David P. Pierson – författare

Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Series, edited by David P. Pierson, explores the contexts, politics, and style of AMC's original series Breaking Bad. The book's first section locates and addresses the series from several contemporary social contexts, including neo-liberalism, its discourses and policies, the cultural obsession with the economy of time and its manipulation, and the epistemological principles and assumptions of Walter White's criminal alias Heisenberg. Section two investigates how the series characterizes and intersects with current cultural politics, such as male angst and the re-emergence of hegemonic masculinity, the complex portrayal of Latinos, and the depiction of physical and mental impairment and disability. The final section takes a close look at the series' distinctive visual, aural, and narrative stylistics. Under examination are Breaking Bad's unique visual style whereby image dominates sound, the distinct role and use of beginning teaser segments to disorient and enlighten audiences, the representation of geographic space and place, the position of narrative songs to complicate viewer identification, and the integral part that emotions play as a form of dramatic action in the series.

A social, cultural, historical, and institutional analysis of the classic original series, The Fugitive.

The FX Reader, 1994–2010s is the first thorough look at the American basic cable channel and its series. Through a carefully orchestrated mix of steady corporate vision, creative management, producer-oriented development, and secured financial investment, FX has produced many of the boldest original series on cable television, subscription media, and content-streaming platforms. Known for its edgy, controversial, and occasionally risqué programming, FX made a name for itself across all genres of programming. This volume explores FX’s origins and early era, beginning with its quirky, live broadcasting inception in a large apartment building in New York City. With its 1997 branding relaunch, FX refocused the channel's target audience toward men aged 18–49, which led to its gradual emergence as a basic cable channel featuring original programming that rivaled the high-quality standards and mature content of premium channels such as HBO. David P. Pierson and Brian Faucette bring together leading scholars to weigh in on the social commentary provided by each show, demonstrating the network’s versatility and willingness to challenge societal norms and sensibilities. The legacy of FX is the content controversies and racial, social, and gender politics of its early male-centered dramatic serials and its bawdy, cringe situation comedies that later shifted to more socially progressive and inclusive programming.