David Lyle Jeffrey – författare

It is well known that the Western university gradually evolved from the monastic stadium via the cathedral schools of the twelfth century to become the remarkably vigorous and interdisciplinary European institutions of higher learning that transformed Christian intellectual culture in the thirteenth and fourteenth centuries. It is equally well known that subsequent disciplinary developments in higher education, including the founding and flourishing of many of the most prestigious of North American universities, owe equally to the Protestant and perhaps particularly Calvinist influence. But that the secularized modern university that descended from these developments is now in something of an identity crisis is becoming widely – and often awkwardly – apparent. The reason most often given for the crisis is our general failure to produce a morally or spiritually persuasive substitute for the authority that undergirded the intellectual culture of our predecessors. This is frequently also a reason for the discomfort many experience in trying to address the problem, for it requires an acknowledgement, at least, that the secularization hypothesis has proven inadequate as a basis for the sustaining of coherence and general intelligibility in the university curriculum. Nowhere is this more apparent than in the disciplines of biblical studies and theology, which once were the anchor or common point of reference for theological thought, but which are now both marginalized in the curriculum and internally divided as to meaning and purpose, even where the Church itself is concerned. In this final volume of the Scripture and Hermeneutic Series, a group of distinguished scholars have sought to understand the role of the Bible in relation to the disciplines in a fresh way. Offered in a spirit of humility and experimentally, the essays here consider the historic role of the Bible in the university, the status of theological reflection regarding Scripture among the disciplines today, the special role of Scripture in the development of law, the humanities and social sciences, and finally, the way the Bible speaks to issues of academic freedom, intellectual tolerance, and religious liberty. Contributors Include: Dallas Willard William Abraham Al Wolters Scott Hahn Glenn Olsen Robert C. Roberts Byron Johnson Robert Cochran, Jr. David I. Smith John Sullivan Robert Lundin C. Stephen Evans David Lyle Jeffrey

The God of the Bible often speaks in poetry. Beginning with an illuminating exploration of eloquence in the divine voice, a highly acclaimed professor of literature opens up the treasury of biblical tradition among English poets both past and present, showing them to be well attuned not only to Scripture's meaning but also to its music. In exploring the work of various poets, David Lyle Jeffrey demonstrates how the poetry of the Bible affords a register of understanding in which the beauty of Holy Scripture deepens meditation on its truth and is indeed a vital part of that truth.

In Houses of the Interpreter, David Lyle Jeffrey explores the terrain of the cultural history of biblical interpretation. But Jeffrey does not merely rest content to chart biblical scholarship and how it has both influenced and been influenced by culture. Instead, he chooses to focus upon the "art" of Biblical interpretation--how sculptors, musicians, poets, novelists, and painters have "read" the Bible. By so doing, Jeffrey clearly demonstrates that such cultural interpretation has deepened the church's understanding of the Bible as Scripture and that, remarkably, this cultural reading has contributed to theology and the practice of faith. Jeffrey's chapters effectively root the theological issues central to any hermeneutical enterprise (e.g., Scriptural authority, narrative, the Old Testament as Christian Scripture, the role of the reader, gender, and postmodernism) in specific authors and artists (e.g., Chaucer, Bosch, Sir Orfeo, C. S. Lewis)--and he does this in constant conversation with literature, both eastern and western.

The King James translation of the Bible ushered in a new eloquence that until 1611 had not existed in the English language. Four centuries later, the literary and historical power of this Bible continues to awe. Originally conceived to help unify Protestants during the English Reformation, many of the Bible's phrases still saturate popular prose—as evidenced by sayings such as "an eye for an eye" and Abraham Lincoln's famous "a house divided against itself," and even in the intonations of Martin Luther King, Jr., and the music of Johnny Cash. The King James Bible and the World It Made brings into conversation leading contemporary scholars who articulate how this celebrated translation repeatedly influenced the language of politics, statecraft, and English literature while offering Christians a unique resource for living the faith.Including Mark Noll, Alister McGrath, Lamin Sanneh, David Bebbington, Robert Alter, Philip Jenkins, and Laura Knoppers, this collection highlights the most notable facets of the King James Bible and the history it created, and astutely reflects on its relevance to the modern world.

