David Hempton – författare

In the early twenty-first century it had become a cliché that there was a 'God Gap' between a more religious United States and a more secular Europe. The apparent religious differences between the United States and western Europe continue to be a focus of intense and sometimes bitter debate between three of the main schools in the sociology of religion. According to the influential 'Secularization Thesis', secularization has been an integral part of the processes of modernisation in the Western world since around 1800. For proponents of this thesis, the United States appears as an anomaly and they accordingly give considerable attention to explaining why it is different. For other sociologists, however, the apparently high level of religiosity in the USA provides a major argument in their attempts to refute the Thesis.Secularization and Religious Innovation in the Atlantic World provides a systematic comparison between the religious histories of the United States and western European countries from the eighteenth to the late twentieth century, noting parallels as well as divergences, examining their causes and especially highlighting change over time. This is achieved by a series of themes which seem especially relevant to this agenda, and in each case the theme is considered by two scholars. The volume examines whether American Christians have been more innovative, and if so how far this explains the apparent 'God Gap'. It goes beyond the simple American/European binary to ask what is 'American' or 'European' in the Christianity of the nineteenth and twentieth centuries, and in what ways national or regional differences outweigh these commonalities.

"Brilliantly provocative. . . . [A] masterful account."—Grant Wacker, Christian CenturyThe emergence of Methodism was arguably the most significant transformation of Protestant Christianity since the Reformation. This book explores the rise of Methodism from its unpromising origins as a religious society within the Church of England in the 1730s to a major international religious movement by the 1880s. During that period Methodism refashioned the old denominational order in the British Isles, became the largest religious denomination in the United States, and gave rise to the most dynamic world missionary movement of the nineteenth century. By the end of the nineteenth century, Methodism had circled the globe and was poised to become one of the fastest-growing religious traditions in the modern world.David Hempton, a preeminent authority on the history of Methodism, digs beneath the hard surface of institutional expansion to get to the heart of the movement as a dynamic and living faith tradition. Methodism was a movement of discipline and sobriety, but also of ecstasy and enthusiasm. A noisy, restless, and emotional tradition, Methodism fundamentally reshaped British and American culture in the age of industrialization, democratization, and the rise of empire.

Insightful portraits of nine public figures who became enchanted and then disenchanted with evangelical religionIn this engaging and at times heartbreaking book, David Hempton looks at evangelicalism through the lens of well-known individuals who once embraced the evangelical tradition, but later repudiated it. The author recounts the faith journeys of nine creative artists, social reformers, and public intellectuals of the nineteenth and twentieth centuries, including such diverse figures as George Eliot, Elizabeth Cady Stanton, Vincent van Gogh, and James Baldwin. Within their highly individual stories, Hempton finds not only clues to the development of these particular creative men and women but also myriad insights into the strengths and weaknesses of one of the fastest growing religious traditions in the modern world.Allowing his subjects to express themselves in their own voices—through letters, essays, speeches, novels, apologias, paintings—Hempton seeks to understand the factors at work in the shaping of their religious beliefs, and how their negotiations of faith informed their public and private lives. The nine were great public communicators, but in private often felt deep uncertainties. Hempton’s moving portraits highlight common themes among the experiences of these disillusioned evangelicals while also revealing fresh insights into the evangelical movement and its relations to the wider culture. Featuring portraits of:·        George Eliot·        Frances W. Newman·        Theodore Dwight Weld·        Sarah Grimké·        Elizabeth Cady Stanton·        Frances Willard·        Vincent van Gogh·        Edmund Gosse·        James Baldwin

Taking account of broader patterns of growth, the focus of this book is Methodism in the British Isles. Hempton discusses why Methodism, the most important religious movement in the English-speaking world in the 18th and 19th centuries, grew when and where it did and what was the nature of the Methodist experience for those who embraced it.He also explores the themes of law, politics and gender which lie at the heart of Methodist influence on individuals, communities and social structures.

Taking account of broader patterns of growth, the focus of this book is Methodism in the British Isles. Hempton discusses why Methodism, the most important religious movement in the English-speaking world in the 18th and 19th centuries, grew when and where it did and what was the nature of the Methodist experience for those who embraced it.He also explores the themes of law, politics and gender which lie at the heart of Methodist influence on individuals, communities and social structures.

Originally published in 1984, this book charts the political and social consequences of Methodist expansion in the first century of its existence. While the relationship between Methodism and politics is the central subject of the book a number of other important themes are also developed. The Methodist revival is placed in the context of European pietism, enlightenment thought forms, 18th century popular culture, and Wesley’s theological and political opinions. Throughout the book Methodism is treated on a national scale, although the regional, chronological and religious diversity of Methodist belief and practice is also emphasized.

Originally published in 1984, this book charts the political and social consequences of Methodist expansion in the first century of its existence. While the relationship between Methodism and politics is the central subject of the book a number of other important themes are also developed. The Methodist revival is placed in the context of European pietism, enlightenment thought forms, 18th century popular culture, and Wesley’s theological and political opinions. Throughout the book Methodism is treated on a national scale, although the regional, chronological and religious diversity of Methodist belief and practice is also emphasized.

The main theme of this book is religion and identity - not only national identity, but also regional and local identities. David Hempton penetrates to the heart of vigorous religious and political cultures, both elite and popular, in the eighteenth and nineteenth centuries. He brings to life a diverse and variegated spectrum of religious communities in all of the British Isles. With so much new British history really an extended version of old English history, Hempton has devoted more attention to the Celtic fringes, especially Ireland. It is an exercise in comparative history, but he also shows how richly coloured is the religious history of these islands. He demonstrates that even in their cultural distinctiveness, the various religious traditions have had more in common than is sometimes imagined. The book arises from the 1993 Cadbury Lectures at the University of Birmingham.