David Prior – författare

Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. The Oxford Handbook of Sound Art surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the Handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged. By offering a set of thematic frameworks through which to understand these themes, this Handbook situates constellations of disparate thought and practice into recognized centers of activity.

Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. The Oxford Handbook of Sound Art surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the Handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged. By offering a set of thematic frameworks through which to understand these themes, this Handbook situates constellations of disparate thought and practice into recognized centers of activity.

Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. The Oxford Handbook of Sound Art surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the Handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged. By offering a set of thematic frameworks through which to understand these themes, this Handbook situates constellations of disparate thought and practice into recognized centers of activity.

Between Freedom and Progress recovers and analyses the global imaginings of Reconstruction's partisans, those who struggled over and with Reconstruction, as they vied with one another to define the nature of their country after the Civil War. The remarkable technological and commercial transformations of the mid-nineteenth century, in particular, steam engines, telegraphs, and an expanded commercial printing capacity, created a constant stream of news, description, and storytelling from across and beyond the nation. Reconstruction's partisans contended with each other to make sense of this information, motivated by intense political antagonism combined with a shared but contested set of ideas about freedom and progress. As writers, lecturers, editors, travelers, moral reformers, racists, abolitionists, politicians, suffragists, soldiers, and diplomats, Reconstruction's partisans made competing claims about their place in the world. Understanding how, why, and when they did so helps ground our understanding of Reconstruction, itself a mysterious, transatlantic term, in its own intellectual context.Three factors proved pivotal to the making of Reconstruction's world. First, from 1865 to the early 1870s, the interconnected issues of how to remake the Union and how to remake the South exerted a powerful hold on federal politics, defining the partisan landscape and inspiring rival arguments about what was possible and what was good. The daunting nature of these issues created a sense of crisis across the political spectrum, with political discourse ranging in tone from combative to euphoric to apocalyptic. Second, though domestic in nature, these issues were refracted through two broadly held beliefs: that the causes of freedom and progress defined history and that distinctive peoples with their own characters composed the world's population. These beliefs produced a disposition to think of developments from across and beyond the United States as essentially relatable to each other, encouraging an intellectual style that favoured wide-ranging comparisons. Third, far from being confined to the elite, this mode of thinking and arguing about the world lived and breathed in public texts that were produced and consumed on a weekly and daily basis. This commercialised and politicised world of mass publishing was highly unequal in structure and content, but it was also impressively vibrant and popular. Together, these three factors made the world of Reconstruction a global landscape of information, argumentation, and imagination that derived much of its vigor from domestic political battles.

As one of the most complexly divisive periods in American history, Reconstruction has been the subject of a rich scholarship. Historians have studied the period's racial views, political maneuverings, divisions between labor and capital, debates about woman suffrage, and of course its struggle between freed slaves and their former masters. Yet, on each of these fronts scholarship has attended overwhelmingly to the eastern United States, especially the South, thereby neglecting important transnational linkages. This volume, the first of its kind, will examine Reconstruction's global connections and contexts in ways that, while honoring the field's accomplishments, move it beyond its southern focus.The volume will bring together prominent and emerging scholars to showcase the deepening interplay between scholarships on Reconstruction and on America's place in world history. Through these essays, Reconstruction in a Globalizing World will engage two dynamic fields of study to the benefit of them both. By demonstrating that the South and the eastern United States were connected to other parts of the globe in complex and important ways, the volume will challenge scholars of Reconstruction to look outwards. Likewise, examining these same connections will compel transnationally-minded scholars to reconsider Reconstruction as a pivotal era in the shaping of the United States' relations with the rest of the world.

As one of the most complexly divisive periods in American history, Reconstruction has been the subject of a rich scholarship. Historians have studied the period's racial views, political maneuverings, divisions between labor and capital, debates about woman suffrage, and of course its struggle between freed slaves and their former masters. Yet, on each of these fronts scholarship has attended overwhelmingly to the eastern United States, especially the South, thereby neglecting important transnational linkages. This volume, the first of its kind, will examine Reconstruction's global connections and contexts in ways that, while honoring the field's accomplishments, move it beyond its southern focus.The volume will bring together prominent and emerging scholars to showcase the deepening interplay between scholarships on Reconstruction and on America's place in world history. Through these essays, Reconstruction in a Globalizing World will engage two dynamic fields of study to the benefit of them both. By demonstrating that the South and the eastern United States were connected to other parts of the globe in complex and important ways, the volume will challenge scholars of Reconstruction to look outwards. Likewise, examining these same connections will compel transnationally-minded scholars to reconsider Reconstruction as a pivotal era in the shaping of the United States' relations with the rest of the world.

