David K. Goodin – författare

An Agnostic in the Fellowship of Christ: The Ethical Mysticism of Albert Schweitzer details the theology, ethics, and philosophy of the Nobel Peace Prize Laureate Albert Schweitzer (1875–1965). It surveys his entire corpus of religious writings, including his unfinished estate works, and explores the intellectual history behind his distinctive theological synthesis. David K. Goodin traces Schweitzer’s intellectual and spiritual development from childhood to his academic years and throughout his time at the African medical mission. It also places Schweitzer into dialogue with other Protestant theologians including Martin Luther, Karl Barth, Dietrich Bonhoeffer, and Thomas Altizer, as well as with contemporary philosophers like Jacques Derrida. The aim is to reveal what a living faith and mysticism can mean for the modern world, and where common ground can be found for traditional and liberal Protestant theology today.

Theology and Breaking Bad explores the brutal and seemingly nihilistic moral landscape of the AMC neo-Western crime drama Breaking Bad (2008–2013) with insights into the characters, their struggles, and the moral consequences resulting from their actions. Throughout the book, the contributors find telltale traces of theological themes woven into the storylines by the writers and directors and bring them out for the reader in ten essays spanning topics from Greek mythology to the Hebrew Bible, and extending into Eastern and Western Christendom. Readers will find provocative reflections that will add to their appreciation of this show, as well as its spinoff series, Better Call Saul (2015–2022). This volume also advances academic inquiries in such fields as popular culture and theology, hermeneutics, biblical studies, Patristics, film studies, diasporic and colonial studies, and explores such themes as antihero redemption, penance, salvation, and forgiveness. This book will be of interest to both academics and fans alike.

Theology and Wes Craven explores the religious themes in the movies, television shows, and other works of the man who redefined the horror genre with such landmark and notorious films as The Last House on the Left (1972), The Hills Have Eyes (1977), A Nightmare on Elm Street (1984), The Serpent and the Rainbow (1988), The People Under the Stairs (1991), and Scream (1996). This volume provides a retrospective for his entire career, and then spotlights his most theologically intriguing works in chapters devoted to revealing Craven's narrative intent. This collection brings together established scholars and new emergent voices in academia, including feminist and LGBTQ+ perspectives, who explore Craven's vision in relation to contemporary political, social, and economic issues, especially as they related to children, visible minorities, the excluded, and the disenfranchised. This volume is sure to be appreciated both by academics and horror enthusiasts everywhere.