David K. Dunaway – författare
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Best-selling author Aldous Huxley's American years have been a period literary historians discounted. His reputation suffered after his exile to California, which he undertook partly for the sake of his failing sight, partly out of disappointment with the European peace movement, and partly in search of new spiritual direction. With his move to California, Huxley became part of Hollywood's Golden Age, working alongside such noted figures as Charlie Chaplin, Greta Garbo, F. Scott Fitzgerald, Bertolt Brecht and Christopher Isherwood. During this time Huxley published nineteen books. His writing and life underwent many transformations, and many crucial unanswered questions remained about his sojourn. Were the writings of the American years as self-indulgent as critics claimed? How did cinematic conventions influence his art? Did he ever reach that unitary mystical experience he sought throughout the last decades of his life? Prominent oral historian and biographer David Dunaway responds to these questions, using interviews with co-workers, family, and friends and an analysis of Huxley's FBI files and little-known scripts for 'Jane Eyre' and 'Pride and Prejudice,' to provide us with intimate glimpses into Huxley's development as an author and a man. For the oral and literary historian, an extended introduction and appendix describe in detail the methods, processes, and challenges of doing oral literary history research.
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Oral History: An Interdisciplinary Anthology is a collection of classic articles by some of the best known proponents of oral history, demonstrating the basics of oral history, while also acting as a guidebook for how to use it in research. Added to this new edition is insight into how oral history is practiced on an international scale, making this book an indispensable resource for scholars of history and social sciences, as well as those interested in oral history on the avocational level. This volume is a reprint of the 1984 edition, with the added bonus of a new introduction by David Dunaway and a new section on how oral history is practiced on an international scale. Selections from the original volume trace the origins of oral history in the United States, provide insights on methodology and interpretation, and review the various approaches to oral history used by folklorists, historians, anthropologists, and librarians, among others. Family and ethnic historians will find chapters addressing the applications of oral history in those fields.