Most Baptists today have adapted rather well to the modern world—that is, they worship as they live, in ways that don't much deviate from the general cultural milieu. It was not always so. In the past, the ways of Baptists were eccentric, their children were sometimes embarrassed by them, and their grandchildren were astonished by many features of their communal Christian life and practice, some of which now seem hilarious. Yet David Lyle Jeffrey shows that in their firm faith and strong character, these forebears still have much to teach. The legacy of "old-time" Baptists is rich: in ways we might not recognize, we are still living on spiritual capital they built up a century ago.In this fast-paced and thought-provoking memoir, Jeffrey recalls growing up in the "old-time" Scottish Baptist tradition in rural Canada. With nostalgia, good humor, and sometimes lament, he considers his own theological and spiritual formation in a nearly vanished variety of Christian culture. Jeffrey reflects on events and customs that today may seem esoteric or quaint, perhaps even comical. Along the way, he considers the lessons a fading brand of Baptist life may hold for Baptists in the twenty-first century. Jeffrey offers witty and insightful commentary on theological matters such as sin, salvation, and grace, and practices like baptism, worship, and Sabbath-keeping.The Baptists of Jeffrey's youth encouraged abstinence from pleasures most folks took for granted. Their churches were often small, but they were the vital, stable hub of family and communal life through good times and bad, and had an extraordinary missional and evangelistic impact that belied their marginal status. This confessional recollection of a world of weird and wonderful "peculiar people" is an expression of Jeffrey's gratitude to the ones he knew.

Most Baptists today have adapted rather well to the modern world--that is, they worship as they live, in ways that don't much deviate from the general cultural milieu. It was not always so. In the past, the ways of Baptists were eccentric, their children were sometimes embarrassed by them, and their grandchildren were astonished by many features of their communal Christian life and practice, some of which now seem hilarious. Yet David Lyle Jeffrey shows that in their firm faith and strong character, these forebears still have much to teach. The legacy of "old-time" Baptists is rich: in ways we might not recognize, we are still living on spiritual capital they built up a century ago.In this fast-paced and thought-provoking memoir, Jeffrey recalls growing up in the "old-time" Scottish Baptist tradition in rural Canada. With nostalgia, good humour, and sometimes lament, he considers his own theological and spiritual formation in a nearly vanished variety of Christian culture. Jeffrey reflects on events and customs that today may seem esoteric or quaint, perhaps even comical. Along the way, he considers the lessons a fading brand of Baptist life may hold for Baptists in the twenty-first century. Jeffrey offers witty and insightful commentary on theological matters such as sin, salvation, and grace, and practices like baptism, worship, and Sabbath-keeping.The Baptists of Jeffrey's youth encouraged abstinence from pleasures most folks took for granted. Their churches were often small, but they were the vital, stable hub of family and communal life through good times and bad, and had an extraordinary missional and evangelistic impact that belied their marginal status. This confessional recollection of a world of weird and wonderful "peculiar people" is an expression of Jeffrey's gratitude to the ones he knew.

Fides quaerens intellectum is the idea that living faith naturally seeks a more complete understanding of God in relation to his creation. It has motivated Christian education from the very start. Although Ars quaerens intellectum--“art seeking understanding”--is by contrast a contemporary locution, in the Christian context of this volume it is a parallel to the more familiar phrase. “Art” here includes human making of the sort associated with any craft; this volume focuses on those usually called “fine” arts, namely poetry, painting, sculpture, and musical composition. The contributors to Art Seeking Understanding contend that art in almost any medium is typically born of a desire for some kind of understanding--perhaps of the potential in their medium, an aspect of the external world, or of the artist’s own compulsion to create. An artwork may be prompted by a desire for greater understanding of transcendent realities. A distinctive value of the collaboration represented in this book is thus the reflection of artists themselves set alongside remarks by philosophers, theologians, literary critics, art historians, and musicologists. Together, these authors argue that there is a tacit if not explicit theological dimension to art-making that reveals itself readily in religious art but also in works that may have no such conscious motivation. The artist, like all human creatures, is made in the image of God (imago Dei), but as both Scripture and tradition suggest, may in fact realize more intensively than the rest of us an aspect of the divine Maker. In turn, those who appreciate art may come to acquire an understanding of the nature of the Original Artist indirectly through allowing the works of gifted artists to spark their imaginative reflection. In this way, art “speaks” to us theologically in ways that substantially enrich our knowledge of our Creator and his creation. This volume invites readers to consider how God speaks, his characteristic poetic voice, and the influence of that voice on our knowledge of the holy.

