David Leopold – författare

Max Stirner's The Ego and Its Own is striking and distinctive in both style and content. First published in 1844, Stirner's distinctive and powerful polemic sounded the death-knell of left Hegelianism, with its attack on Ludwig Feuerbach, Bruno and Edgar Bauer, Moses Hess and others. It also constitutes an enduring critique of both liberalism and socialism from the perspective of an extreme eccentric individualism. Karl Marx was only one of many contemporaries provoked into a lengthy rebuttal of Stirner's argument. Stirner has been portrayed, variously, as a precursor of Nietzsche (both stylistically and substantively), a forerunner of existentialism and as an individualist anarchist. This edition of his work comprises a revised version of Steven Byington's much praised translation, together with an introduction and notes on the historical background to Stirner's text.

'The only English utopia since More's that deserves to be remembered as literature.'News from Nowhere (1890) is the best-known prose work of William Morris. The novel describes the encounter between a visitor from the nineteenth century, William Guest, and a decentralized and humane socialist future. Set over a century after a revolutionary upheaval in 1952, these 'Chapters from a Utopian Romance' recount his journey across London and up the Thames to Kelmscott Manor, Morris's own country house in Oxfordshire. Drawing on the work of John Ruskin and Karl Marx, Morris's book is not only an evocative statement of his egalitarian convictions but also a distinctive contribution to the utopian tradition. Morris's rejection of state socialism and his ambition to transform the relationship between humankind and the natural world, giveNews from Nowhere a particular resonance for modern readers.The text is based on that of 1891, incorporating the extensive revisions made by Morris to the first edition.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Young Karl Marx is an innovative and important study of Marx's early writings. These writings provide the fascinating spectacle of a powerful and imaginative intellect wrestling with complex and significant issues, but they also present formidable interpretative obstacles to modern readers. David Leopold shows how an understanding of their intellectual and cultural context can illuminate the political dimension of these works. An erudite yet accessible discussion of Marx's influences and targets frames the author's critical engagement with Marx's account of the emergence, character, and (future) replacement of the modern state. This combination of historical and analytical approaches results in a sympathetic, but not uncritical, exploration of such fundamental themes as alienation, citizenship, community, anti-semitism, and utopianism. The Young Karl Marx is a scholarly and original work which provides a radical and persuasive reinterpretation of Marx's complex and often misunderstood views of German philosophy, modern politics, and human flourishing.

Max Stirner's The Ego and Its Own is striking and distinctive in both style and content. First published in 1844, Stirner's distinctive and powerful polemic sounded the death-knell of left Hegelianism, with its attack on Ludwig Feuerbach, Bruno and Edgar Bauer, Moses Hess and others. It also constitutes an enduring critique of both liberalism and socialism from the perspective of an extreme eccentric individualism. Karl Marx was only one of many contemporaries provoked into a lengthy rebuttal of Stirner's argument. Stirner has been portrayed, variously, as a precursor of Nietzsche (both stylistically and substantively), a forerunner of existentialism and as an individualist anarchist. This edition of his work comprises a revised version of Steven Byington's much praised translation, together with an introduction and notes on the historical background to Stirner's text.

The Young Karl Marx is an innovative and important study of Marx's early writings. These writings provide the fascinating spectacle of a powerful and imaginative intellect wrestling with complex and significant issues, but they also present formidable interpretative obstacles to modern readers. David Leopold shows how an understanding of their intellectual and cultural context can illuminate the political dimension of these works. An erudite yet accessible discussion of Marx's influences and targets frames the author's critical engagement with Marx's account of the emergence, character, and (future) replacement of the modern state. This combination of historical and analytical approaches results in a sympathetic, but not uncritical, exploration of such fundamental themes as alienation, citizenship, community, anti-semitism, and utopianism. The Young Karl Marx is a scholarly and original work which provides a radical and persuasive reinterpretation of Marx's complex and often misunderstood views of German philosophy, modern politics, and human flourishing.

This national bestseller presents 25 favorite Al Hirschfeld portraits drawn from Stephen Sondheim’s musicals. The art prints in this oversize poster book can be easily removed and framed, making it an ideal gift for Sondheim fans. This first volume in a series of deluxe Hirschfeld poster books contains art drawn from life before the opening night of each of Sondheim’s productions. On the reverse side are rare, ancillary images from the archives, as well as an introduction by Bernadette Peters, an essay by Ben Brantley, and text by David Leopold, Hirschfeld’s archivist and creative director of the Al Hirschfeld Foundation.Hirschfeld’s images capture the essence of the performances even better than the photographs of the shows. All of Sondheim’s best-known plays are included—West Side Story, Follies, A Funny Thing Happened on the Way to the Forum, Sweeney Todd, Merrily We Roll Along, and Sunday in the Park with George.Al Hirschfeld drew his first Sondheim show in 1957—West Side Story. In his iconic, illustrative style, Hirschfeld captured almost all of Sondheim’s Broadway shows and several films featuring the composer’s songs and scripts.Sondheim was a Hirschfeld collector, acquiring drawings directly from the artist and through his friends and collaborators like Hal Prince. In his last interview just five days before his death on November 26, 2021, the New York Times ran a photo of Sondheim in his home with an image of Hirschfeld’s Putting it Together in the background.All images for this book have been scanned from the archives of the Al Hirschfeld Foundation, ensuring the highest possible quality.

A beautiful gift-ready collection of 25 removable, ready-to-frame prints by Al Hirschfeld featuring some of the most recognizable icons of the 20th century“To be a star on Broadway is to have one’s name in lights, yes, but it is also, and more significantly, to be drawn by Hirschfeld.” —Brendan GillWhen it comes to icons, Al Hirschfeld captured just about all from his era: Marilyn Monroe, Charlie Chaplin, Elvis Presley, Liza Minnelli, Julie Andrews, Sammy Davis Jr., Chita Rivera, Richard Pryor, Laurel and Hardy, and the Marx Brothers. Hirschfeld’s drawings over an unprecedented 80-year career have often become the definitive representations of these performers.Hirschfeld’s Icons contains the master's portraits of these icons, some of the greatest actors, actresses, musicians, movie, and TV stars of the past century. No other artist has had a front-row seat to pop culture the way Hirschfeld did.Accompanied by expert commentary and biographies by David Leopold, the foremost expert on Hirschfeld and the Creative Director of the Al Hirschfeld Foundation, we showcase the best of the best—including rare images from the archives and an all-new introduction by Dick Cavett.According to Merriam-Webster, an icon is “a person or thing widely admired especially for having great influence or significance in a particular sphere.”Hirschfeld’s Icons captures not just the most memorable roles of these icons from theater, film, music, dance, and television—a tour de force of some of the greatest entertainers of the last 100 years—but it reaffirms Hirschfeld’s legacy as one of our most iconic artists as well.Plus don't miss Hirschfeld's Sondheim, the perfect collection of 25 favorite Al Hirschfeld portraits drawn from Stephen Sondheim’s musicals—a national bestseller.