David J. Murray – författare

With an emphasis on developments taking place in Germany during the nineteenth century, this book provides in-depth examinations of the key contributions made by the pioneers of scientific psychology. Their works brought measurement and mathematics into the study of the mind.

Through unique analysis of measurement theory by Whewell, mathematical developments by Gauss, and theories of mental processes developed by Herbart, Weber, Fechner, Helmholtz, Müller, Delboeuf and others, this volume maps the beliefs, discoveries, and interactions that constitute the very origins of psychophysics and its offspring Experimental Psychology. Murray and Link expertly combine nuanced understanding of linguistic and historic factors to identify theoretical approaches to relating physicalintensities and psychological magnitudes. With an eye to interactions and influences on future work in the field, the volume illustrates the important legacy that mathematical developments in the nineteenth century have for twentieth and twenty-first century psychologists.

This detailed and engaging account fills a deep gap in the history of psychology. The Creation of Scientific Psychology will appeal to researchers, academics, and students in the fields of history of psychology, psychophysics, scientific, and mathematical psychology.

With an emphasis on developments taking place in Germany during the nineteenth century, this book provides in-depth examinations of the key contributions made by the pioneers of scientific psychology. Their works brought measurement and mathematics into the study of the mind.

Through unique analysis of measurement theory by Whewell, mathematical developments by Gauss, and theories of mental processes developed by Herbart, Weber, Fechner, Helmholtz, Müller, Delboeuf and others, this volume maps the beliefs, discoveries, and interactions that constitute the very origins of psychophysics and its offspring Experimental Psychology. Murray and Link expertly combine nuanced understanding of linguistic and historic factors to identify theoretical approaches to relating physicalintensities and psychological magnitudes. With an eye to interactions and influences on future work in the field, the volume illustrates the important legacy that mathematical developments in the nineteenth century have for twentieth and twenty-first century psychologists.

This detailed and engaging account fills a deep gap in the history of psychology. The Creation of Scientific Psychology will appeal to researchers, academics, and students in the fields of history of psychology, psychophysics, scientific, and mathematical psychology.

Originally published in 1987, this title is about theory construction in psychology. Where theories come from, as opposed to how they become established, was almost a no-man’s land in the history and philosophy of science at the time. The authors argue that in the science of mind, theories are particularly likely to come from tools, and they are especially concerned with the emergence of the metaphor of the mind as an intuitive statistician.

In the first chapter, the authors discuss the rise of the inference revolution, which institutionalized those statistical tools that later became theories of cognitive processes. In each of the four following chapters they treat one major topic of cognitive psychology and show to what degree statistical concepts transformed their understanding of those topics.

Originally published in 1987, this title is about theory construction in psychology. Where theories come from, as opposed to how they become established, was almost a no-man’s land in the history and philosophy of science at the time. The authors argue that in the science of mind, theories are particularly likely to come from tools, and they are especially concerned with the emergence of the metaphor of the mind as an intuitive statistician.

In the first chapter, the authors discuss the rise of the inference revolution, which institutionalized those statistical tools that later became theories of cognitive processes. In each of the four following chapters they treat one major topic of cognitive psychology and show to what degree statistical concepts transformed their understanding of those topics.

Presented in two parts, the first set, War-Wise, contains thirty-five poems reflecting Murrays memories of life in Manchester, England, during World War IIa war that began when he was two years old. Emitting clear and powerful imagery, some of the titles are straightforward narrative. Others are more reflective and address the effect the Holocaust had on his eight-year-old mind.

In Ghosts, Murray combines the innocence of childhood with the violence of war.

The second collection, One Hundred Mood Studies, contains a set of short, stand-alone, rhymed sonnets, each expressing a modern-day emotional conflict. Exercises in the craft of formal writing, these poems provide an outlet for everyday shifts in emotions.

Its during these moments that he clamps down on his desires, knowing that it could endanger his marriage and family life. But still, his responsibilities as a parent have him wishing he could escape into the arms of another. Find out how he battles through his urges in this books first selection of poems, titled Trepidations. With moving candor, he delves into his moments of mental infidelity to his wife. The poet follows that up with Celebrations, a second grouping of poems in which he expresses his appreciation to his loving wife.

Using a stylistic approach dubbed cosmopolitan formalism, these poems are meant to appeal to all people, regardless of their gender, sexuality or background. Weed through the tricky problems of a serious relationship and find a love that lasts in Celebrations and Other Poems.

Spring summer summer winter she is there, The laken depths of girlish eyes: Come, she cries, I banish care I come and winter summer summer spring Her raven hair blows on, come on, And when I get there, she is gone Although the fields still hear her sing I try to love and when the gate Is banged against my face, I try to hate.

In his fifth volume of lyrical expressions, award-winning poet David Murray combines both traditional and free verse while exploring the powerful emotions behind the timeless theme of romantic love.

Over some fifty years, Murray has been writing and compiling poetry relating to remorse, regret, and rejection. As he returns emotionally to the times of his youth and his memories of discontent during two unhappy romances that took place during the 1960s, he offers a compelling glimpse of moments in relationships that erratically vacillate between despair and elation. His verse traces the story of two people who fall in love, evolve as a couple, and realize in the end that sometimes love fails.

The poetry in this memorable collection will remind anyone that lovelike lifeis unpredictable.

Pursuit and Other Poems offers a new collection of poetry presented in two parts, each of which highlights an extreme event that is part of a romantic experience. The first part is entitled Ode in Emerging from an Overdose, a single long poem that describes author David J. Murrays feelings when he was rescued from an unpremeditated suicide attempt. The second part is entitled Pursuit and contains 114 poems that chronicle Murrays emotional experiences with unrequited love.

Deeply personal and yet universal in nature, Murrays verse speaks to the hope and heartbreak of the human experience with love.

If Revisited

If you can grab your woman too abruptly,

If you forget that her birthday is today,

If you assume your desire for her is equalled

By her desire for a romp with you in the hay,

If you dare think a fuzzy morning stubble

Turns her right on, and that she desires you more,

If you assume that it is her bounden duty

To have the dishes done the night before,

If you dare think that your mind analytical

Is prejudice-free and objective more than hers,

And that her place is really in the kitchen

And not among lites or raconteurs,

Then you will trail behind her in the mall,

While she looks out for someone rich and tall.

Black Hole and Other Poems, a new compilation of verse by poet David Murray, focuses on the role played by hunger for power in reducing the success of heterosexual romantic relationships. Divided into four parts, this collection explores the topic in a wide variety of styles and approaches.

The first part of the collection, Poems in a Lighter Vein, interprets the familiar vampire story as being an allegory of common male fantasies of having power over many brides, and most of its verses are satirical in nature. The second part, Black Hole, contains examples based upon Murrays experiences of the personal power, all too easily abused, exerted by men over women.

Treading Water, the third part, describes Murrays feelings when he found himself forced to compete with a male rival to see which of the two could exert the most power over a particular females affections. In the fourth and final part, Bagatelles, each poem attempts to arouse, in only two lines, core emotional responses of the kind that are usually assumed to require longer poems.

Satirical, gutsy and succinct by turns, this book explores the role of power in sexual relationships and the varying aspects of that power.