David Farrier – författare

A profound meditation on climate change and the Anthropocene and an urgent search for the fossils—industrial, chemical, geological—that humans are leaving behind A Times Book of the Year • A Daily Telegraph Book of the Year What will the world look like ten thousand or ten million years from now? In Footprints, David Farrier explores what traces we will leave for the very deep future. From long-lived materials like plastic and nuclear waste, to the 50 million kilometres of roads spanning the planet, in modern times we have created numerous objects and landscapes with the potential to endure through deep time. Our carbon could linger in the atmosphere for 100,000 years, and the remains of our cities will still exist millions of years from now as a layer in the rock. These future fossils have the potential to tell remarkable stories about how we lived in the twenty-first century.Through literature, art, and science, Footprints invites us to think about how we will be remembered in the myths, stories, and languages of our distant descendants. Travelling from the Baltic Sea to the Great Barrier Reef, and from an ice core laboratory in Tasmania to Shanghai, one of the world’s biggest cities, David Farrier tells a story of a world that is changing rapidly, and with long-term consequences. Footprints will not only alter how you think about the future, it will change how you see the world today.

In the nineteenth-century Pacific, the production of a text of encounter occurred in tandem with the production of a settled space; asserting settler presence through the control of the space and the context of the encounter. Indigenous resistance therefore took place through modes of representation that ‘unsettled’ the text. This book considers the work of four Western visitors to the Pacific—Robert Louis Stevenson, William Ellis, Herman Melville, and Jack London—and the consequences for the written text and the experience of cross-cultural encounter when encounter is reduced to writing. The study proposes a strong connection between settling and writing as assertions of presence, and, by engaging a metaphor of building dwellings and building texts, the study examines how each writer manipulates the process of text creation to assert a dominant presence over and against the indigenous presence, which is represented as threatening, and extra-textual.

In the nineteenth-century Pacific, the production of a text of encounter occurred in tandem with the production of a settled space; asserting settler presence through the control of the space and the context of the encounter. Indigenous resistance therefore took place through modes of representation that ‘unsettled’ the text. This book considers the work of four Western visitors to the Pacific—Robert Louis Stevenson, William Ellis, Herman Melville, and Jack London—and the consequences for the written text and the experience of cross-cultural encounter when encounter is reduced to writing. The study proposes a strong connection between settling and writing as assertions of presence, and, by engaging a metaphor of building dwellings and building texts, the study examines how each writer manipulates the process of text creation to assert a dominant presence over and against the indigenous presence, which is represented as threatening, and extra-textual.

Charts new directions for interdisciplinary research on refugee writing and representationPlaces refugee imaginaries at the centre of interdisciplinary exchange, demonstrating the vital new perspectives on refugee experience available in humanities researchBrings together leading research in literary, performance, art and film studies, digital and new media, postcolonialism and critical race theory, transnational and comparative cultural studies, history, anthropology, philosophy, human geography and cultural politicsThe refugee has emerged as one of the key figures of the twenty-first-century. This book explores how refugees imagine the world and how the world imagines them. It demonstrates the ways in which refugees have been written into being by international law, governmental and non-governmental bodies and the media, and foregrounds the role of the arts and humanities in imagining, historicising and protesting the experiences of forced migration and statelessness.Including thirty-two newly written chapters on representations by and of refugees from leading researchers in the field, Refugee Imaginaries establishes the case for placing the study of the refugee at the centre of contemporary critical enquiry.

Charts new directions for interdisciplinary research on refugee writing and representationPlaces refugee imaginaries at the centre of interdisciplinary exchange, demonstrating the vital new perspectives on refugee experience available in humanities researchBrings together leading research in literary, performance, art and film studies, digital and new media, postcolonialism and critical race theory, transnational and comparative cultural studies, history, anthropology, philosophy, human geography and cultural politicsThe refugee has emerged as one of the key figures of the twenty-first-century. This book explores how refugees imagine the world and how the world imagines them. It demonstrates the ways in which refugees have been written into being by international law, governmental and non-governmental bodies and the media, and foregrounds the role of the arts and humanities in imagining, historicising and protesting the experiences of forced migration and statelessness.Including thirty-two newly written chapters on representations by and of refugees from leading researchers in the field, Refugee Imaginaries establishes the case for placing the study of the refugee at the centre of contemporary critical enquiry.

How poetry can help us think about and live in the Anthropocene by reframing our intimate relationship with geological time  The Anthropocene describes how humanity has radically intruded into deep time, the vast timescales that shape the Earth system and all life-forms that it supports. The challenge it poses-how to live in our present moment alongside deep pasts and futures-brings into sharp focus the importance of grasping the nature of our intimate relationship with geological time. In Anthropocene Poetics, David Farrier shows how contemporary poetry by Elizabeth Bishop, Seamus Heaney, Evelyn Reilly, and Christian BÖk, among others, provides us with frameworks for thinking about this uncanny sense of time.Looking at a diverse array of lyric and avant-garde poetry from three interrelated perspectives-the Anthropocene and the “material turn” in environmental philosophy; the Plantationocene and the role of global capitalism in environmental crisis; and the emergence of multispecies ethics and extinction studies-Farrier rethinks the environmental humanities from a literary critical perspective. Anthropocene Poetics puts a concern with deep time at the center, defining a new poetics for thinking through humanity’s role as geological agents, the devastation caused by resource extraction, and the looming extinction crisis.

