David Plante – författare

An original and radiant novel about grief, obsession, and the need for meaning from the author of The Family, a finalist for the National Book Award.When his young son dies in a freak accident, Gerard struggles to find a reason in the smallest of details, including the scrap of paper containing the Sanskrit alphabet that is found at the site. Latching on to this final “clue,” he delves into the origins of Indo-European alphabets, his fascination taking him to England, Greece, and finally, to an ancient site in the Syrian desert where the alphabet was born some 4000 years ago. Along the way he meets other grieving parents, who accompany him on a journey that extends beyond historical knowledge and right into the heart of love and loss.From the Trade Paperback edition.

''A compelling, absorbing account of a most vivid period in our cultural history, both high-minded and full of high gossip ... a rare treat'' Melvyn BraggThe first volume of David Plante''s extraordinary diaries of a life lived among the artistic elite, both a deeply personal memoir and a hugely significant document of cultural historyNikos and I live together as lovers, as everyone knows, and we seem to be accepted because it''s known that we are lovers. In fact, we are, according to the law, criminals in our making love with each other, but it is as if the laws don''t apply. It is as if all the conventions of sex and clothes and art and music and drink and drugs don''t apply here in London... Strangers to this new city, from previous lives in New York and Athens, David Plante and Nikos Stangos are embarking on a new life together, a partnership which will endure for forty years. London, at a moment of ''absolute respect for differences'', offers a freedom in love unattainable in their previous homes.From the King''s Road to Bloomsbury, worlds within worlds emerge: friendships with Stephen and Natasha Spender, Francis Bacon, Sonia Orwell, W. H. Auden, Christopher Isherwood, Steven Runciman, David Hockney and R. B. Kitaj; meetings with E. M. Forster and Duncan Grant. Connections appear to criss-cross, invisibly, though the air of London, interconnecting everyone. David Plante has kept a diary of his life among the artistic elite for over half a century. Spanning his first fifteen years in London, from the mid-sixties to the early eighties, this first volume of memoirs draws on diary entries, notes, sketches and drawings to reveal a beautiful, intimate portrait of a relationship and a luminous evocation of a world of writers, poets, artists and thinkers.

''An absorbing and zesty read, both high-minded and full of high gossip. In short, a rare and unexpected treat'' Melvyn Bragg____________________The writer David Plante has kept a diary of his life among the artistic elite for over half a century. It is an extraordinary document, both deeply personal and a rare window onto disappearing worlds. This extracted memoir spans the 1980s, a period of exploration and growth for Plante and his lover Nikos Stangos, a partnership which will endure for forty years. David Plante and Nikos Stangos first made a life together in London in the mid-sixties, when as newcomers they were introduced by Stephen Spender to his circle, connections criss-crossing, dazzlingly, through the air of their adopted city, interconnecting so many admired figures. Now navigating worlds beyond London – from a house-share with Germaine Greer in Tulsa, Oklahoma, to a trip to Jerusalem with Philip Roth; from the loss of parents to the growing spectre of AIDS; and in New York, Umbria, Lucca, the Aegean and rural Ireland – these are stories of expanding horizons and of a deepening and developing love: the challenges of monogamy, the strains of separation, of a growing maturity and awareness – and of what it is to belong. Worlds Apart is a poignant, moving portrait of a relationship and a luminous evocation of a world of writers, poets, artists and thinkers.

'An absorbing and zesty read, both high-minded and full of high gossip. In short, a rare and unexpected treat' Melvyn Bragg____________________The writer David Plante has kept a diary of his life among the artistic elite for over half a century. It is an extraordinary document, both deeply personal and a rare window onto disappearing worlds. This extracted memoir spans the 1980s, a period of exploration and growth for Plante and his lover Nikos Stangos, a partnership which will endure for forty years.David Plante and Nikos Stangos first made a life together in London in the mid-sixties, when as newcomers they were introduced by Stephen Spender to his circle, connections criss-crossing, dazzlingly, through the air of their adopted city, interconnecting so many admired figures.Now navigating worlds beyond London – from a house-share with Germaine Greer in Tulsa, Oklahoma, to a trip to Jerusalem with Philip Roth; from the loss of parents to the growing spectre of AIDS; and in New York, Umbria, Lucca, the Aegean and rural Ireland – these are stories of expanding horizons and of a deepening and developing love: the challenges of monogamy, the strains of separation, of a growing maturity and awareness – and of what it is to belong.Worlds Apart is a poignant, moving portrait of a relationship and a luminous evocation of a world of writers, poets, artists and thinkers.

