David Krasner – författare

African-American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theatre, and performance in America. Assembled by two of the most respected and prolific scholars in black theater and composed of essays from acknowledged authorities in the field (Joe Roach and Genevieve Fabre, among others), this volume is organized into four sections representative of the ways black theatre, drama, and performance past and present interact and enact continuous social, cultural, and political dialogues. The premise behind the book is that analysing African-American theatre and performance traditions offers insight into how race has operated and continues to operate in American society. The only one-volume collection of its kind, this volume is likely to become the central reference for those studying black theatre.

African-American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theatre, and performance in America. Assembled by two of the most respected and prolific scholars in black theater and composed of essays from acknowledged authorities in the field (Joe Roach and Genevieve Fabre, among others), this volume is organized into four sections representative of the ways black theatre, drama, and performance past and present interact and enact continuous social, cultural, and political dialogues. The premise behind the book is that analysing African-American theatre and performance traditions offers insight into how race has operated and continues to operate in American society. The only one-volume collection of its kind, this volume is likely to become the central reference for those studying black theatre.

This inspirational guide for advanced acting students brings together multiple ways of creating excellence in performance. David Krasner provides tried and tested exercises, a history of actor training and explores the complex relationships between acting theories and teachers.Drawing on examples from personal experience as an actor, director and teacher, An Actor's Craft begins with the building blocks of mind, body and voice, moving through emotional triggers and improvisation, to a final section bringing these techniques together in approaching a role. Each chapter contains accompanying exercises that the actor should practice daily.Combining theory and practice, this thought-provoking and challenging study of acting techniques and theories is for actors who have grasped the basics and now want to develop their knowledge and training further.

This inspirational guide for advanced acting students brings together multiple ways of creating excellence in performance. David Krasner provides tried and tested exercises, a history of actor training and explores the complex relationships between acting theories and teachers.Drawing on examples from personal experience as an actor, director and teacher, An Actor's Craft begins with the building blocks of mind, body and voice, moving through emotional triggers and improvisation, to a final section bringing these techniques together in approaching a role. Each chapter contains accompanying exercises that the actor should practice daily.Combining theory and practice, this thought-provoking and challenging study of acting techniques and theories is for actors who have grasped the basics and now want to develop their knowledge and training further.

Method Acting is one of the most popular and controversial approaches to acting in the United States. By concentrating on three areas of the Method - its theory, practice, and future application - the collection will serve to inform and teach us how to approach acting and acting theory in the 21st century.

This Companion provides an original and authoritative survey of twentieth-century American drama studies, written by some of the best scholars and critics in the field. * Balances consideration of canonical material with discussion of works by previously marginalized playwrights * Includes studies of leading dramatists, such as Tennessee Williams, Arthur Miller, Eugene O'Neill and Gertrude Stein * Allows readers to make new links between particular plays and playwrights * Examines the movements that framed the century, such as the Harlem Renaissance, lesbian and gay drama, and the solo performances of the 1980s and 1990s * Situates American drama within larger discussions about American ideas and culture

The fifteen original essays in Staging Philosophy make useful connections between the discipline of philosophy and the fields of theater and performance and use these insights to develop new theories about theater. Each of the contributors—leading scholars in the fields of performance and philosophy—breaks new ground, presents new arguments, and offers new theories that will pave the way for future scholarship.Staging Philosophy raises issues of critical importance by providing case studies of various philosophical movements and schools of thought, including aesthetics, analytic philosophy, phenomenology, deconstruction, critical realism, and cognitive science. The essays, which are organized into three sections—history and method, presence, and reception—take up fundamental issues such as spectatorship, empathy, ethics, theater as literature, and the essence of live performance. While some essays challenge assertions made by critics and historians of theater and performance, others analyze the assumptions of manifestos that prescribe how practitioners should go about creating texts and performances. The first book to bridge the disciplines of theater and philosophy, Staging Philosophy will provoke, stimulate, engage, and ultimately bring theater to the foreground of intellectual inquiry while it inspires further philosophical investigation into theater and performance.David Krasner is Associate Professor of Theater Studies, African American Studies, and English at Yale University. His books include A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1920 and Renaissance, Parody, and Double Consciousness in African American Theatre, 1895-1910. He is co-editor of the series Theater: Theory/Text/Performance.David Z. Saltz is Professor of Theatre Studies and Head of the Department of Theatre and Film Studies at the University of Georgia. He is coeditor of Theater Journal and is the principal investigator of the innovative Virtual Vaudeville project at the University of Georgia.

This book examines the Civil Rights Movement from the perspective of a single year, 1964.The book analyses specific events that occurred in 1964 as benchmarks of the Civil Right Movement, making the case that 1964 was a watershed year. Each chapter considers individually politics, rhetoric, sports, dramatic literature, film, art, and music, breaking down the events and illustrating their importance to the social and political life in the United States in 1964. This study emphasizes 1964 as a nodal point in the history of the Civil Rights Movement, arguing that it was within this single year that the tide against racism and injustice turned markedly.This book will be of great interest to the scholars and students of civil rights, theatre and performance, art history, and drama literature.

