David Goldblatt – författare

A Telegraph Best Book of 2025. A News Statesman Book of the Year 2025. ‘David Goldblatt is possibly the best football historian there has ever been’. Dominic Sandbrook ‘David Goldblatt is the greatest British sportswriter of the 21st century … Injury Time is an absolute classic.’ James Montague, author of The Billionaires Club and Engulfed Football, history and the state of the nation – and why it matters. Injury Time is a sharp and thought provoking look at contemporary British society through the lens of football; a society shaken by more than a decade of economic, political and social upheaval, whose causes and consequences have proved hard to grasp.Set against the backdrop of Brexit, Covid and today’s ‘polycrisis’ – spanning economic decline, war in Europe, political unrest and climate change – this book argues that football provides an unmatched vantage point for understanding the nation’s state of affairs. From grassroots clubs battling for survival to the rise and fall of Russian oligarchs in the sport, the game’s tragedies and triumphs echo the larger shifts shaping Britain.With striking examples such as Marcus Rashford’s anti-hunger campaign and the uproar surrounding Gary Lineker’s tweets, Injury Time underscores football’s central role in public conversation. Football, Goldblatt contends, is the ultimate societal bellwether – a reflection of Britain’s virtues and flaws alike.

WINNER of the William Hill Sports Book of the Year Award 2015In the last two decades football in Britain has made the transition from a peripheral dying sport to the very centre of our popular culture, from an economic basket-case to a booming entertainment industry. What does it mean when football becomes so central to our private and political lives? Has it enriched us or impoverished us?In this sparkling book David Goldblatt argues that no social phenomenon tracks the momentous economic, social and political changes of the post-Thatcherite era in a more illuminating manner than football, and no cultural practice sheds more light on the aspirations and attitudes of our long boom and now calamitous bust. A must-read for the thinking football fan, The Game of Our Lives will appeal to readers of Fever Pitch by Nick Hornby and Inverting the Pyramid by Jonathan Wilson. It will also be relished by readers of British social history such as Austerity Britain by David Kynaston. 'Brilliantly incisive. Goldblatt is not merely the best football historian writing today, he is possibly the best there has ever been. Goldblatt's book could hardly be more impressive' Sunday Times

THE DEFINITIVE, CRITICALLY ACCLAIMED BOOK ABOUT FOOTBALL'Football conquered the world with its capacity to astonish, and this is its definitive history' The IndependentThere may be no cultural practice more global than soccer. Rites of birth and marriage are infinitely diverse, but the rules of soccer are universal. No world religion can match its geographical scope. The single greatest simultaneous human collective experience is the World Cup final.In this extraordinary tour de force, David Goldblatt tells the full story of football's rise from chaotic folk ritual to the world's most popular sport. The Ball Is Round illuminates football's role in the political and social histories of modern societies, but never loses sight of the beauty, joy, and excitement of the game. ___________________________________'Goldblatt writes with authority, humour, and passion, not least in the accounts of famous or significant matches scattered throughout the book' Times Literary Supplement'Since it became a worldwide phenomenon, nobody has attempted to write an overall history of the game. Now David Goldblatt's stunning book will be the measure against which all other such volumes are judged' The Guardian'Goldblatt's magnum opus . . . Anyone with a brain and an interest in football will enjoy this book' The Daily Telegraph (London)

A Telegraph Best Book of 2025. A News Statesman Book of the Year 2025. ‘David Goldblatt is possibly the best football historian there has ever been’. Dominic Sandbrook ‘David Goldblatt is the greatest British sportswriter of the 21st century … Injury Time is an absolute classic.’ James Montague, author of The Billionaires Club and Engulfed Football, history and the state of the nation – and why it matters. Injury Time is a sharp and thought provoking look at contemporary British society through the lens of football; a society shaken by more than a decade of economic, political and social upheaval, whose causes and consequences have proved hard to grasp.Set against the backdrop of Brexit, Covid and today’s ‘polycrisis’ – spanning economic decline, war in Europe, political unrest and climate change – this book argues that football provides an unmatched vantage point for understanding the nation’s state of affairs. From grassroots clubs battling for survival to the rise and fall of Russian oligarchs in the sport, the game’s tragedies and triumphs echo the larger shifts shaping Britain.With striking examples such as Marcus Rashford’s anti-hunger campaign and the uproar surrounding Gary Lineker’s tweets, Injury Time underscores football’s central role in public conversation. Football, Goldblatt contends, is the ultimate societal bellwether – a reflection of Britain’s virtues and flaws alike.

