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In the twenty-first century, soccer commands the allegiance, interest, and engagement of more people in more places than any other phenomenon in the world. David Goldblatt-author of the acclaimed, best-selling The Ball Is Round-charts the sport's global cultural ascent, economic transformation, and deep politicization.
Based on a decade of research and reporting, The Age of Football sheds light on the greatest issues of our time—including globalization, immigration, nationalism—and the role that soccer plays. From soccer’s connections to social discord in the Middle East as a site for protest and a tool for dictatorships to the reasons behind its surprising surge in popularity in China, India, and the United States, Goldblatt reveals that this massively popular sport is vital to understanding our social, political, and economic lives. Tracking the rise of interest in women’s teams throughout the world and the controversy imbedded in the domestic football associations emerging across nations in Africa, he explores the use (and misuse) of soccer in the global advancement of equality and human rights.
With breathtaking scope and unparalleled knowledge of the game, The Age of Football proves that whether you call it football or soccer, you can’t make sense of the modern world without understanding its most popular sport
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Knowledge and the Social Sciences takes as its point of departure the claims that all forms of knowledge, the social sciences included, must be seen and understood in their social context. It argues that the social sciences both describe and transform their object of study, though rarely in ways that social scientists intend, and introduces students to the key epistemological and philosophical terms and issues essential for further study in the social sciences.In a radical and yet lucid and practical introduction to ways of thinking and knowing in the social sciences this text investigates:* the origins and consequences of different types of knowledge in substantive areas of social change: medical practice, religious beliefs, and the environment* whether there is a decline in public trust of expert knowledge systems* whether we are entering a knowledge society, a fragmented post-modern society, or a risk society.
712 kr
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Knowledge and the Social Sciences takes as its point of departure the claims that all forms of knowledge, the social sciences included, must be seen and understood in their social context. It argues that the social sciences both describe and transform their object of study, though rarely in ways that social scientists intend, and introduces students to the key epistemological and philosophical terms and issues essential for further study in the social sciences.In a radical and yet lucid and practical introduction to ways of thinking and knowing in the social sciences this text investigates:* the origins and consequences of different types of knowledge in substantive areas of social change: medical practice, religious beliefs, and the environment* whether there is a decline in public trust of expert knowledge systems* whether we are entering a knowledge society, a fragmented post-modern society, or a risk society.
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This exciting collection of David Goldblatt''s essays, available for the first time in one volume, uses the metaphor of ventriloquism to help understand a variety of art world phenomena. It examines how the vocal vacillation between ventriloquist and dummy works within the roles of artist, artwork and audience as a conveyance to the audience of the performer''s intentions, emotions and beliefs through a created performative persona. Considering key works, including those of Nietzsche, Foucault, Socrates, Derrida, Cavell and Wittgenstein, Goldblatt examines how the authors use the framework of ventriloquism to construct and negate issues in art and architecture. He ponders ''self-plagiarism''; why the classic philosopher cannot speak for himself, but must voice his thoughts through fictional characters or inanimate objects and works. With a close analysis of two ventriloquist paintings by Jasper Johns and Paul Klee, a critical commentary by Garry L. Hagberg, and preface by series editor Saul Ostrow, Goldblatt''s thoroughly fascinating book will be an invaluable asset to students of cultural studies, art, and philosophy.
729 kr
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This exciting collection of David Goldblatt''s essays, available for the first time in one volume, uses the metaphor of ventriloquism to help understand a variety of art world phenomena. It examines how the vocal vacillation between ventriloquist and dummy works within the roles of artist, artwork and audience as a conveyance to the audience of the performer''s intentions, emotions and beliefs through a created performative persona. Considering key works, including those of Nietzsche, Foucault, Socrates, Derrida, Cavell and Wittgenstein, Goldblatt examines how the authors use the framework of ventriloquism to construct and negate issues in art and architecture. He ponders ''self-plagiarism''; why the classic philosopher cannot speak for himself, but must voice his thoughts through fictional characters or inanimate objects and works. With a close analysis of two ventriloquist paintings by Jasper Johns and Paul Klee, a critical commentary by Garry L. Hagberg, and preface by series editor Saul Ostrow, Goldblatt''s thoroughly fascinating book will be an invaluable asset to students of cultural studies, art, and philosophy.