David Kloos – författare

How do ordinary Muslims deal with and influence the increasingly pervasive Islamic norms set by institutions of the state and religion? Becoming Better Muslims offers an innovative account of the dynamic interactions between individual Muslims, religious authorities, and the state in Aceh, Indonesia. Relying on extensive historical and ethnographic research, David Kloos offers a detailed analysis of religious life in Aceh and an investigation into today's personal processes of ethical formation. Aceh is known for its history of rebellion and its recent implementation of Islamic law. Debunking the stereotypical image of the Acehnese as inherently pious or fanatical, Kloos shows how Acehnese Muslims reflect consciously on their faith and often frame their religious lives in terms of gradual ethical improvement. Revealing that most Muslims view their lives through the prism of uncertainty, doubt, and imperfection, he argues that these senses of failure contribute strongly to how individuals try to become better Muslims.He also demonstrates that while religious authorities have encroached on believers and local communities, constraining them in their beliefs and practices, the same process has enabled ordinary Muslims to reflect on moral choices and dilemmas, and to shape the ways religious norms are enforced. Arguing that Islamic norms are carried out through daily negotiations and contestations rather than blind conformity, Becoming Better Muslims examines how ordinary people develop and exercise their religious agency.

If piety, faith, and conviction constitute one side of the religious coin, then imperfection, uncertainty, and ambivalence constitute the other. Yet, scholars tend to separate these two domains and place experiences of inadequacy in everyday religious life – such as a wavering commitment, religious negligence or weakness in faith – outside the domain of religion ‘proper.’Straying from the Straight Path breaks with this tendency by examining how self-perceived failure is, in many cases, part and parcel of religious practice and experience. Responding to the need for comparative approaches in the face of the largely separated fields of the anthropology of Islam and Christianity, this volume gives full attention to moral failure as a constitutive and potentially energizing force in the religious lives of both Muslims and Christians in different parts of the world.

If piety, faith, and conviction constitute one side of the religious coin, then imperfection, uncertainty, and ambivalence constitute the other. Yet, scholars tend to separate these two domains and place experiences of inadequacy in everyday religious life – such as a wavering commitment, religious negligence or weakness in faith – outside the domain of religion ‘proper.’Straying from the Straight Path breaks with this tendency by examining how self-perceived failure is, in many cases, part and parcel of religious practice and experience. Responding to the need for comparative approaches in the face of the largely separated fields of the anthropology of Islam and Christianity, this volume gives full attention to moral failure as a constitutive and potentially energizing force in the religious lives of both Muslims and Christians in different parts of the world.

How do images provoke? And why? This volume aims to inspire thought by examining the relationship between images and Islam in a variety of social, political, and geographic settings. Perhaps, the cover image of this book provokes you, the reader of this book. Does an image of a mural on the wall of Marcus Books in Oakland, California, represent contemporary images of Islam? Does the iconic image of El-Hajj Malik El-Shabazz, aka Malcolm X, photographed while holding a rifle in defense of his home, contribute to or complicate images in and of Islam? Does the cover unduly sensationalize the image or does it, rather, arouse pride in particular Muslim legacies of knowledge and liberation? To what extent does it confirm normative narratives? To what extent does it disrupt such narratives, allowing new imaginaries to take hold? Moving beyond a common visual concern within Religious Studies with art, aesthetic value, and perceptions of beauty or coherence, this volume shows how, when, and why images dare, shock, terrorize, confront, challenge, mock, shame, taunt, or offend, either intentionally or unintentionally, and as such lead to both confrontation and affective religious engagement. Exploring and experimenting with the relationship between text and image, the contributions draw attention simultaneously to the messiness of everyday life and to highly targeted, disruptive interventions that mark religious contestation in an era of escalating mobility and digital multiplicity. The volume thus illuminates an insight that has received little attention so far: provocation is among religion’s most significant mediations.