A Telegraph Best Book of 2025. A News Statesman Book of the Year 2025. ‘David Goldblatt is possibly the best football historian there has ever been’. Dominic Sandbrook ‘David Goldblatt is the greatest British sportswriter of the 21st century … Injury Time is an absolute classic.’ James Montague, author of The Billionaires Club and Engulfed Football, history and the state of the nation – and why it matters. Injury Time is a sharp and thought provoking look at contemporary British society through the lens of football; a society shaken by more than a decade of economic, political and social upheaval, whose causes and consequences have proved hard to grasp.Set against the backdrop of Brexit, Covid and today’s ‘polycrisis’ – spanning economic decline, war in Europe, political unrest and climate change – this book argues that football provides an unmatched vantage point for understanding the nation’s state of affairs. From grassroots clubs battling for survival to the rise and fall of Russian oligarchs in the sport, the game’s tragedies and triumphs echo the larger shifts shaping Britain.With striking examples such as Marcus Rashford’s anti-hunger campaign and the uproar surrounding Gary Lineker’s tweets, Injury Time underscores football’s central role in public conversation. Football, Goldblatt contends, is the ultimate societal bellwether – a reflection of Britain’s virtues and flaws alike.

]IGovernance in the Asia-Pacific is a student-friendly textbook which examines the governance of nation states in this diverse and rapidly-changing region. It sets out the range of political beliefs and styles that flourish and the similarities and differences between individual states and the ways in which they choose to govern. Wide-ranging in scope and clearly written to help students get to the bottom of important issues, the book addresses many key areas including:* the Anglo-American powers* Japan* independence movements* the politics of economic development* social movements* the politics of the environment* the pressures for political change in the region.And these issues are all analysed within the broad context of governance in the Asia-Pacific more generally. The authors also identify factors which explain the political underpinning of the dramatic economic development in the region.

]IGovernance in the Asia-Pacific is a student-friendly textbook which examines the governance of nation states in this diverse and rapidly-changing region. It sets out the range of political beliefs and styles that flourish and the similarities and differences between individual states and the ways in which they choose to govern. Wide-ranging in scope and clearly written to help students get to the bottom of important issues, the book addresses many key areas including:* the Anglo-American powers* Japan* independence movements* the politics of economic development* social movements* the politics of the environment* the pressures for political change in the region.And these issues are all analysed within the broad context of governance in the Asia-Pacific more generally. The authors also identify factors which explain the political underpinning of the dramatic economic development in the region.

Knowledge and the Social Sciences takes as its point of departure the claims that all forms of knowledge, the social sciences included, must be seen and understood in their social context. It argues that the social sciences both describe and transform their object of study, though rarely in ways that social scientists intend, and introduces students to the key epistemological and philosophical terms and issues essential for further study in the social sciences.In a radical and yet lucid and practical introduction to ways of thinking and knowing in the social sciences this text investigates:* the origins and consequences of different types of knowledge in substantive areas of social change: medical practice, religious beliefs, and the environment* whether there is a decline in public trust of expert knowledge systems* whether we are entering a knowledge society, a fragmented post-modern society, or a risk society.

This exciting collection of David Goldblatt's essays, available for the first time in one volume, uses the metaphor of ventriloquism to help understand a variety of art world phenomena. It examines how the vocal vacillation between ventriloquist and dummy works within the roles of artist, artwork and audience as a conveyance to the audience of the performer's intentions, emotions and beliefs through a created performative persona. Considering key works, including those of Nietzsche, Foucault, Socrates, Derrida, Cavell and Wittgenstein, Goldblatt examines how the authors use the framework of ventriloquism to construct and negate issues in art and architecture. He ponders 'self-plagiarism'; why the classic philosopher cannot speak for himself, but must voice his thoughts through fictional characters or inanimate objects and works. With a close analysis of two ventriloquist paintings by Jasper Johns and Paul Klee, a critical commentary by Garry L. Hagberg, and preface by series editor Saul Ostrow, Goldblatt's thoroughly fascinating book will be an invaluable asset to students of cultural studies, art, and philosophy.