This book examines the Civil Rights Movement from the perspective of a single year, 1964.The book analyses specific events that occurred in 1964 as benchmarks of the Civil Right Movement, making the case that 1964 was a watershed year. Each chapter considers individually politics, rhetoric, sports, dramatic literature, film, art, and music, breaking down the events and illustrating their importance to the social and political life in the United States in 1964. This study emphasizes 1964 as a nodal point in the history of the Civil Rights Movement, arguing that it was within this single year that the tide against racism and injustice turned markedly.This book will be of great interest to the scholars and students of civil rights, theatre and performance, art history, and drama literature.

A COMPANION TO ‘TWENTIETH-CENTURY AMERICAN DRAMA Contributors to this volume: Thomas P. Adler, Sarah Bay-Cheng, Annemarie Bean, Deanna M. Toten Beard, Murray Biggs, Stephen J. Bottoms, Mark Evans Bryan, Peter Civetta, Jerry Dickey, Jill Dolan, Harry J. Elam, Jr., Mark Fearnow, Anne Fletcher, Ehren Fordyce, J. Ellen Gainor, Janet V. Haedicke, Ann Haugo, David Krasner, Daphne Lei, Julia Listengarten, Felicia Hardison Londré, Tiffany Ana Lopez, Brenda A. Murphy, Christopher Olsen, Linda Rohrer Paige, Ann Pellegrini, Gene A. Plunka, Steven price, June Schlueter, Mike Sell, Rachel Shteir, Molly Smith. Andrew Sofer, Leslie A. Wade Also available in The Blackwell Companions to Literature and Culture series:

This concise introduction to American drama gives readers an overview of how American drama developed from the end of the Second World War to the turn of the twenty-first century. Provides a balanced assessment of the major plays and playwrights of the period. Shows how these dramatists broke new ground in their contribution to political, economic, social and cultural debates, as well as in their dramaturgical strategies. Organized chronologically, with plays, playwrights and movements clustered around different movements such as realism and experimentalism. Gives readers a sense of the development of American drama over time.

This concise introduction to American drama gives readers an overview of how American drama developed from the end of the Second World War to the turn of the twenty-first century. Provides a balanced assessment of the major plays and playwrights of the period. Shows how these dramatists broke new ground in their contribution to political, economic, social and cultural debates, as well as in their dramaturgical strategies. Organized chronologically, with plays, playwrights and movements clustered around different movements such as realism and experimentalism. Gives readers a sense of the development of American drama over time.

Theatre in Theory is the most complete anthology documenting 20th-century dramatic and performance theory to date, offering a rich variety of perspectives from the century's most prominent playwrights, directors, scholars, and philosophers. Includes major theoretical and critical manifestos, hypotheses, and theories from the fieldWide-ranging and broadly constructed, this text has both interdisciplinary and global appealIncludes a thematic index, section introductions, and supporting commentaryHelps students, teachers, and practitioners to think critically about the nature of theatre

Theatre in Theory is the most complete anthology documenting 20th-century dramatic and performance theory to date, offering a rich variety of perspectives from the century's most prominent playwrights, directors, scholars, and philosophers. Includes major theoretical and critical manifestos, hypotheses, and theories from the fieldWide-ranging and broadly constructed, this text has both interdisciplinary and global appealIncludes a thematic index, section introductions, and supporting commentaryHelps students, teachers, and practitioners to think critically about the nature of theatre

Covering the period 1879 to 1959, and taking in everything from Ibsen to Beckett, this book is volume one of a two-part comprehensive examination of the plays, dramatists, and movements that comprise modern world drama. Contains detailed analysis of plays and playwrights, connecting themes and offering original interpretationsIncludes coverage of non-English works and traditions to create a global view of modern dramaConsiders the influence of modernism in art, music, literature, architecture, society, and politics on the formation of modern dramatic literatureTakes an interpretative and analytical approach to modern dramatic texts rather than focusing on production historyIncludes coverage of the ways in which staging practices, design concepts, and acting styles informed the construction of the dramas

A History of Modern Drama: Volume II explores a remarkable breadth of topics and analytical approaches to the dramatic works, authors, and transitional events and movements that shaped world drama from 1960 through to the dawn of the new millennium. Features detailed analyses of plays and playwrights, examining the influence of a wide range of writers, from mainstream icons such as Harold Pinter and Edward Albee, to more unorthodox works by Peter Weiss and Sarah KaneProvides global coverage of both English and non-English dramas – including works from Africa and Asia to the Middle EastConsiders the influence of art, music, literature, architecture, society, politics, culture, and philosophy on the formation of postmodern dramatic literatureCombines wide-ranging topics with original theories, international perspective, and philosophical and cultural contextCompletes a comprehensive two-part work examining modern world drama, and alongside A History of Modern Drama: Volume I, offers readers complete coverage of a full century in the evolution of global dramatic literature.