David Hiley - Böcker

This collection of essays celebrates the work of the Plainsong and Mediaeval Music society and was written in particular to celebrate their centenary. Founded in 1888, the Society quickly established two areas of activity: to propagate information on medieval music and to revitalize the Anglican liturgy with the riches of the plainchant of the Roman Rite.Of the two sides of the Society's activities, the scholarly and the practical, this collection represents the former. The essays reflect the founders' interest in medieval music, both monophonic and polyphonic, and, particularly, their concern with chant. From its inception, the PMMS has directed much of its attention to the British source of medieval music, the music which might contribute to a renewal of the liturgy of the Anglican church, and this is reflected here. The contributors to this volume are among the most distinguished scholars of medieval music of recent years. Their essays are complemented by many music examples and a number of line drawings.

This is a completely revised edition of the second volume of the New Oxford History of Music. In the last three decades there has been intense interest in the music of the Middle Ages and great advances in research have been made in facts as well as interpretation. Drawing on the work of leading British and American scholars, this volume presents an informed, up-to-date picture of a broad spectrum of music from the fourth century AD to 1300. Beginning with Christian chant in the Mediterranean, it continues through Latin (`Gregorian') chant, liturgical drama, medieval song, instrumental music, and early polyphony down to the monumental organa composed at the cathedral of Notre Dame in Paris in the twelfth century. Over 200 musical examples help to illustrate the discussion of 1,000 years of rich and complex musical development.Contributors:John Stevens, Miloś Velimirović, Kenneth Levy, Richard Crocker, Susan Rankin, Christopher Page, Sarah Fuller, and Janet Knapp.

What is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more. David Hiley describes the church services in which chant is performed, takes the reader through the church year, explains what Latin texts were used, and, taking Worcester Cathedral as an example, describes the buildings in which it was sung. The history of chant is traced from its beginnings in the early centuries of Christianity, through the Middle Ages, the revisions in the sixteenth and seventeenth centuries, and the restoration in the nineteenth and twentieth. Using numerous music examples, the book shows how chants are made and how they were notated. An indispensable guide for all those interested in the fascinating world of Gregorian chant.

What is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more. David Hiley describes the church services in which chant is performed, takes the reader through the church year, explains what Latin texts were used, and, taking Worcester Cathedral as an example, describes the buildings in which it was sung. The history of chant is traced from its beginnings in the early centuries of Christianity, through the Middle Ages, the revisions in the sixteenth and seventeenth centuries, and the restoration in the nineteenth and twentieth. Using numerous music examples, the book shows how chants are made and how they were notated. An indispensable guide for all those interested in the fascinating world of Gregorian chant.