This exciting collection of David Goldblatt's essays, available for the first time in one volume, uses the metaphor of ventriloquism to help understand a variety of art world phenomena. It examines how the vocal vacillation between ventriloquist and dummy works within the roles of artist, artwork and audience as a conveyance to the audience of the performer's intentions, emotions and beliefs through a created performative persona. Considering key works, including those of Nietzsche, Foucault, Socrates, Derrida, Cavell and Wittgenstein, Goldblatt examines how the authors use the framework of ventriloquism to construct and negate issues in art and architecture. He ponders 'self-plagiarism'; why the classic philosopher cannot speak for himself, but must voice his thoughts through fictional characters or inanimate objects and works. With a close analysis of two ventriloquist paintings by Jasper Johns and Paul Klee, a critical commentary by Garry L. Hagberg, and preface by series editor Saul Ostrow, Goldblatt's thoroughly fascinating book will be an invaluable asset to students of cultural studies, art, and philosophy.

This book establishes whether contemporary social theory can help us understand the structural origins of environmental degradation and environmental politics.

This widely acclaimed book throws new light on the complex processes that are reshaping the contemporary world. All too often debates about globalization - and about whether it implies the end of the nation-state - have descended into polemics and confusion. Please visit the accompanying website at: http://www.polity.co.uk/global

In 1760 no polity in the world was democratic in any way we would now recognize. In 1995 there were democratic states on every continent and in every region. The struggle to create, sustain, and entrench democratic political systems is one of the central narratives of modernity. Democratization is the first textbook comprehensively to survey, explore and engage with this story. In Part I, the introduction to the book as a whole, an overview and elaboration is offered of the key explanatory models of democratization; this section also refines the description of a regime's democratic status and explores the models and strategies of comparative analysis used in the book. While each of the subsequent twenty chapters can stand on their own, they have all been framed by a shared engagement with and discussion of the dynamics of democratization set out here. Part II surveys the course of democratization in the West from 1760 to 1989, examining both the early breakthroughs of the French and American Revolutions and the inter-war crisis of European democracy. The post-war era is covered by discussions of the impact of World War II, the democratic revolutions in Southern Europe and the struggle of the American Civil Rights movement. Part III examines the experience of Latin America and Asia. The Latin American case is covered in two chapters stretching from the 1930's to the 1990's. In the Asia section the comparative trajectories of Asia's two giants - China and India - are contrasted with the experience of East Asia's original tigers (Taiwan and South Korea) and more recent industrializing states (Indonesia, the Philippines, Malaysia). In Part IV the relative weakness of democratization in Africa and the Middle East is interrogated. Surveys of the Middle East and sub-Saharan Africa are complemented by individual case studies (Israel-Palestine and South Africa) and a synoptic examination of the relationship between Islamic culture, society and democracy. In Part V, the democratic revolutions of 1989 and their aftermath are examined in chapters on Eastern Europe and Russia. The enmeshment of these processes of democratization with nationalist struggles are highlighted in a study of former Czechoslovakia and Yugoslavia while the particular course of the remaining socialist states is examined in a chapter on Vietnam. Finally, the conclusion both reviews the regional variations in democratization and considers the pressing question of how democracies once created can be sustained. Democratization will provide students and teachers with an invaluable and engaging resource for examining the complex fate of democratic politics across the world.

In this book, the authors set forth a new model of globalization that lays claims to supersede existing models, and then use this model to assess the way the processes of globalization have operated in different historic periods in respect to political organization, military globalization, trade, finance, corporate productivity, migration, culture, and the environment. Each of these topics is covered in a chapter which contrasts the contemporary nature of globalization with that of earlier epochs.In mapping the shape and political consequences of globalization, the authors concentrate on six states in advanced capitalist societies (SIACS): the United States, the United Kingdom, Sweden, France, Germany, and Japan. For comparative purposes, other states—particularly those with developing economics—are referred to and discussed where relevant. The book concludes by systematically describing and assessing contemporary globalization, and appraising the implications of globalization for the sovereignty and autonomy of SIACS. It also confronts directly the political fatalism that surrounds much discussion of globalization with a normative agenda that elaborates the possibilities for democratizing and civilizing the unfolding global transformation.

