David Pantalony – författare
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7 produkter
7 produkter
Inbunden, Engelska, 2025
2 058 kr
Skickas inom 3-6 vardagar
Unsound Supplies explores the complex and often hidden provenance of the raw materials that underpin the rich musical cultures of modernity. Each of the book's ten chapters focuses on one material used in musical instrument making and the audio communications industry in the nineteenth, twentieth, and twenty-first centuries--from African ivory and transatlantically traded rubber to Manila paper, Brazilian Pernambuco wood, tropical mahogany, Indian jackfruit trees, and steel, aluminum, wax, and shellac sourced from around the globe. Together, the chapters trace the geographically diverse and frequently colonial origins and extraction processes of these materials, while also revealing their shifting values and meanings along supply chains. The authors critically examine the logistics, large-scale infrastructures, working conditions, and political, economic, and epistemic forces that have facilitated this material diversity. Employing a variety of methods and approaches, Unsound Supplies reflects on the narratives and historiographical challenges that arise when discussing the material underpinnings of modern soundscapes, which are so often obscured and morally sanitized by modern musical and sonic aesthetics. The volume unleashes a noisy materiality marked by myriad contradictions, global connections, and uncertainties.
Häftad, Engelska, 2026
378 kr
Skickas inom 5-8 vardagar
Unsound Supplies explores the complex and often hidden provenance of the raw materials that underpin the rich musical cultures of modernity. Each of the book's ten chapters focuses on one material used in musical instrument making and the audio communications industry in the nineteenth, twentieth, and twenty-first centuries--from African ivory and transatlantically traded rubber to Manila paper, Brazilian Pernambuco wood, tropical mahogany, Indian jackfruit trees, and steel, aluminum, wax, and shellac sourced from around the globe. Together, the chapters trace the geographically diverse and frequently colonial origins and extraction processes of these materials, while also revealing their shifting values and meanings along supply chains. The authors critically examine the logistics, large-scale infrastructures, working conditions, and political, economic, and epistemic forces that have facilitated this material diversity. Employing a variety of methods and approaches, Unsound Supplies reflects on the narratives and historiographical challenges that arise when discussing the material underpinnings of modern soundscapes, which are so often obscured and morally sanitized by modern musical and sonic aesthetics. The volume unleashes a noisy materiality marked by myriad contradictions, global connections, and uncertainties.
E-bok
Engelska, 2025396 kr
Läs direkt efter köp
Unsound Supplies explores the complex and often hidden provenance of the raw materials that underpin the rich musical cultures of modernity. Each of the book's ten chapters focuses on one material used in musical instrument making and the audio communications industry in the nineteenth, twentieth, and twenty-first centuries--from African ivory and transatlantically traded rubber to Manila paper, Brazilian Pernambuco wood, tropical mahogany, Indian jackfruit trees, and steel, aluminum, wax, and shellac sourced from around the globe. Together, the chapters trace the geographically diverse and frequently colonial origins and extraction processes of these materials, while also revealing their shifting values and meanings along supply chains. The authors critically examine the logistics, large-scale infrastructures, working conditions, and political, economic, and epistemic forces that have facilitated this material diversity. Employing a variety of methods and approaches, Unsound Supplies reflects on the narratives and historiographical challenges that arise when discussing the material underpinnings of modern soundscapes, which are so often obscured and morally sanitized by modern musical and sonic aesthetics. The volume unleashes a noisy materiality marked by myriad contradictions, global connections, and uncertainties.
E-bok
PDF, Engelska, 2025398 kr
Läs direkt efter köp
Unsound Supplies explores the complex and often hidden provenance of the raw materials that underpin the rich musical cultures of modernity. Each of the book's ten chapters focuses on one material used in musical instrument making and the audio communications industry in the nineteenth, twentieth, and twenty-first centuries--from African ivory and transatlantically traded rubber to Manila paper, Brazilian Pernambuco wood, tropical mahogany, Indian jackfruit trees, and steel, aluminum, wax, and shellac sourced from around the globe. Together, the chapters trace the geographically diverse and frequently colonial origins and extraction processes of these materials, while also revealing their shifting values and meanings along supply chains. The authors critically examine the logistics, large-scale infrastructures, working conditions, and political, economic, and epistemic forces that have facilitated this material diversity. Employing a variety of methods and approaches, Unsound Supplies reflects on the narratives and historiographical challenges that arise when discussing the material underpinnings of modern soundscapes, which are so often obscured and morally sanitized by modern musical and sonic aesthetics. The volume unleashes a noisy materiality marked by myriad contradictions, global connections, and uncertainties.