This volume examines the historical connections between the United States' Reconstruction and the country's emergence as a geopolitical power a few decades later. It shows how the processes at work during the postbellum decade variously foreshadowed, inhibited, and conditioned the development of the United States as an overseas empire and regional hegemon. In doing so, it links the diverse topics of abolition, diplomacy, Jim Crow, humanitarianism, and imperialism.In 1935, the great African American intellectual W. E. B. Du Bois argued in his Black Reconstruction in America that these two historical moments were intimately related. In particular, Du Bois averred that the nation's betrayal of the South's fledgling interracial democracy in the 1870s put reactionaries in charge of a country on the verge of global power, with world-historical implications. Working with the same chronological and geographical parameters, the contributors here take up targeted case studies, tracing the biographical, ideological, and thematic linkages that stretch across the postbellum and imperial moments. With an Introduction, eleven chapters, and an Afterword, this volume offers multiple perspectives based on original primary source research. The resulting composite picture points to a host of countervailing continuities and changes. The contributors examine topics as diverse as diplomatic relations with Spain, the changing views of radical abolitionists, African American missionaries in the Caribbean, and the ambiguities of turn-of-the century political cartoons.Collectively, the volume unsettles familiar assumptions about how we should understand the late nineteenth-century United States, conventionally framed as the Gilded Age and Progressive Era. It also advances transnational approaches to understanding America's Reconstruction and the search for the ideological currents shaping American power abroad.

This volume examines the historical connections between the United States' Reconstruction and the country's emergence as a geopolitical power a few decades later. It shows how the processes at work during the postbellum decade variously foreshadowed, inhibited, and conditioned the development of the United States as an overseas empire and regional hegemon. In doing so, it links the diverse topics of abolition, diplomacy, Jim Crow, humanitarianism, and imperialism.In 1935, the great African American intellectual W. E. B. Du Bois argued in his Black Reconstruction in America that these two historical moments were intimately related. In particular, Du Bois averred that the nation's betrayal of the South's fledgling interracial democracy in the 1870s put reactionaries in charge of a country on the verge of global power, with world-historical implications. Working with the same chronological and geographical parameters, the contributors here take up targeted case studies, tracing the biographical, ideological, and thematic linkages that stretch across the postbellum and imperial moments. With an Introduction, eleven chapters, and an Afterword, this volume offers multiple perspectives based on original primary source research. The resulting composite picture points to a host of countervailing continuities and changes. The contributors examine topics as diverse as diplomatic relations with Spain, the changing views of radical abolitionists, African American missionaries in the Caribbean, and the ambiguities of turn-of-the century political cartoons.Collectively, the volume unsettles familiar assumptions about how we should understand the late nineteenth-century United States, conventionally framed as the Gilded Age and Progressive Era. It also advances transnational approaches to understanding America's Reconstruction and the search for the ideological currents shaping American power abroad.

This Special Publication contains most of the contributions presented at the 1st International Workshop on Fan Deltas (1988) but also contains additional papers which make this particular volume a very well-rounded reference source for the advanced undergraduate/graduate student and the professional earth scientist concerned with sedimentology and petroleum geology. The papers describe the sedimentology and tectonic setting of this important depositional environment. Course-grained deltas, ranging from sand to gravelly, are fully covered and the main focus is on steep-face systems whose steep subaqueous slopes are dominated by high-energy processes. The volume includes case histories from around the world and throughout the book there is emphasis on the subaqueous realm of the delta face, its sedimentary processes and facies associations

The manuscript is essentially about Franco Vallario’s life as a carver sculptor and stonemason. Franco originates from multi generations of carvers from the small Italian village of St Andrea di Conza high up in the mountainous regions of central Italy. From very humble and spartan conditions Franco learns his trade from observation, trial and error as he discovers in his early life what he really wants to do. That is to carve a permanent reminder of his creative genius out of stone wherever possible. But first he must experience other avenues that appeal to him and joins the navy and the priesthood. These occupations do not satisfy his creative desires and so he opts to emigrate to Australia. In doing so he is following in the footsteps of many other Italian men form poor backgrounds who have a once in a lifetime opportunity to escape a life of poverty by taking advantage of the Australian government’s immigration scheme in the 1950’s. After working for successful entrepreneurs he is placed in charge of a team of stone masons to restore the gargoyles and bosses on Sydney University’s historic gothic building. As he is not being paid for his talents he secures and completes his most challenging and exciting project independently in craving the capitals for the Mitchell Library. This is something none of the previous Vallario carvers have ever achieved! He is inundated with request from the Australian media to be interviewed and as he is now successful decides to open his own business which he pursues with vigour. In doing so he abandons working in stone and starts creating in marble. In that endeavour he seeks the best quality marble overseas particularly from the quarries where Michelangelo sourced his material , at Carrara. He travels overseas extensively for his clients, many of whom are well known or famous identities in Australia. As he comes to the end of his career he sees his adopted country as having provided him with every opportunity to succeed as a carver and sculptor.