Aesthetics: A Reader in Philosophy of the Arts, fourth edition, contains a selection of ninety-six readings organized by individual art forms as well as a final section of readings in philosophical aesthetics that cover multiple art forms. Sections include topics that are familiar to students such as painting, photography and movies, architecture, music, literature, and performance, as well as contemporary subjects such as mass art, popular arts, the aesthetics of the everyday, and the natural environment. Essays are drawn from both the analytic and continental traditions, and multiple others that bridge this divide between these traditions. Throughout, readings are brief, accessible for undergraduates, and conceptually focused, allowing instructors many different syllabi possibilities using only this single volume.Key Additions to the Fourth EditionThe fourth edition is expanded to include a total of ninety-six essays with nineteen new essays (nine of them written exclusively for this volume), updated organization into new sections, revised introductions to each section, an increased emphasis on contemporary topics, such as stand-up comedy, the architecture of museums, interactivity and video games, the ethics of sexiness, trans/gendered beauty, the aesthetics of junkyards and street art, pornography, and the inclusion of more diverse philosophical voices. Nevertheless, this edition does not neglect classic writers in the traditional aesthetics: Plato, Aristotle, Hume, Kant, Hegel, Heidegger, Collingwood, Bell, and writers of similar status in aesthetics. The philosophers writing new chapters exclusively for this fourth edition are:• Sondra Bacharach on street art• Aili Bresnahan on appreciating dance• Hina Jamelle on digital architecture• Jason Leddington on magic• Sheila Lintott on stand-up comedy• Yuriko Saito on everyday aesthetics• Larry Shiner on art spectacle museums in the twenty-first century• Peg Brand Weiser on how beauty matters• Edward Winters on the feeling of being at home in vernacular architecture, as in such urban places as bars.

Aesthetics: A Reader in Philosophy of the Arts, fourth edition, contains a selection of ninety-six readings organized by individual art forms as well as a final section of readings in philosophical aesthetics that cover multiple art forms. Sections include topics that are familiar to students such as painting, photography and movies, architecture, music, literature, and performance, as well as contemporary subjects such as mass art, popular arts, the aesthetics of the everyday, and the natural environment. Essays are drawn from both the analytic and continental traditions, and multiple others that bridge this divide between these traditions. Throughout, readings are brief, accessible for undergraduates, and conceptually focused, allowing instructors many different syllabi possibilities using only this single volume.Key Additions to the Fourth EditionThe fourth edition is expanded to include a total of ninety-six essays with nineteen new essays (nine of them written exclusively for this volume), updated organization into new sections, revised introductions to each section, an increased emphasis on contemporary topics, such as stand-up comedy, the architecture of museums, interactivity and video games, the ethics of sexiness, trans/gendered beauty, the aesthetics of junkyards and street art, pornography, and the inclusion of more diverse philosophical voices. Nevertheless, this edition does not neglect classic writers in the traditional aesthetics: Plato, Aristotle, Hume, Kant, Hegel, Heidegger, Collingwood, Bell, and writers of similar status in aesthetics. The philosophers writing new chapters exclusively for this fourth edition are:• Sondra Bacharach on street art• Aili Bresnahan on appreciating dance• Hina Jamelle on digital architecture• Jason Leddington on magic• Sheila Lintott on stand-up comedy• Yuriko Saito on everyday aesthetics• Larry Shiner on art spectacle museums in the twenty-first century• Peg Brand Weiser on how beauty matters• Edward Winters on the feeling of being at home in vernacular architecture, as in such urban places as bars.

Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography,musical forgeries, and jazz singing, as well as Goodman’s allographic/autographic distinction, Adorno’s critique of popular music, and what improvisation is and is not. The book is organized into three parts. Drawing on innovative strategies adopted to address challenges that arise for the project of defining art, Part I shows how historical definitions of art provide a blueprint for a historical definition of jazz. Part II extends the book’s commitment to social-historical contextualism by exploring distinctive ways that jazz has shaped, and been shaped by, American culture. It uses the lens of jazz vocals to provide perspective on racial issues previously unaddressed in the work. It then examines the broader premise that jazz was a socially progressive force in American popular culture. Part III concentrates on a topic that has entered into the arguments of each of the previous chapters: what is jazz improvisation? It outlines a pluralistic framework in which distinctive performance intentions distinguish distinctive kinds of jazz improvisation.This book is a comprehensive and valuable resource for any reader interested in the intersections between jazz and philosophy.

Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography,musical forgeries, and jazz singing, as well as Goodman’s allographic/autographic distinction, Adorno’s critique of popular music, and what improvisation is and is not. The book is organized into three parts. Drawing on innovative strategies adopted to address challenges that arise for the project of defining art, Part I shows how historical definitions of art provide a blueprint for a historical definition of jazz. Part II extends the book’s commitment to social-historical contextualism by exploring distinctive ways that jazz has shaped, and been shaped by, American culture. It uses the lens of jazz vocals to provide perspective on racial issues previously unaddressed in the work. It then examines the broader premise that jazz was a socially progressive force in American popular culture. Part III concentrates on a topic that has entered into the arguments of each of the previous chapters: what is jazz improvisation? It outlines a pluralistic framework in which distinctive performance intentions distinguish distinctive kinds of jazz improvisation.This book is a comprehensive and valuable resource for any reader interested in the intersections between jazz and philosophy.

'Magnificent . . . Goldblatt is the doyen of sports historians and brings to this account his forensic and telling eye for detail' - Mail on SundayA Sunday Times Best Sports Book of the YearThe epic exploration of society, politics, and economics in the twenty-first century through the prism of football, by the critically acclaimed author of The Ball is Round.In the twenty-first century football is first. First among sports themselves, but it now commands the allegiance, interest and engagement of more people in more places than any other phenomenon. In the three most populous nations on the earth – China, India and the United States where just twenty years ago football existed on the periphery of society – it has now arrived for good. Nations, peoples and neighbourhoods across the globe imagine and invent themselves through playing and following the game.In The Age of Football, David Goldblatt charts football’s global cultural ascent, its economic transformation and deep politicization, taking in prison football in Uganda and amputee football in Angola, the role of football fans in the Arab Spring, the footballing presidencies of Bolivia’s Evo Morales and Turkey’s Recep Erdogan, China’s declared intention to both host and win the World Cup by 2050, and the FIFA corruption scandal. Following the intersection of the game with money, power and identity, like no previous sports historian, Goldblatt’s sweeping story is remarkable in its scope, breathtaking in its depth of knowledge, and is a brilliantly original perspective of the twenty-first century. It is the account of how football has come to define every facet of our social, economic and cultural lives and at what cost, shaping who we think we are and who we want to be.'David Goldblatt is not merely the best football historian writing today, he is possibly the best there has ever been.' – Dominic Sandbrook, Sunday Times

A must-read ahead of the biggest World Cup yet, this is a definitive exploration of the politics and economics of football.'David Goldblatt is not merely the best football historian writing today, he is possibly the best there has ever been' - Dominic Sandbrook, Sunday TimesIn the twenty-first century football is first. First among sports themselves, but it now commands the allegiance, interest and engagement of more people in more places than any other phenomenon. In the three most populous nations on the earth – China, India and the United States where just twenty years ago football existed on the periphery of society – it has now arrived for good. Nations, peoples and neighbourhoods across the globe imagine and invent themselves through playing and following the game.In The Age of Football, David Goldblatt charts football’s global cultural ascent, its economic transformation and deep politicization, taking in prison football in Uganda and amputee football in Angola, the role of football fans in the Arab Spring, the footballing presidencies of Bolivia’s Evo Morales and Turkey’s Recep Erdogan, China’s declared intention to both host and win the World Cup by 2050, and the FIFA corruption scandal.Following the intersection of the game with money, power and identity, like no sports historian before, Goldblatt’s sweeping story is remarkable in its scope, breathtaking in its depth of knowledge, and is a brilliantly original perspective of the twenty-first century. It is the account of how football has come to define every facet of our social, economic and cultural lives and at what cost, shaping who we think we are and who we want to be.