." —Booklist "Almanacs represent the final book(s) needed to complete a collection regarding a particular period in history. David Burg and L. Edward Purcell''s Almanac of World War I is such a book." —BookLovers "A useful reference for the Great War." —Paper Wars "This valuable reference book provides a day-by-day account of the First World War, with each entry divided geographically." —Canadian Military History

In 1893, the year that marked the four hundredth anniversary of the landing of Columbus in the New World, Chicago was host to an exposition to mark the occasion. Although the World's Columbian Exposition was the fifteenth world's fair, it was of vastly greater scope than any of its predecessors. Chicago created a veritable new city. It was not only larger than any previous exposition but also more elaborately designed, more precisely laid out, more fully realized, and more prophetic. It was the first exposition truly to solicit the participation of the entire world.In this study of the White City, David F. Burg shows America at a crossroads in its development. It was in the process of moving from a largely agricultural society to a predominately urban and industrial one. The exposition was an index of American values, achievements, and expectation in this era of profound and complex change. The exposition was an achievement of cooperative endeavor and expertise. It demonstrated that both artistic capacity and technology were available to transform, in agreeable combination, burgeoning industrial cities into well-designed centers of business, culture, and community.Burg places his discussion in the context of the United States and Chicago during the early 1890s. Besides dealing with the multifaceted fair itselfits architecture, artworks, music, technological achievementshe discusses the congresses that were held on a variety of subjects, two of the most significant being the Congresses of Women and the World's Parliament of Religions.In the exposition's theme was the potential of fashioning the Kingdom of God on earth in contrast to the chaotic, dirty, industrial cities of the time. Burg finds in the exposition a significant legacy to architecture, city planning, and civic organization. Its most promising aftereffect occurred in the City Beautiful movement; its influence extended also to such ordinary concerns as well-lighted streets, efficient waste disposal, and honest government.

Provides a day-by-day account of the action on all fronts and of the events surrounding the conflict, from the guns of August 1914 to the November 1918 Armistice and its troubled aftermath. Daily entries, topical descriptions, biographical sketches, maps, and illustrations combine to give a ready and succinct account of what was happening in each of the principal theaters of war.

A World History of Tax Rebellions is an exhaustive reference source for over 4,300 years of riots, rebellions, protests, and war triggered by abusive taxation and tax collecting systems around the world. Each of the chronologically arranged entries focuses on a specific historical event, analyzing its roots, and socio-economic context.