Inbunden, Engelska, 2009
1 932 kr
Skickas inom 10-15 vardagar
Rudolph Koenig was one of the more prolific and colourful instrument makers in the renowned nineteenth-century precision instrument trade of Paris. Beginning his career as a violin maker, in 1858 the young Prussian immigrant shifted his talents towards the growing field of acoustics. Altered Sensations is a portrait of his vibrant atelier, a place of construction, commerce and experiment. For over forty years it was also a popular meeting place for scientists, artisans, musicians and teachers. Using archival and collection research from across North American and Europe, David Pantalony has traced the material and social influences of this space on the development of modern acoustics. In particular, he has detailed the manner in which Koenig modified, extended, spread and challenged Hermann von Helmholtz's Sensations of Tone. A large part of the research on Koenig comes from the actual products of his workshop which survive in museums and collections around the world. The second section of Altered Sensations provides a Catalogue Raisonné of Koenig’s entire line of instruments, including their history, details from specific examples, locations, and references in the literature. This catalogue will serve as a practical guide for curators and researchers as well as a comprehensive overview of nineteenth-century acoustical practice.
E-bok
PDF, Engelska, 20092 508 kr
Läs direkt efter köp
Rudolph Koenig was one of the more prolific and colourful instrument makers in the renowned nineteenth-century precision instrument trade of Paris. Beginning his career as a violin maker, in 1858 the young Prussian immigrant shifted his talents towards the growing field of acoustics. Altered Sensations is a portrait of his vibrant atelier, a place of construction, commerce and experiment. For over forty years it was also a popular meeting place for scientists, artisans, musicians and teachers. Using archival and collection research from across North American and Europe, David Pantalony has traced the material and social influences of this space on the development of modern acoustics. In particular, he has detailed the manner in which Koenig modified, extended, spread and challenged Hermann von Helmholtz''s Sensations of Tone. A large part of the research on Koenig comes from the actual products of his workshop which survive in museums and collections around the world. The second section of Altered Sensations provides a Catalogue Raisonné of Koenig’s entire line of instruments, including their history, details from specific examples, locations, and references in the literature. This catalogue will serve as a practical guide for curators and researchers as well as a comprehensive overview of nineteenth-century acoustical practice.
Del 24 - Archimedes
Altered Sensations
Rudolph Koenig’s Acoustical Workshop in Nineteenth-Century Paris
Häftad, Engelska, 2012
1 932 kr
Skickas inom 10-15 vardagar
Rudolph Koenig was one of the more prolific and colourful instrument makers in the renowned nineteenth-century precision instrument trade of Paris. Beginning his career as a violin maker, in 1858 the young Prussian immigrant shifted his talents towards the growing field of acoustics. Altered Sensations is a portrait of his vibrant atelier, a place of construction, commerce and experiment. For over forty years it was also a popular meeting place for scientists, artisans, musicians and teachers. Using archival and collection research from across North American and Europe, David Pantalony has traced the material and social influences of this space on the development of modern acoustics. In particular, he has detailed the manner in which Koenig modified, extended, spread and challenged Hermann von Helmholtz's Sensations of Tone. A large part of the research on Koenig comes from the actual products of his workshop which survive in museums and collections around the world. The second section of Altered Sensations provides a Catalogue Raisonné of Koenig’s entire line of instruments, including their history, details from specific examples, locations, and references in the literature. This catalogue will serve as a practical guide for curators and researchers as well as a comprehensive overview of nineteenth-century acoustical practice.