In this fresh and gripping exposition, David Prior writes first of all as a pastor. His conviction is that 1 Corinthians is uniquely a tract for our times. His aim is that churches will recognise the problems and tensions inherent in being God's people in the increasingly urban world today, and not be ignorant of the true spirituality that is the work of the Holy Spirit. He wishes for each of them as a body to grow to express the total lordship of Christ.For Paul, he points out, Corinth as a strategic test case: if the gospel of Christ could change lives there, it could do so anywhere. He saw in the Corinthian believers the rich resources for Christian ministry and mission that are present in every local church.

Joel, Micah and Habakkuk - these ancient prophets have urgent relevance for a church and world at the beginning of a new millennium. They emphasise the life-or-death importance of listening to what God has to say, in times of disaster, disobedience and destruction.- Joel, facing the bleakness of national disaster, anticipates a future outpouring of God's Spirit.- Micah declares that God's punishment for wickedness is certain and just, but that he will preserve a faithful remnant.- Finally, facing imminent destruction of the city, the land and the people, Habakkuk remains sure that God's hidden purposes are being worked out.These prophets stood in their marketplace, powerfully applying their messages from God. David Prior shows that, like them, the church needs to be willing to share God's word in today's marketplace. Only this stand will bring hope, rather than despair, to a society under God's judgment.The Bible Speaks Today series covers every book of the Old and New Testaments, as well as Bible themes that run through the whole of Scripture. These revised editions are redesigned inside and out and have been sensitively updated with contemporary language and Bible translations to help you follow, study and teach the Bible in today's world.

Pilsdon sits within a lengthy tradition of hospitality offered by faith communities of different types and of both monastic and lay community life. People of all faiths and none are welcomed as guests to live and work alongside the community members, staying for as long as they need to. Located in the West Dorset countryside, the community operates as a small  farm, caring for cows, sheep, pigs, hens and extensive vegetable and fruit gardens through principles of environmental sustainability. It offers guests the opportunity to recover a positive sense of self through being alongside others and to start to repair what are often very broken lives. The stories told in the book through the voices of those who  have experienced this way of life give a vivid and compelling account of the benefits of ‘living in common’. Moreover, the book locates this account within a broader analysis of the changing social, cultural and policy context as it relates to people with problems of mental illness, addiction and homelessness. Living Life in Common: Stories from the Pilsdon Community is about communal living, as practised by a community through a period of substantial cultural and social change. The book presents in their own words the first-hand experiences of people who have known and lived in the Pilsdon Community throughout its 62 year history. It reflects on the enduring values of a way of life that has survived both internal challenges and the shock of a global pandemic to offer hope and inspiration for how we can live well together.

Many of the recent reforms in public services in the UK have been driven by the image of the 'responsible citizen' - the service user who does not only have rights to receive services but also has responsibilities for the delivery of policy outcomes. In this way, citizens' everyday conduct is shaped by governmental action, yet there is much evidence that both front-line staff in public services and the people who use them can sometimes act in ways that modify, disrupt or negate intended policy outcomes. "Subversive citizens" presents a highly original examination of how official policy objectives can be 'subverted' through the actions of staff and users. It discusses the role of public policy in the creation of 'good citizenship', such as making appropriate choices about what to eat and how much to save, to being an active participant in the local community. It also examines how the roles of service delivery staff have changed substantially, and how theories of 'power' and 'agency' are useful in analysing the engagement between public policies (and those employed to deliver them) and the citizens at whom they are targeted.The idea of subversive citizenship is explored through theoretical and empirical analyses by a range of prominent social researchers and will be of interest to students of social policy, sociology, criminology, politics and related disciplines, as well as policy makers involved in public services.

Many of the recent reforms in public services in the UK have been driven by the image of the 'responsible citizen' - the service user who does not only have rights to receive services but also has responsibilities for the delivery of policy outcomes. In this way, citizens' everyday conduct is shaped by governmental action, yet there is much evidence that both front-line staff in public services and the people who use them can sometimes act in ways that modify, disrupt or negate intended policy outcomes. "Subversive citizens" presents a highly original examination of how official policy objectives can be 'subverted' through the actions of staff and users. It discusses the role of public policy in the creation of 'good citizenship', such as making appropriate choices about what to eat and how much to save, to being an active participant in the local community. It also examines how the roles of service delivery staff have changed substantially, and how theories of 'power' and 'agency' are useful in analysing the engagement between public policies (and those employed to deliver them) and the citizens at whom they are targeted.The idea of subversive citizenship is explored through theoretical and empirical analyses by a range of prominent social researchers and will be of interest to students of social policy, sociology, criminology, politics and related disciplines, as well as policy makers involved in public services.