David Melbye – författare
Visar alla böcker från författaren David Melbye. Handla med fri frakt och snabb leverans.
2 produkter
2 produkter
1 299 kr
Skickas inom 10-15 vardagar
Rod Serling’s pioneering series TheTwilight Zone (1959 to 1964) is remembered for its surprise twist endings and pervading sense of irony.While other American television series of the time also experimented with ironic surprises, none depended on these as much as Serling’s. However, irony was not used merely as a structural device—Serling and his writers used it as a provocative means by which to comment on the cultural landscape of the time. Irony in The Twilight Zone: How the Series Critiqued Postwar American Culture explores the multiple types of irony—such as technological, invasive, martial, sociopolitical, and domestic—that Serling, Richard Matheson, Charles Beaumont, and other contributors employed in the show. David Melbye explains how each kind of irony critiqued of a specific aspect of American culture and how all of them informed one another, creating a larger social commentary. This book also places the show’s use of irony in historical and philosophical contexts, connecting it to a rich cultural tradition reaching back to ancient Greece. The Twilight Zone endures because it uses irony to negotiate its definitively modernist moment of “high” social consciousness and “low” cultural escapism. With its richly detailed, frequently unexpected readings of episodes, Irony in The Twilight Zone offers scholars and fans a fresh and unique lens through which to view the classic series.
1 190 kr
Skickas inom 10-15 vardagar
Global Cinema Studies in Landscape Allegory explores the narrative and stylistic approaches to imbuing natural settings in audiovisual media with a psychological dimension – or, in other words, configuring a ‘landscape’ to function beyond its typical role as a backdrop – and the cultural contexts for this aesthetic impulse. Contributors argue that while audiovisual allegory can be understood as inherently avant-garde, certain kinds of stories – and the ways in which they are presented – can be categorized as a ‘landscape allegory.’ Focusing on the idea of a ‘landscape’ in the most concrete and literal form, contributions drawing from a global spectrum of cultural contexts work toward establishing a fuller and more culturally diverse understanding of landscape allegory in cinema.