In London, Ted, a lapsed American Catholic married to a British woman encounters a friend’s child who is studying for his first communion. The boy, Jonathan, is terminally ill and believes the ritual of his first communion might miraculously heal him. Ted sees himself in the boy, and vividly recalls his childhood self. The idea of an eternal afterlife comforts Jonathan, but for Ted the idea represents a kind of dislocation: Is life merely something to be endured in preparation for eternity? Ted believed that as a child and now, in Jonathan, he finds the same beliefs taking hold. He must find a way back to his life and rediscover the profound joy that anchors him in this life, rather than in eternity.

In this short, masterful gem of a novel, David Plante’s seasoned narrator contemplates the connection between physical beauty and love, drawing on literary references and personal experiences to explore these themes.The unnamed narrator of this brief, urgent novel, a young novelist making his way in the literary world, writes of his fascination with two enigmatic, troubled young men, one a Boston Brahmin and the other a lofty undergraduate at England’s Cambridge University whom the narrator meets during his writer-in-residency. With each young man the narrator engages in a complex relationship filled with intellectual and erotic tension and each relationship leaves him feeling unfulfilled. By contrast, the narrator relates the story of his deep and abiding romantic life with an English poet, who introduces him to the remaining members of The Bloomsbury group as well as E.M. Forster and who guides him toward the publishers who bring out his early work. However, the poet dies young, and the narrator is once against cast adrift and his quest to find new, intimate interactions with the tragic young men he encounters causes him to reflect on the nature of beauty, love, and the intellectual life, emphasizing the transient and often unfulfilled desires that drive human connections.

A landmark work dedicated to the author's partner, this set of linked poems explores love and loss through the lens of myth, faith, and art. Heavily influenced by the work of C. P. Cavafy, Plante's paen to his beloved will stay with readers long after the last verse.In 1965, the novelist David Plante met the poet and editor Nikos Stangos, with whom he lived until Stangos's death in 2004. Over those years, Plante learned Greek and immersed himself in Greek poetry and found himself entranced by the profoundly straightforward and unmetaphoric style of the great C.P. Cavafy. Plante's verse tribute to Stangos, The Death of a Greek Lover, combines the austere and the sensual in ways reminiscent of Cavafy, while possessing a passionate sincerity of its own. This beautiful sequence of short poems, a book-length elegy, brings a singular new sensibility and music to poetry in English.Plante's fiction mixes exact social and psychological observation with an unmistakable and unsettling sense of transcendent meaning. The extraordinarily direct expression of love and loss found in The Death of a Greek Lover is similarly accompanied by an ongoing exploration of how poetry, myth, and faith can speak to our sorrowing selves.

'A compelling, absorbing account of a most vivid period in our cultural history, both high-minded and full of high gossip ... a rare treat' Melvyn BraggThe first volume of David Plante's extraordinary diaries of a life lived among the artistic elite, both a deeply personal memoir and a hugely significant document of cultural historyNikos and I live together as lovers, as everyone knows, and we seem to be accepted because it's known that we are lovers. In fact, we are, according to the law, criminals in our making love with each other, but it is as if the laws don't apply. It is as if all the conventions of sex and clothes and art and music and drink and drugs don't apply here in London... Strangers to this new city, from previous lives in New York and Athens, David Plante and Nikos Stangos are embarking on a new life together, a partnership which will endure for forty years. London, at a moment of ‘absolute respect for differences’, offers a freedom in love unattainable in their previous homes.From the King’s Road to Bloomsbury, worlds within worlds emerge: friendships with Stephen and Natasha Spender, Francis Bacon, Sonia Orwell, W. H. Auden, Christopher Isherwood, Steven Runciman, David Hockney and R. B. Kitaj; meetings with E. M. Forster and Duncan Grant. Connections appear to criss-cross, invisibly, though the air of London, interconnecting everyone. David Plante has kept a diary of his life among the artistic elite for over half a century. Spanning his first fifteen years in London, from the mid-sixties to the early eighties, this first volume of memoirs draws on diary entries, notes, sketches and drawings to reveal a beautiful, intimate portrait of a relationship and a luminous evocation of a world of writers, poets, artists and thinkers.