At the meadowed edge of a marvelous forest from which, through a placid pond, flows a stream, curious animals and birds discover together some of the delights of creation. These animals, all distinct in personality, enjoy a lively community, and in their conversations they reflect on the mysteries and meaning of the wonderful environment in which they live. Young readers (and their parents and grandparents too) will meet, among others, a brave and handsome white-tailed buck and his family, a law society of owls who reflect on nature's harmonious order, a philosophical bachelor raven with a sense of humor, some frolicsome otters learning to sing, and a poetic porcupine who composes limericks to commemorate everyone's adventures.This beautifully illustrated collection of stories celebrates the joy of shared life in a still green and lovely land which, though challenges arise and the cycles of life are realistically represented, encourages a happy appreciation of the natural world.

Explore how the roots of the ancient Christian tradition inform and shape faithfulness todayThe Brazos Theological Commentary on the Bible enlists leading theologians to read and interpret scripture creedally for the twenty-first century, just as the church fathers, the Reformers, and other orthodox Christians did for their times and places. A rich resource for preachers, teachers, students, and study groups, the BTC provides guidance for reading the Bible under the rule of faith. Each volume in the series includes● a Christological focus and framework grounded in the Nicene Creed● connections between biblical interpretation and today's social issues● applications for contemporary faith and life● devotional depth for meditation and reflection● insights from literature, philosophy, culture, and moreHighly acclaimed professor of literature David Lyle Jeffrey offers a theological reading of Luke in this addition to the well-received Brazos Theological Commentary on the Bible.Ultimately the Brazos Theological Commentary on the Bible demonstrates the continuing intellectual and practical viability of theological interpretation of the Bible.

In Houses of the Interpreter, David Lyle Jeffrey explores the terrain of the cultural history of biblical interpretation. But Jeffrey does not merely rest content to chart biblical scholarship and how it has both influenced and been influenced by culture. Instead, he chooses to focus upon the ""art"" of Biblical interpretation--how sculptors, musicians, poets, novelists, and painters have ""read"" the Bible. By so doing, Jeffrey clearly demonstrates that such cultural interpretation has deepened the church's understanding of the Bible as Scripture and that, remarkably, this cultural reading has contributed to theology and the practice of faith. Jeffrey's chapters effectively root the theological issues central to any hermeneutical enterprise (e.g., Scriptural authority, narrative, the Old Testament as Christian Scripture, the role of the reader, gender, and postmodernism) in specific authors and artists (e.g., Chaucer, Bosch, Sir Orfeo, C. S. Lewis)--and he does this in constant conversation with literature, both eastern and western.

The King James translation of the Bible ushered in a new eloquence that until 1611 had not existed in the English language. Four centuries later, the literary and historical power of this Bible continues to awe. Originally conceived to help unify Protestants during the English Reformation, many of the Bible's phrases still saturate popular prose - as evidenced by sayings such as ""an eye for an eye"" and Abraham Lincoln's famous ""a house divided against itself,"" and even in the intonations of Martin Luther King, Jr., and the music of Johnny Cash. The King James Bible and the World It Made brings into conversation leading contemporary scholars who articulate how this celebrated translation repeatedly influenced the language of politics, statecraft, and English literature while offering Christians a unique resource for living the faith.Including Mark Noll, Alister McGrath, Lamin Sanneh, David Bebbington, Robert Alter, Philip Jenkins, and Laura Knoppers, this collection highlights the most notable facets of the King James Bible and the history it created, and astutely reflects on its relevance to the modern world.