How poetry can help us think about and live in the Anthropocene by reframing our intimate relationship with geological time  The Anthropocene describes how humanity has radically intruded into deep time, the vast timescales that shape the Earth system and all life-forms that it supports. The challenge it poses-how to live in our present moment alongside deep pasts and futures-brings into sharp focus the importance of grasping the nature of our intimate relationship with geological time. In Anthropocene Poetics, David Farrier shows how contemporary poetry by Elizabeth Bishop, Seamus Heaney, Evelyn Reilly, and Christian BÖk, among others, provides us with frameworks for thinking about this uncanny sense of time.Looking at a diverse array of lyric and avant-garde poetry from three interrelated perspectives-the Anthropocene and the “material turn” in environmental philosophy; the Plantationocene and the role of global capitalism in environmental crisis; and the emergence of multispecies ethics and extinction studies-Farrier rethinks the environmental humanities from a literary critical perspective. Anthropocene Poetics puts a concern with deep time at the center, defining a new poetics for thinking through humanity’s role as geological agents, the devastation caused by resource extraction, and the looming extinction crisis.

SHORTLISTED FOR THE WAINWRIGHT PRIZE FOR CONSERVATION WRITING SHORTLISTED FOR SCOTLAND'S NATIONAL BOOK AWARDS FOR NON-FICTIONA NEW SCIENTIST BEST POPULAR SCIENCE BOOK OF 2025A WATERSTONES BEST POPULAR SCIENCE BOOK OF 2025'A book that shows how we might evolve to solve the problems we have caused our planet. Brilliantly written, surprising, inspiring and, ultimately, hopeful' ISABELLA TREEFor nearly four billion years, life on Earth has found new ways to adapt, reproduce and thrive, taking on new forms to meet the environment of the moment. Human impact on the planet, and the potentially devastating threat of climate change, have stressed that adaptability as never before. Yet life still finds a way. Animals, plants and insects rise to the challenge and are still adapting, reproducing and thriving, even in our rapidly transforming environment. In their example we may just find ways that we too can adapt, ways to stop the destruction we're causing to the planet.In Nature's Genius David Farrier takes us on a profound journey into this ever-changing natural world. What we discover could transform us. The ways animals adjust to the urban landscape can help us design sustainable cities. Examining other intelligences can help us remake our economies. Learning from bacterial evolution may help solve our waste problem. Synthetic biology could rescue animals from the brink of extinction. Thinking in timescales of the natural world could help us choose a better future. Life on Earth is changing; the question is, can we change with it? Can we remake the world to be fit for all life to thrive once more?

'Superb' ROBERT MACFARLANE'Fascinating' ISABELLA TREE'Inspiring' CAL FLYNSHORTLISTED FOR THE WAINWRIGHT PRIZE FOR CONSERVATION WRITINGSHORTLISTED FOR SCOTLAND'S NATIONAL BOOK AWARDS FOR NON-FICTIONFor nearly four billion years, life on Earth has found new ways to adapt, reproduce and thrive. Now, in the face of climate change, nature is modelling ingenuity as never before.David Farrier guides us through unexpected and hopeful examples of nature's genius: whether urban pigeons building nests in the spiked structures meant to deter them or tomcod in the Hudson River that have become immune to highly toxic chemicals, coral used to make a natural and self-healing cement or computer chips derived from mycelium skin. Farrier shows us how nature is offering a blueprint that could help us design sustainable cities, remake our economies, solve our waste problem, rescue animals from the brink of extinction and choose a better future.

Postcolonial Asylum is concerned with asylum as a key emerging postcolonial field. Through an engagement with asylum legislation, legal theory and ethics, David Farrier argues that the exclusionary culture of host nations casts asylum seekers as contemporary incarnations of the infrahuman object of colonial sovereignty.Postcolonial Asylum includes readings of the work of asylum seeker and postcolonial authors and filmmakers, including J.M. Coetzee, Caryl Phillips, Abdulrazak Gurnah, Leila Aboulela, Stephen Frears, Pawel Pawlikowski and Michael Winterbottom.These readings are framed by the work of postcolonial theorists (Homi Bhabha, Gayatri Chakravorty Spivak, Paul Gilroy, Achille Mbembe), as well as other influential thinkers (Giorgio Agamben, Jacques Derrida, Jacques Rancière, Emmanuel Levinas, Étienne Balibar, Zygmunt Bauman), in order to institute what Spivak calls a ‘step beyond’ postcolonial studies; one that carries with it the insights and limitations of the discipline as it looks to new ways for postcolonial studies to engage with the world.

Postcolonial Asylum is concerned with asylum as a key emerging postcolonial field. Through an engagement with asylum legislation, legal theory and ethics, David Farrier argues that the exclusionary culture of host nations casts asylum seekers as contemporary incarnations of the infrahuman object of colonial sovereignty.Postcolonial Asylum includes readings of the work of asylum seeker and postcolonial authors and filmmakers, including J.M. Coetzee, Caryl Phillips, Abdulrazak Gurnah, Leila Aboulela, Stephen Frears, Pawel Pawlikowski and Michael Winterbottom.These readings are framed by the work of postcolonial theorists (Homi Bhabha, Gayatri Chakravorty Spivak, Paul Gilroy, Achille Mbembe), as well as other influential thinkers (Giorgio Agamben, Jacques Derrida, Jacques Rancière, Emmanuel Levinas, Étienne Balibar, Zygmunt Bauman), in order to institute what Spivak calls a ‘step beyond’ postcolonial studies; one that carries with it the insights and limitations of the discipline as it looks to new ways for postcolonial studies to engage with the world.